Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity.

Anna returns home after spending time in a psychiatric facility following her mother’s tragic death and discovers that her mother’s former nurse, Rachel, has moved into their house and become engaged to her father. Soon after she learns this shocking news, Anna is visited by her mother’s ghost, who warns her that Rachel has evil intentions.

Harry Potter has lived under the stairs at his aunt and uncle’s house his whole life. But on his 11th birthday, he learns he’s a powerful wizard — with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school’s kindly headmaster, Harry uncovers the truth about his parents’ deaths — and about the villain who’s to blame.

Nina is totally heartbroken at the death of her boyfriend Jamie, but is even more unprepared for his return as a ghost. At first it’s almost as good as it used to be – hey, even the rats that infested her house have disappeared. But Jamie starts bringing ghostly friends home and behaving more and more oddly.

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

Susie Q was going to a dance one night when she and her boyfriend got into a car crash and fell off a bridge. Years later, a teenager named Zach Sands moves into Susie’s old house. Zach’s father died in a car accident so his family is his mother and his sister, Penny Sands. One night, Zach sees Susie, and she discovers that he can see her. Then Susie explains to Zach, there is a Heaven. But after death people are sent back to Earth to help their families. And sometimes when they can’t help by themselves, they get special help. And that is why Zach can see her. So that he could help her family. In fact, Zach is the only one who can see Susie. And on the way, Zach falls in love with Susie. Is their love divine?

The story centers on Billy, an effeminate fan of vintage science fiction action thrillers. His only friend is Cameron, a nerdy film buff who tries to boost his confidence whenever he can. After seeing a UFO land, Billy retreats into his head, imagining that aliens are taking over the town. Cameron is skeptical, as is the rest of the town. Meanwhile, people are starting to die. First, the reclusive cat lady, Percis, is discovered mutilated by Lester, the churchgoing husband of Carolyn, Percis’s depressed caretaker. Random deaths soon follow, first a jogger, and then a janitor at the Carbonics Warehouse. A pair of news reporters share this information with the public while the Detective and his Chief try to solve the killings.

A sleuthing garage sale maven suspects foul play when her friend dies in an old house with a cursed reputation. Even though police evidence – and even webcam footage of the death – point to natural causes – this mysterious death in a cursed” home poised for multi-million dollar sale seems too coincidental. Putting her keen instincts to work, she examines a few key suspects. As she digs into this deadly mystery, she uncovers clues that bring her closer to the truth, and even put her own life in danger.

The bond of brotherhood is always stronger when you can be pitched into a life and death situation at any time and the only thing that gets you through the inferno is the trust that your brother will have your back. The firefighters of Hong Kong’s Pillar Point division who are expecting a quiet night to see off their retiring chief find their faith in each other stretched to the limits when a small fire at a liquor warehouse threatens to plunge the whole of Hong kong into darkness if it spreads to a nearby power plant supplying natural gas. Politics, rivalry, and suspicion all come into play when dubious decisions are made, warnings are ignored and colleagues start to fall. Can the Pillar Point brotherhood survive the night, if not the fire, with their trust in each other intact?

Siblings Monroe (Monroe Mann) and Hilary (Crystal Arnette) have discovered that they have inherited a lake house and to make things even better, the famous horror author Stephen King is rumoured to live somewhere nearby. They decide to take their friends down to the lake house to check things out, only to find immediate resistance from all of the locals, who insist that King doesn’t live in the area. Despite being completely unwelcome, they decide to stay and soon find that people are being killed one by one in a manner similar to several deaths in various Stephen King stories.

Hardened criminal Maggie Hayward’s consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent ‘Bob’ arranges a staged death, so Maggie can be elaborately trained as a phantom killer and subdued into obedience. She gets a new cover identity as saleswoman Claudia Anne Doran. She also gets a wonderful house-mate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates hit jobs. His good influence extends to breeding in her a conscience that places love over business, unlike Bob’s agency.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.

