“Entertaining Angels” is an interesting title for this movie about the 1920’s and 30’s social activist, Dorothy Day, for it can be regarded that what this woman did, sometimes single-handedly, always controversially, in her fight against social injustice would, indeed, be wonderful entertainment for angels… or it could mean that her work was for the benefit of the ‘angels’ at the bottom of the social ladder for whom she fought daily against those who would hold them down… this included her work as a suffregette. However it is meant, this film captures much of the real-life drama that took place on big city streets, and of the very personal trials which eventually led her to convert to roman Catholicism, and a dedication to helping the poor.

Danny, a respected cop, is setup after an investigation goes wrong. While laying low in his new jail cell, Danny is forced to get involved in the inmates underground cage fighting circuit. With the help of Irving, a former mixed martial arts champion, Danny devises a scheme to bring justice and innocence to his family’s name, if he can get out of the cage alive.

Based on true events that changed the law. This is the story of a survivor, Lyndal, a young woman sexually abused as an 11 year old while attending a prestigious school. Her courage to fight for justice is entrusted to a local lawyer determined to build a case and give Lyndal peace from her torment. With the help of his aspiring young associate and an enigmatic barrister, the lawyer and Lyndal find their way together.

Person of Interest follows former CIA paramilitary operative, John Reese, who is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch’s genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work “outside the law” and get the right criminal behind bars.