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Chef Dave Oberlin’s (Ryan Rottman) career is in shambles when his altercation with a famous food critic goes viral. After being blacklisted by the elite restaurants, Dave is forced to take a teaching position at his friend’s culinary arts school. When cardiologist, Dr. Nina Kirby (Maya Stojan), is up for a promotion at the local hospital the Head of Cardiology informs her if she gets Dave on board to teach the Healthy Living seminars she would be a shoo-in for the position. The only problem is Nina can’t cook and she doesn’t want to learn. With a little coaxing from her best friend and coworker, Olivia (Tanya Chisholm), Nina agrees to take Dave’s class. When Nina presents Dave with the Healthy Living seminars he’s disinterested in working with her due to her lack of class participation. In her effort to persuade him to get on board, Nina and Dave come across some unexpected common ground
The same situation is played out in different cities (New York, Berlin and Japan). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a “permanent” relationship, what do they choose to do?
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert’s heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.
The aim: to select the ideal mode of transport for each leg of a pilgrimage from Venice, Italy to Pau in France – home to a legendary street circuit and the origins of Grand Prix racing. On the way we prepare by taking to the track at Monza – the home of Italian Formula One. We try to get noticed on the road course in Monaco in a Bugatti, a Lamborghini and a Model T Ford. After cruising the canals in Venice we take to the tarmac and things look good – thanks to the Ferrari F12 Berlinetta and Mercedes SLS Black. Throw in a Pagani Huayra, Porsche Cayman S and a GT3 as well as the Aston Martin Vanquish centenary edition, Bentley V8 convertible, Rolls Royce Phantom coupe and the face-bending BAC Mono all seems pretty perfect to us.
Adolf Hitler wakes up in a vacant lot in Berlin, with no knowledge of anything that happened after 1945. Homeless and destitute. Although everyone recognizes him, nobody believes that he is Hitler; instead, they think he is either a comedian, or a method actor.
This documentary shows the early life of polar bear Knut that had to be hand fed by Berlin zoo employee Thomas Dörflein after its mother Tosca refused the baby in 2006.
1945: The red army stands at the gates of Berlin. In their desperation the Nazis turn to the most obscure Scientists. Through cruel experiments a new secret Weapon has been created – unstoppable and alive. A Russian attack destroys the lab, but the weapon – buried underneath the ruins – is immortal. Lost in time, it lurks in the darkness, only to return again. 2012: Punk-Rock legend Spike Jones leads a group of friends into the ruins of the old Nazi Lab. The complex shall be cleaned up for the reunion concert of his band. Believing they would help a poor soul, they free the beast from its prison. But the creature of the Nazis does not know about thankfulness. Again the smell of blood fills the old laboratories and screams of terror echo through the darkness. As now, the Werewolf starts his war against humanity.
“The Man Between” is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone. A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
On the request of his mother Gitte, Marko, who has been living in Berlin for years, drives off to the countryside to visit his parents. His hopes of spending a quiet and relaxing time with his family fall short when Gitte surprises everyone by revealing that she has recovered after a long mental illness. Marko is the only one who respects her wish from now on to be treated as a full member of this family and, as a result, ends up tipping more than just the delicate balance of his parent’s seemingly harmonious relationship.
It’s summer. One endless, sexy party under the open sky. Tina and her friends are living the dream of a whole generation of decadent Berlin-party-kids. But after one excessive night she’s haunted by a mysterious ugly creature in nightmares she has. The only person she talks about her fears to is her psychologist. His advice is to confront her fears and to reach out to the creature. At first Tina refuses but after she hears about her parents’ plans to put her in a mental hospital she starts talking to the creature. She slowly realizes that the creature is an incarnation of her fears and that it has the same feelings she does. Afraid of being called a freak she starts hiding the creature in her room. After a while she even gets close to it. It’s almost like a relationship with a wild stray animal. For the first time in her life, it almost seems as if Tina has the courage to be herself. But then her parents and her friends see the creature…
A bride-to-be ends up on a rafting trip and meets a surprising guest: the sperm donor she’s planning to use. Back in Berlin, her fiancée is visited by an ex.
Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him – left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him…
Alma and Jan are having an affair and yet Jan does not want to admit it. In order to force him to recognize their relationship, Alma secretly takes Jan’s small son, Juri on a trip. Accompanied by the delivery man Bruno, the two drive in the direction of Berlin. At a rest stop, he tries clumsily to get closer to Alma but she rebuffs him. In doing so, Alma unwittingly injures him in such a way that he drops all his inhibitions. Whereas Bruno until now was acting covertly in the hope of establishing contact, he now wants to take for himself what has been denied him.
Smilla Jaspersen, half Danish, half Greenlander, attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland. Scenes from the film were shot in Copenhagen and western Greenland. The film was entered into the 47th Berlin International Film Festival, where director Bille August was nominated for the Golden Bear.