By God’s mistake, an arrogant single lawyer turns into a mother of two kids! Yeon-woo, an ambitious lawyer never believes in love is about to start her new job at the biggest law firm in the states. A day before her departure she gets into a car accident and passes out. She arrived in heaven and realizes that she died instead of her namesake. The death manager LEE, to cover his mistake, offers her to live in someone else’s body for one month. Yeon-woo now has to live as a mother of a 6 years old daughter with a mundane officeholder. Will Yeon-woo manage to live as an ordinary housewife?

Rachel Carson, a best-selling crime novelist, is devastated and filled with guilt over the accidental death of her son. Hoping that a change of scenery will help alleviate her suffering, she leaves her home in the city and moves into a vacant country house owned by a friend and begins a relationship with charming local Angus. But, just as her life is taking a turn for the better, Rachel realizes she’s being romanced by a ghost, leading her to doubt her own sanity.

In the tiny kingdom of Euphrania, the King and his court are most anxious to get Prince Edward wed. But Edward wants to marry for love. Meanwhile, young Cinderella finds life drastically altered with her father’s death as she’s forced to be a servant in her own house. But a cheery fairy godmother helps her with her impossible tasks, and even gets her to take an evening out at the King’s bride-fin

While at a slumber party, twelve-year-old Olivia is blamed for the horrific and mysterious death of her friend after singing a song, created by a reclusive mastermind, Milo, which summons a demonic figure known as “The Crooked Man.” Returning to her hometown six years later, a string of unusual deaths lead Olivia to believe that she’s still being haunted by whatever she saw that fateful night. Once you sing the rhyme, everyone in the house is cursed to die by his hands.

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron’s laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.

A troubled Catholic priest, Father James, finds his faith crushed when a young girl he promises to protect commits suicide. Months after her death, he is forced to return to his old parish and to the scene of her suicide, a derelict mansion house. Trapped in the house overnight James becomes convinced that he is being haunted by the ghosts of the girl and her dead Stepfather, risen from the grave to seek a blood retribution for the awful tragedy that he allowed to take place

After the mysterious death of his Aunt, a confirmed skeptic lawyer, Bryan Becket, dismisses reports that her house is haunted and moves in. Immediately occurrences begin he cannot explain. And beyond the occurrences there is something about the house which gnaws at Becket – some strange connection he senses he has with the house’s past. Soon, the haunting turns personal.

After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse’s mistress, children and cousins. They have come to Schtettel to fulfil the Count’s last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.

A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.

Miller lives alone in an abandoned Alabama slaughterhouse. His memory and sanity are shattered and his only company is the spirit of his lover, who was murdered a decade ago. Ruth arrives, desperate to discover the truth about her mother’s death. She stays with Miller for three nights. Together they piece together the fragments of his memory, but they are horrified at what they uncover.

In the late 1890s the Davenport House was a famous and successful brothel, until a young prostitute named Alice killed herself there. After her death, the brothel became haunted by Alice’s ghost, and was eventually abandoned. More than a century later, the old structure is renovated into a beautiful mansion. It is still rumored to inhabit the ghost of Alice. Despite this, the new owner; the rich and arrogant heir to the Davenport fortune, decides to throw a wild party for his first night in the house.

We’re in an English village shortly before Dunkirk. “Mr. Tom” Oakley still broods over the death of his wife and small son while he was away in the navy during WWI, and grief has made him a surly hermit. Now children evacuated from London are overwhelming volunteers to house them. Practically under protest, Mr. Tom takes in a painfully quiet 10-year-old, who gradually reveals big problems.

Constantly mistreated by her cruel, alcoholic husband Chun-yu (Wang Jung), frail Chan Sau-ying (Tanny Tien Ni) awaits certain death from tuberculosis. New servant girl Yi-wah (Chen Szu-chia) takes pity on her mistress’ plight but, after suffering Chun-yu’s abuse once too often, the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man’s bloated corpse has risen from the bog to seek vengeance. Yi-wah dismisses her claims as the delusions brought about by guilt and her illness but it appears that the house is indeed being haunted by a corpse that will not be easily appeased.

