Harold Buttleman, small town tuxedo salesman, thinks he’s the next great daredevil stuntman. He’s not.

Walter Faber has survived a crash with an airplane. His next trip is by ship. On board this ship he meets the enchanting Sabeth and they have a passionate love affair. Together they travel to her home in Greece, but the rational Faber doesn’t know what fate has in mind for him for past doings.

January 1971- After an unexpected confrontation with his agent, Hollywood legend Steve McQueen makes a reluctant deal. He’ll choose his next acting gig on one condition: his agent has to help him locate the iconic Ford Mustang GT 390 from his seminal film BULLITT. On his journey across the desert and back to Los Angeles, Steve ruminates on his triumphs and losses. Through his memories, a picture of the man’s reality is slowly revealed: a crumbling marriage, therapy, financial troubles, and a waning career.

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.

AFTER THE HORRIFIC ORDEAL AND THE LOSS OF HER FRIENDS, HEATHER IS FORCED TO RETURN TO HOTEL FEAR WHERE TRAVIS PREPARES FOR HIS NEXT VICTIMS, HEATHER MUST FIGHT ONCE AGAIN.