When lovelorn Michael arrives in Berlin to return a set of keys to his ex-girlfriend, Gabi, as an excuse to see her again, he finds her apartment empty save for a couple of plumbers making repairs to the central heating. Just as Michael learns from the plumber’s apprentice, Harper, that Gabi has popped out for a while but will return soon, the apprentice is attacked by his boss who has unexpectedly and inexplicably transformed into a raging madman. Together, Michael and Harper manage to bundle the crazed plumber out of the apartment and barricade themselves safely inside. Within minutes, they find themselves trapped in apartment block under siege from a horde of similarly insane people, apparently hungry for human flesh.
Germany refuses to receive any more refugees. The only way to obtain citizenship is to survive the popular TV show ‘Immigration Game’. Whoever participates as a ‘Runner’ will be abandoned on the outskirts of Berlin and must make their way to the television tower at Alexanderplatz. For a prize money every German citizen may chase and eventually kill the refugees entirely unpunished.
Summer in Berlin. Jonas is planning a trip through the little known area of the Uckermark in preparation for a photography project. He invites his best friend, Phillip, to come along. When they pick up a hitchhiker named Boris, the friendship of the two starts to fray. Maybe three’s a crowd after all? By the end of the summer, things between Jonas and Phillip won’t ever be the same again.
East Germany. Summer, late 70’s. Three years after her boyfriend Wassilij’s apparent death, Nelly Senff decides to escape from behind the Berlin wall with her son Alexej, leaving her traumatic memories and past behind. Pretending to marry a West German, she crosses the border to start a new life in the West. But soon her past starts to haunt her as the Allied Secret Service begin to question Wassilij’s mysterious disappearance. Is he still alive? Was he a spy? Plagued by her past and fraught with paranoia, Nelly is forced to choose between discovering the truth about her former lover and her hopes for a better tomorrow.
“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)
Thomas, a young German baker, is having an affair with Oren, an Israeli married man who has frequent business visits in Berlin. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking for answers regarding his death. Under a fabricated identity, Thomas infiltrates the life of Anat, his lover’s newly widowed wife, who owns a small Café in downtown Jerusalem. Thomas starts to work for her, creating German cakes and cookies that bring her Café to life. Thomas finds himself involved in Anat’s life in a way far beyond his anticipation. To protect the truth he will stretch his lie to a point of no return.
Spirited New Yorker Linda Voss goes to work for international lawyer and secret Office of Strategic Services operative Ed Leland just before World War II. As they fall in love, the United States enters the fight against Hitler, and Linda volunteers to work for Ed spying undercover behind Nazi lines. Assigned to uncover information about a German bomb, Linda also has personal motives to fulfill: discovering the fate of her Jewish family members in Berlin.
Two naive high-school students must deal with the unexpected consequences after a night of passion. Director Philip Dunne’s 1959 film about teenage pregnancy stars Brandon de Wilde, Carol Lynley, Macdonald Carey, Marsha Hunt, Warren Berlinger, William Schallert and Roberta Shore.
Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal.
NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
Desire Will Set You Free is a feature film that explores life in contemporary Berlin with an often critical and sometimes humorous eye. Based on a true story, the plot follows the relationship of an American writer of Israeli/Palestinian descent and a Russian aspiring artist working as a hustler, offering access to the city’s vibrant queer and underground scenes while examining the differences between expatriate and refugee life. Our characters travel through Berlin’s layered history and unique subcultural landscape; on their adventures they discover influences and remnants of the Weimar Republic, WWII, the Bowie years, and punk.
In 1944, an Allied spy must find and execute a Berlin scientist who discovered the way to build an atomic bomb. Things get complicated when memories of love and quantum mechanics get intertwined in the chase.
Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man’s world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Hitler, Nazi propaganda and 1936 Berlin Olympics are put under the microscope to uncover hidden truths and the historical legacy of those games.
The story of Hitler’s final hours told by people who were there. This special features exclusive forgotten interviews, believed lost for 65 years, with members of Hitler’s inner circle who were trapped with him in his bunker as the Russians fought to take Berlin. These unique interviews from figures such as the leader of the Hitler Youth Artur Axmann and Hitler’s secretary Traudl Junge, have never before been seen outside Germany. Using rarely seen archive footage and dramatic reconstruction, this special tells the story of Adolf Hitler’s final days in his Berlin bunker.
Hunting down the murderer of their families in an anarchic Berlin of the near future, the outlaws Tan and Javid find themselves trapped in the wicked fairytale of a mysterious screenplay that entangles them in a vicious circle of revenge – apparently all written by a clueless dentist.
On the roofs of a Tibetan monastery two boys let fly a kite, but suddenly a shot rips the relaxed silence, and one of the two guys gets shot, the “Golden Boy” which is the fictitious successor to the Dalai Lama. The monks act immediately and bring him out of Tibet to secure his body. In the meantime, the Berlinese mountaineer Johanna and her Swiss friend travel to the monastery to stay there for some days…