Michael is a successful actor, but he has a scandal in his past: at a tender age he knifed his father to death. He and his girlfriend Deborah go to his mother’s for the weekend, and are joined by the director and others from a recent film project, who are given a rather cool reception by the superstitious housekeeper Oliver. Soon rude things begin happening to some of the guests, and Michael fears a repeat of his nightmare past is in progress.

Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.

Phillip Filmore is a naive, 15-year-old, preoccupied with sex, who develops a crush on Nicole Mallow, the new 30-something, French housekeeper and sitter to look after him when Phillip’s father is out of town for the summer on a “business” trip. But Mr. Filmore’s unscrupulous chauffeur, Lester Lewis, takes advantage of Phillip’s crush on Nicole to hire her to seduce the youth, then draws her into a plot to fake her own death in a blackmail scheme aimed to drain Phillip’s trust fund.

Craig moves with his daughter, Jennifer, into a new home after the death of his wife. It’s not long before the pair discover the house is haunted by a dark presence that wants to take over the child. One day Jennifer disappears and Craig must face a terrible truth in order to find his daughter.

After the mysterious death of their young son, a couple desperately flees to a remote lake house to escape the unrelenting haunting following them only to discover the mysterious entity is still very much a part of their lives.

A small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother’s death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister’s disease, Ayia seeks help from Father Herman, a parish priest and a close family friend. In his house she finds books that are very far from the conventional religion. She gets to know that only penetration into Mirra’s sick subconscious mind and discovery of the true cause of her disease will give her a chance to save her sister. Ayia is ready to go through this terrifying ritual, dive into the depths of the subconscious mind, and face the demons residing there.

Yorkshire, 1978. A mother, father and their three year old son are brutally stabbed to death while they sleep. There is no motive. They were a model family. The nation is outraged by the senseless killings. Incredibly, the British public are overwhelmingly in favour of bringing back the death penalty to see justice carried out. Even more incredibly the killer, who is caught red-handed trying to drag the father’s body out of the house, manages to hide the three year old’s body in a place where the investigators, the police and even their dog teams would never find it. For months all the nation can talk about is the “Kid Killer” but, and this is the most incredible fact of all, not because he cold-bloodedly stabbed to death a three year old, his mother and his father, but because these innocent victims were also his family. The “Kid Killer” was their twelve year old son William.

Rachel and Anna return home two years after their mother’s death, and find the town abandoned with their house left in disgusting disarray. When Rachel begins hallucinating about their dead mother and some ancient artifact, terrifying clues begin falling into place surrounding their family’s past.

Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.

Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?

When a mysterious drifter reluctantly takes a job with a roadside haunted house, he quickly discovers that the attractions locked up in the basement are far more dangerous than plastic skeletons in rubber chains. Together with a mixed-up young woman in search for her lost nephew, and a host of liquored-up, live-remote radio deejays, Jerrod will have to solve the mystery of an ancient Egyptian amulet and face the wrath of the Angel of Death before he can be free of his curse: Necrophobia.

One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe.
Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.

Friends. Party. Death. As usual, friends get together in a rental house to celebrate new year’s eve. Will Isa take advantage of this week in the county to finally get things started with Fred, her best friend? Will Kevin make a move on Gwendo, the goth girl? Will Marco, the amateur film maker and slasher fan, manage to convince his friends to play in his next short film? Things are running smoothly, until New Year’s Eve, when one of them mysteriously disappears…

Eva and Kat enjoy a carefree existence on their houseboat on a London canal. Until Eva’s dream of becoming a mother is reignited by the death of their pet. Kat just wants to get a new cat. But when Kat’s best friend, Roger, visits from Barcelona, they decide in a moment of drunkenness that he can be Eva’s sperm donor. But what are the consequences for the lesbian couple, the biological father, the child and their relationships with one another?

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.