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Husband Yang Baiwan and his wife run a restaurant in the countryside. Yang misunderstands that his wife is cheating on him and he then devises a plan of revenge. On the night he carries out his plan, two unfortunate robbers and a random couple get involved by accident. The six originally unrelated people now have something to do with each other, which triggers a series of absurd and ridiculous accidents. And their fate is also changed …
Jacob Two Two Meets The Hooded Fang is about a young boy who strives to be heard. He is nicknamed “Two-Two” for having to say things twice to be heard. One day, he decided to buy the groceries for his parents. There is a misunderstanding by the clerk, so Jacob finds himself in court. He is sentenced Two Years, Two months, two weeks, two minutes and five seconds in the Children’s Prison hundreds of miles away from civilization. It is a dark, dirty dungeon-like place where the children work and are kept in cells. There are the three head characters, Master Fish, a fish/human, Mistress Fowl, a bird like woman and the Hooded Fang himself. They also have green henchmen who spray “slime resistors” at the children to prevent them escaping. Two child agents try to help him out, as the children also come up with a plan for escape.
The iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna, is an unworthy, power-hungry heir who will stop at nothing to inherit his father’s legacy. An incident at a wedding procession forces him to cross paths with Ramakant Pandit, an upstanding lawyer, and his sons, Guddu and Bablu. It snowballs into a game of ambition, power and greed that threatens the fabric of this lawless city.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
Far outside what’s normally taught as “history”, this 6-hour documentary attempts to explain what’s normally glossed over – Germany’s actions prior to WWII, Hitler’s popularity, the support of the Nazis by the Germans, the basis for hardline Nazi stances against Jews, and why Nazism was such a danger to the established world powers. It chronicles the German WWI defeat, communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery that served as the foundation of Nazi principles, and Hitler’s amazing rise to power. It also reveals a personal side of Hitler: his family background, his artwork and struggles, and what motivated him to pursue a career in politics. While open to criticism for being “pro-Nazi” in its perspectives, the documentary does present many factual foundations for those perspectives, highlighting an endless list of hypocrisies and double-standards imposed on Germany in the years before, during, and after WWII.
Impatient to have a child, an infertile couple seeks help at a sperm bank and are thrilled when the procedure works. But their joy is cut short after they discover the donor is a psychopath willing to kill anyone who stands between him and his baby.
Sophie, a quiet and shy maid working for the upper-class family Lelievre, hides her illiteracy under the cloak of a perfect household and obedience. She finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers. Things start to escalate as the Lelievres find out that Sophie can’t read and has brought Jeanne into their house against their wish.
Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
A small group of Wikileaks journalists make their way through Central Asia interviewing newspaper editors. Their real goal: to find local media outlets to publish secret US diplomatic cables. This intelligent, guerrilla-style doc follows their fascinating journey from Afghanistan to Manhattan, through the boundaries of free speech and the minds of those who shape our understanding of the world.
Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.
As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, sleeping with anyone who dares to stand too close, squeezing money from wherever she can, rejecting anyone who tries to help her, and keeping up her bravado throughout.
The birth of modern stand-up comedy began in the Catskill Mountains – a boot camp for the greatest generation of Jewish-American Comedians.
Ian Harvie is not quite the kind of man you might think. He’s redefining what it means to be a dude through a fresh perspective on sex/sexuality with some seriously funny and new kinds of dick jokes. Proving that laughter cuts across all identities and ultimately unites us all. Oh and, Ian is the world’s first trans man comedian with a stand up comedy special.
Maz Jobrani goes to Stockholm, Sweden for his third stand-up special and he shows that comedy can truly be a diplomatic tool when he makes an international audience laugh at topics from his family, to racism, politics and media. “I Come in Peace” is a comedy special that will have you laughing out loud while making you think.
Ray Romano cut his stand-up teeth at the Comedy Cellar in New York. Now, in his first comedy special in 23 years, he returns to where it all began.
Jon Stewart returns to television to host a live show presented from The Theater at Madison Square Garden in New York. Benefiting NEXT for Autism, the special features stand-up performances, sketches and short films.
In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth.)
