On her 7th birthday, Princess Barbara discovers a magical book that transports her to Wonderland – an enchanted place filled with dragons and fantastic creatures.

Due to a botched robbery attempt, a ruthless Romanian barbarian is somehow resurrected in modern day New York and begins wreaking havoc on a small Manhattan art-house. Chaos ensues as the patrons of the establishment band together to fight for their lives. (IMDb)

When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the “gang of barbarians”.

Two prostitutes, Barbara and Jill, and their friend, Tony, escape a zombie attack in a 1971 Cadillac; but, unfortunately, Tony has been bitten and it is just a matter of time he turns into a zombie and chaos unleashes around.

Academy Award Winning Director, Daniel Junge (Saving Face) and director Bryan Storkel (Holy Rollers: The True Story of Card Counting Christians) team up with producers Eben Kostbar and Joseph McKelheer (The Hammer) for a feature documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices. Confrontation and original argument are in the Review’s DNA – the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC’s award-winning Arena and shaped by Scorcese’s vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.

Ah, the Pennytree Golf Club…lavish clubhouse, manicured greens, 18 holes of golfing paradise… NOT! Tattered and almost without any customers, Pennytree has become the target of a takeover by it’s neighbor and competitor, Bentwood Country Club, owned and operated by the conniving Simon Roosevelt (Dan Barkley). Inspired by a freak accident, Liberty Pennytree (Christy Tummond) hatches a plan to bring in more golfers and crush Simon’s takeover plans. Gorgeous ladies, hot bods and the fun filled “cart wash” are the attractions as busloads of new customers flock to the “new” Pennytree Golf Club. The ladies of Pennytree, led by “Barbara the Bod” (Amy Lynn Baxter), are a hit with the customers, money is rolling into Pennytree and Simon is steaming. Simon’s not giving up and issues the ultimate challenge, a winner-take-all-match between Pennytree and Brentwood, “your pro against my pro.” The winner

Eccentric inventor Prof. John Richards seems to have hit pay dirt when he designs a contraption which can move large objects instantly by breaking them into atoms which can be streamed from one place to another. This new machine seems like a sure-fire hit, which has attracted the attention of Richards’ less-than-scrupulous assistant Martin, who wants to steal the new invention and sell it himself. In order to make it easier for Martin to do just that, he uses the machine to create a duplicate of Richards, which will do his evil bidding. The professor’s son, Jack, and wife, Barbara, learn about Martin’s underhanded doings, and Barbara uses another one of her husband’s gimmicks to get revenge against Martin — she turns herself invisible.

A group of friends in New York, working away at their PCs and laptops, keep in touch exclusively by phone and fax. They are all too busy to meet face to face. Gale plays matchmaker, by phone, to Jerry and Barbara who, in turn, hit it off beautifully – via phone and fax. Martin gets a telephone call from someone he’s never met. It’s Denise, with some extraordinary news. Tapping away at his computer all the while, he develops a sort of friendship with Denise – via phone. And so it goes as the friends, tap, tap, tapping away, share news, hopes, and dreams – via phone and fax. Finally Gale has an unfortunate encounter with a phone, Denise has some more news for Martin, and Frank plans a gala New Year’s Eve party, but will he answer the door?

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.

The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.

A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca’s secret..they worship Dagon, a monstrous god of the sea…and Dagon’s unholy offspring are on the loose…