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This espionage thriller represents a landmark in spy movies introducing the sly, dry intelligence agent Harry Palmer. The story, centers on Palmer’s investigation into British Intelligence security. He’s soon enmeshed in a world of double-dealing, kidnap and murder and finds a traitor is operating at the heart of the secret service. Will the mysterious ‘Ipcress File’ reveal who the traitor is?
Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
The science of miniaturization has been unlocked, and the army has big plans. But when a scientist carrying the secret of the process is injured in a surprise attack, a life-threatening blood clot puts him into a coma. Now, a team of adventurers will have to use the technology to travel inside his body and destroy the clot.
Zero-X, a manned exploration mission crashes during lift-off on its maiden flight. Two years later an investigative committee finally concludes sabotage, and decides to call on the services of International Rescue to oversee security at the impending second launch. The second Zero-X successfully reaches its destination, but encounters unexpected hazards, ultimately leading to another call for assistance on its return to Earth. International Rescue respond, and once again Thunderbirds are GO!
Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann Warren and has already been optioned by her unscrupulous, draft dodging husband, Henry. Now the combine must also obtain two smaller plots – one owned by Henry’s cousin Rad McDowell, a combat veteran with a wife and family; the other by Reeve Scott, a young black man whose mother had been Julie’s childhood Mammy. But neither Rad nor Reeve is interested in selling and they form an unprecedented black and white partnership to improve their land. Although infuriated by the turn of events, Henry remains determined to push through the big land deal. And when Reeve’s mother Rose dies, Henry tries to persuade his wife to charge Reeve with illegal ownership of his property, confident the the bigoted Judge Purcell will rule against a Negro.
Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Young businessman, Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
In this third remake of legendary Japanese director Akira Kurosawa’s hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality” and of a bureaucratic society in general.
Some college students manage to persuade the town’s big businessman, A. J. Arno, to donate a computer to their college. When the problem- student, Dexter Riley, tries to fix the computer, he gets an electric shock and his brain turns to a computer; now he remembers everything he reads. Unfortunately, he also remembers information which was in the computer’s memory, like Arno’s illegal businesses..
This lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Czarist Russia. Nominated for eight Academy Awards.
A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father’s spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.
Otto Preminger directs this comedy-drama based upon the novel by Lois Gould and adapted by Elaine May (under the pseudonym Esther Dale). Julie Messinger (Dyan Cannon) is an intense woman who hides her wild emotions and desires under her conventional facade. Her husband Richard (Laurence Luckinbill) checks into the hospital for a simple mole removal that goes seriously wrong. The stellar cast includes James Coco, Jennifer O’Neill, Ken Howard, Louise Lasser, Nina Foch, Sam Levine, Doris Roberts and Burgess Meredith.
The film focuses on the representatives of the Thirteen original colonies who participated in the Second Continental Congress. 1776 depicts the three months of deliberation (and, oftentimes, acrimonious debate) that led up to the signing of one of the most important documents in the History of the United States, the Declaration of Independence.
An 18th century African prince is turned into a vampire while visiting Transylvania. Two centuries later, he rises from his coffin attacking various residents of Los Angeles and meets Tina, a woman who he believes is the reincarnation of his deceased wife.
Eddie’s friends are numerous, but the term friends is suspect. As a small time hood Eddie is about to go back to jail. In order to escape this fate he deals information on stolen guns to the feds. Simultaneously he is supplying arms to his bank robbing/kidnapping hoodlum chums. But who else is dealing with the feds? Who gets the blame for snitching on the bank robbers?
Two desperate people have a wonderful romance, but their political views and convictions drive them apart.
A Mexican master leads a Christ figure and other disciples to a mountain of immortal wise men. The scandal of the 1973 Cannes Film Festival, writer/director Alejandro Jodorowsky’s flood of sacrilegious imagery and existential symbolism in The Holy Mountain is a spiritual quest for enlightenment pitting illusion against truth. The Alchemist (Jodorowsky) assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept’s intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.
A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.
Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in his American Irish way brings American law to the people of Scotland Yard in order to recapture this mobster with both a price tag on his head and a stuffy old London cop to contend with.
Orson Welles’ final film documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
At the beginning of the 20th century an American woman is abducted in Morocco by Berbers. The attempts to free her range from diplomatic pressure to military intervention.
The lone inhabitants of an abandoned police station are under attack by the overwhelming numbers of a seemingly unstoppable street gang.
It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…
In 1910, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating at once a timeless American idyll and a gritty evocation of turn-of-the-century labor.
An ethical Baltimore defense lawyer disgusted with rampant legal corruption is asked to defend a judge he despises in a rape trial. But if he doesn’t do it, the judge will have him disbarred.
Dracula and Renefield relocate to 70’s era New York in search of Cindy Sondheim (the reincarnation of Dracula’s one true love, Mina Harker). “Trouble adjusting” is a wild understatement for the Count as he battles Cindy’s psychiatrist, Jeffrey Rosenberg (a descendant of Van Helsing who changed his name for professional reasons?), who may almost certainly, possibly, may be in love with Cindy too.
Ronnie, Wal, Andy and Vic are four bored, unemployed teens in dreary, rainy Glasgow. Ronnie comes up with a great idea. He has noticed that stainless steel sinks are worth a lot of money and comes up with a complicated scheme: to steal sinks from a warehouse dressed as girls and using a stop-motion-potion.
A research scientist (William Hurt) explores the boundaries and frontiers of consciousness. Using sensory deprivation and hallucinogenic mixtures from native American shamans, he explores these altered states of consciousness and finds that memory, time, and perhaps reality itself are states of mind.
Misery is brought to a small group of Sho in the Kalahari desert in the form of a cola bottle. In his quest to throw the evil object over the edge of the earth, Xixo encounters Western “civilization,” a haphazard doctor and a tyranical despot.
In 1970, three children are born at the height of a total eclipse. Due to the sun and moon blocking Saturn, which controls emotions, they have become heartless killers ten years later, and are able to escape detection because of their youthful and innocent facades. A boy and his teenage sister become endangered when they stumble onto the bloody truth.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
