After a violent altercation, a runaway youth goes on the lam with a charming beach dweller offering an easy way out, but once they skip town, she quickly realizes that the harrowing past she’s running from is one she may never escape.

Saul Schwartz, a married successful businessman, is bored with his life and decides he has had enough. So he gets a divorce, quits his job, and goes off to pursue his dream, in Hollywood to be a movie star. Only becoming a movie star isn’t as easy as he thought. Nobody wants an overweight, 50 year old, New Yorker who looks like a lawyer. He’s going to have to make a few adjustments.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

Player follows a righteous, self-controlled and rather boring lawyer (Bjerg), who is sent to Nice on a divorce case. As he arrives, everything starts go wrong – he is cheated out of $2 million company money and the future looks bleak, when he meets his old buddy, a gambler of easy virtue (Christensen).

After discovering his wife’s infidelities, Gerry leaves London to look after his deceased brother’s business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother’s life – both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother’s alter ego ‘Mister John’ or returning to London to face his failing relationship.

How did America change from Easy Rider into Donald Trump? What became of the dreams and utopias of the 1960’s and 1970’s? What do the people who lived in that golden age think about it today? Did they really blow it? Shot in Cinemascope – from New Jersey to California – this melancholic and elegiac road-movie draws upon the portrait of a confused, complex and incandescent America one year after the start of the electoral campaign. That golden age has become its last romantic border and an inconsolable America is about to pull on a trigger called Trump.