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Vampire Action Adventure starring Flex Alexander, Bejan Amini, Angeleito Bautista. In ancient Japan, Shira (Jason) and her husband are attacked by a group of ninja vampires. Her husband is killed but she survives the attack but is left as a vampire. She is nursed back to health by a kindly samurai who also teaches her the art of fighting. Cut to present day America and Shira has discovered the killer of her husband’s whereabouts. She seeks out the man responsible, Kristoff, but discovers he has been looking for her. Kristoff needs to impregnate Shira to create a race of ‘daywalking’ vampires that he will be the ruler of.
To a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. From the melting clocks and hourglass sand, to the figure rendered in strips, to the character covered in eyeballs, the style and themes of Dalí are clearly recognizable throughout. Destino is an animated short film released in 2003 by The Walt Disney Company. Destino is unique in that its production originally began in 1945, 58 years before its eventual completion. The project was originally a collaboration between Walt Disney and Spanish Surrealist painter Salvador Dalí, and features music written by Mexican songwriter Armando Dominguez and performed by Dora Luz. It was included in the Animation Show of Shows in 2003.
Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” ‘Painted Woman’ is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie’s life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.
One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe.
Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.
Kennedy Jamieson, a wealthy socialite, has waited her whole life to have the perfect wedding. Engaged to the charming Ryan Harris, the young couple is just a week away from the big day but hasn’t had a chance to celebrate their respective bachelor/bachelorette parties. Ryan’s best man Chet books a remote cabin in the woods to throw them a ‘Jack and Jill’ stag that they’ll never forget. Out in the middle of nowhere, things take a horrifying turn as members of the group are brutally picked off one by one. What started out as a celebration quickly descends into a bloody nightmare. Friendships are ripped apart and accusations fly in this blood filled psychological horror with a whodunit twist.
Man tries to recover a horse stolen from him by a Mexican bandit. The Appaloosa (also known as Southwest to Sonora) is a 1966 American Western film Technicolor (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon, who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico. The 2008 Appaloosa film (starring Ed Harris and Viggo Mortensen) is not related nor a remake of this film, although it has almost the same title.
After being accused of murder and awaiting his death penalty, Kishen Mohan Girhotra is compelled by NGO worker Gayatri Kashyap to form a musical band of prisoners to compete at band competition held at the dreaded jail of ‘Lucknow Central’. Kishen befriends and convinces a talented bunch of criminals to form a band that provides them with a purpose and a new lease of life.
A scheming con artist poses as the innocent babysitter “Amber” to steal from a wealthy occult enthusiast with a reclusive son, Kevin. Her crew arrives to clean out the house just as Kevin stumbles upon a prized artifact and unwittingly summons a trio of witches known as The Three Mothers.
The film explores Mauro Ranallo’s career, including his work on the two biggest pay-per-view events in television history, and his relentless pursuit of a childhood dream despite seemingly insurmountable odds. Through this deeply personal portrait, Ranallo hopes that the film might inspire others to persevere in pursuing their dreams despite the challenges of a mental health condition.
Based on Jo Brand’s critically acclaimed novel of the same name, The More You Ignore Me is a warm, comedy drama focusing on the life of an unconventional family in 1980s rural England. The film focuses on Gina, a young mother, whose efforts to be a loving mother and wife are undermined by her declining mental health. Things deteriorate when she develops an obsession with the local weatherman, which leads to an admission to the nearby psychiatric hospital. Over the years, as she grows up, her daughter Alice struggles to relate to her heavily medicated mum, and causes chaos when she comes up with a plan to reconnect with her, which divides the family forever and leads to a moving climax. Set to the songs of The Smiths, The More You Ignore Me provides a sometimes stark, yet comical insight into life within this quirky household, whilst addressing mental health issues and their impact on the family.
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
When her husband Cemal is arrested in Romania, Emine is left alone with their child who needs immediate surgery. She takes a job as a needle worker at a garment workshop where she comes across Ziya, her husband’s former boss. He can’t stay indifferent when he learns what the woman he once fancied is going through. When Cemal returns months later, he finds Emine working at the garment workshop and their son healthy. A hospital bill he accidentally sees reveals that Ziya has paid for the surgery and Emine hid this fact. Will Cemal, who already blames Ziya for what he went through and is extremely jealous of Emine, be able to confront this situation or choose to ignore it?
The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world.
Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana (Elena Anaya) tricks her fresh-from-prison sister, Aurora (Ariadna Gil), and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
After years of missing family gatherings, New York City event planner Whitney Kennison (Tiya Sircar) is off to Chicago to spend Christmas with Grandma Frances (Diane Ladd). Excited that her granddaughter is finally home for the holidays, Frances decides to bestow Whitney with the precious Kennison family Christmas ornaments. But when Whitney mistakenly throws out the box of ornaments, Grandma Frances must stealthily devise a fun Christmas scavenger hunt to remind Whitney what the holiday is all about. It’s a race against time as Whitney reclaims the family ornaments, finds romance and learns the lesson Grandma Frances imparts.
Chronicles the history, ideology and aesthetic of Norwegian black metal – a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first (and only) film to truly shed light on a movement that has heretofore been shrouded in darkness and rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews and verité with the musicians, a wealth of rare, seldom seen footage from the “Inner Circle’s earliest days, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world. This is the movie that gets inside the minds and hearts of black metal’s musicians.
In the late 1930s, a young machinist named Maurice Richard distinguished himself as a ice hockey player of preternatural talent. Although that was enough to get him into the Montreal Canadiens, his frequent injuries cost him the confidence of his team and the fans. In the face of these doubts, Richard eventually shows the kind of aggressive and skillful play that would make him one of the greatest players of all time as “The Rocket.” However for all his success, Richard and his fellow French Canadians face constant discrimination in a league dominated by the English speaking. Although a man of few words, Richard begins to speak his own mind about the injustice which creates a organizational conflict that would culminate in his infamous 1955 season suspension that sparks an ethnic riot in protest. In the face of these challenges, Richard must decide who exactly is he playing for.
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa
A criminal ring kidnaps women and sells them to wealthy clients. When they kidnap the wife of an ARMY Ranger, their plans change dramatically, when he finds the abandoned Prison where they are held. a deadly cat and mouse game begins as he hunts them while trying to save the women from being sold and shipped away Written by Tino Struckmann (IMDb.com)
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family
Phillip is a wealthy quadriplegic who needs a caretaker to help him with his day-to-day routine in his New York penthouse. He decides to hire Dell, a struggling parolee who’s trying to reconnect with his ex and his young son. Despite coming from two different worlds, an unlikely friendship starts to blossom.
The film tells the story of the Blanche family who run a dark and dismal health resort on a remote island which is only accessible by ferry. The spa program consists of feeding the guests seaweed and eel-based meals, then administering liberal colonic irrigation. The spa is run by the family matriarch Dame Blanche until her death. Things continue on with her children running the resort until Kath, the resort’s former sous chef and love interest of one of the sons, comes back to the island unannounced. Stranded between monthly ferries, she is a catalyst for a series of events that turns life as it is known at Hotel Splendide on its ear.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne’s HM Prison Pentridge’s maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he’s subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.
Ed Altman is a psychiatrist who relocates to Palm Springs, Calif., in order to avoid a lawsuit. However, he happens to wander directly into more trouble when he begins an affair with the rich and beautiful Ally Mercer (Annabel Schofield), who has her own reasons for becoming involved with Ed. Soon Ally’s other lover, the volatile Nick, is caught in the intrigue, which results in murder, betrayal and numerous shady dealings.
A photographer obsessed with a wealthy man’s beautiful wife kills her jealous husband in self-defense. The deceased man’s down-and-out musician son soon is drawn in by his sexy stepmother who, unbeknownst to him, is scheming to collect the entire estate.
Live and Let Live is a feature documentary examining our relationship with animals, the history of veganism and the ethical, environmental and health reasons that move people to go vegan.
Alice Lantins is 38, ambitious and so committed to her work that she neglects her personal life. In short, she is the ideal candidate for the next editor of the magazine Rebelle, or would be were it not for the fact that she appears to be stuck in a rut. When Balthazar, a charming 20-year-old, crosses her path, her colleagues begin to see her in a whole new light…
FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.
Fleeing to Dodge City after killing a man in self defence Masterson finds his brother Ed (Harry Lauter) running for sheriff of the town. When Ed is killed by hired guns of the corrupt incumbent Bat is determined to settle the score with violence but he is convinced by the townspeople that the best way to avenge his brother’s death is by taking Ed’s place on the ballot. Bat agrees and wins the election but his new role on the right side of the law will lead him to unexpected confrontations as he finds himself torn between his loyalties to his friends and his duties as sheriff.
Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