In this documentary five severely wounded Iraq/Afghanistan veterans work with professional comedy writers and A-List comedians Lewis Black, Zach Galifianakis, BJ Novak, and Bob Saget to explore their personal experiences through the healing power of humor. Writing their own stand-up comedy routines they find new perspectives from which to view their injuries and their lives – all of which culminates in a performance at two of LA’s top comedy clubs.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
Filmed at the Celebrity Theatre in Phoenix, AZ on February 15th and 16th, 2013, Oh My God is Louis C.K.’s fifth stand-up special, his first for HBO since 2007’s Shameless, and his first since winning a Emmy Award for writing on his acclaimed show on FX, Louie. Performed in the round in front of a live audience, he discusses such topics as the food chain, animals, divorce, strange anecdotes, broken morality, murder and mortality.
Comedy about the unlikely friendship that develops between two very different young women who meet waitressing at a diner in trendy Williamsburg, Brooklyn, and form a bond over one day owning their own successful cupcake business. Only one thing stands in their way – they’re broke.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
Twenty five years after Miguel died from AIDS, his niece, filmmaker Cecilia Aldarondo, embarks on an excavation into a quagmire of unresolved family drama. Like many gay men in the 1980s, Miguel moved from Puerto Rico to New York City; he found a career in theater and a rewarding relationship. Yet, on his deathbed he grappled to reconcile his homosexuality with his Catholic upbringing. Now, decades after his death, Cecilia locates Miguel’s lover Robert, who has been shunned and demonized by the family, in order to understand the whole story.
A vision of an unconventional family together with their conflicts and rivalry, a vision full of ironic sense of humour but also emotional moments and true closeness. When the elder brother, Andrzej, suddenly falls ill, despite their differences and a wall of misunderstandings that has grown between them, his younger brother is taking it upon himself to care for his brother in need.
José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Prosperous professional couple Mike and Christine are settling in for a standard evening of wine, TV and low-level marital hostility when a ring on their doorbell changes everything. Turns out their son Sebastian is in a little trouble with some local boys, who are quite prepared to camp out and wait for him to get home … the resulting culture-clash chamber drama is raw, revealing and nerve-splittingly tense.
Ella and Tolan have been living together for a year, and while they seem to be the perfect couple, something is amiss. Tolan is rich and powerful but also a controlling and jealous man that demands Ella’s complete attention at all times. Fearing for her life, Ella decides on a plan to marry Tolan but escape during their honeymoon. When she puts her plan in motion, Ella has no idea that she is placing everyone she knows in unanticipated danger as Tolan will stop at nothing to find Ella where is and destroy anyone who stands in his way.
Tehran’s air pollution has reached maximum levels because of thermal inversion. Unmarried 30-something Niloofar lives with her aged mother, and stays busy with her alterations shop. When doctors insist that her mother must leave smoggy Tehran for her respiratory health, Niloofar’s brother and family elders decide that she must also move away to accompany her mother. Now Niloofar is torn between family loyalty and living her own life. As the youngest she has always obeyed their orders. Can she stand up for herself this time?
A concert video that captures legendary rock ‘n’ roll band The Doors at the height of the group’s powers. The legendary rock group, The Doors, were at their musical peak when this concert footage was taken. Filmed live at the Hollywood Bowl in the summer of 1968, Jim Morrison and the band perform an extended version of “Light My Fire,” plus ten of their other most love songs, taking a standing room only audience on an aural journey of mystical worlds and psychedelic experiences.
Following Meicoomon’s rampage and the Reboot, Taichi and the others leave behind a distressed Meiko and head to the Digital World. But the partner Digimon that they’ve reunited with have lost their memories. While Sora normally thinks of others even before herself, she now has distrust in her heart. A tearful Meicoomon appears and disappears again. For some reason, she has retained past memories, and is searching for Meiko. Upon seeing Meicoomon, the kids resolve to journey through the Digital World to save her, but a man with the Dark Masters at his command stands in their way. Meanwhile, in the real world, Nishijima receives a notice that Himekawa has disappeared. When he investigates, he learns that she has had a hidden goal behind all her actions thus far.
Aging local standup comic Sweeney, “The Character King”, gets an opportunity to do a national cable show out of Los Angeles. The only caveat is that Sweeney must drop the locally referenced material from his act, the biggest pieces being the portrayal of his colorful Boston “characters,” that have become a staple of his home field success. Sweeney makes the hard decision to stop doing the characters. But, to his dismay, the characters “come-to-life” and seek their revenge; they try to kill Sweeney.
