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In 1928 a satanic cult is killed off and house burnt down, in a small PA town . The film pick’s up in the camp they ran 90 years later. With the ruins near by and tales of disappearances, odd happenings. Story’s seem to haunt Camp Hideaway, monsters, killers, even aliens… Are the owner, towns people, decedent’s killing off the campers? Or is it possible theirs truths to these horrific tales? As the body count continues , Dana ( Tina Krause ) hopes to find out while saving her friends.
Martin Bristol returns to where it all began: the home where he was kidnapped from. But he is not the boy who disappeared over 10 years ago. Tortured and abused at the hands of his psychotic captor, Graham Sutter, Martin is damaged beyond repair. Lurking in the shadows of suburbia, he stalks and kills without remorse. Special Agent William Perkins follows Martin’s trail of terror, desperate to capture him before he kills again. Martin’s family, mourning his disappearance for over 10 years, is informed not only that he is alive, but that he is responsible for the wave of murder sweeping through their town. Will they be able to reunite with their long lost son before it’s too late, or will Perkins have to use excessive force to bring him down?
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he’s married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
A man suspects his girlfriend of being unfaithful. So he sends her a letter, but than finds out that he was wrong. He has 24 hours to stop the package, prevent a disaster, and fall in love. The only problem is the delivery man will not stop until the package has been delivered.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
A sparkling comedic chronicle of a middle-class young man’s romantic misadventures among New York City’s debutante society. Stillman’s deft, literate dialogue and hilariously highbrow observations earned this debut film an Academy Award nomination for Best Original Screenplay. Alongside the wit and sophistication, though, lies a tender tale of adolescent anxiety.
Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual nymphomaniac lover, a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model’s casual sex partners begin to disappear.
Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.
A company is studying the possibility to open a spa hotel named after a mythical island, Ieodo. The island is inhabited by the souls of drowned sailors. During a study trip to the location of the hotel lost a journalist under mysterious circumstances. One of the contractors go to Ieodo’s neighboring island, populated by widows of the dead sailors, to unravel the disappearance.
Paratroopers Captain ‘Rip’ Murdock and Sergeant Johnny Drake are mysteriously ordered to travel to Washington, DC. When Drake learns that he is to be awarded the Medal of Honor, he disappears before newspaper photographers can take his picture. Murdock follows the clues and tracks him down, where he learns Drake is dead. Further investigations reveal unexpected twists. Rip learns that Johnny had been accused of murder and sets out to find out whatever he can. He falls in love with Coral whose husband Johnny is supposed to have killed.
Isabelle Adjani and Gerard Depardieu star in director Jean-Paul Rappenau’s amusing farce set on the eve of World War II, which follows the intersecting lives of four Parisians as they cope with the impending invasion of their city by German forces. As the French government braces for impact, the lives of a young writer, a vain movie star, a French politician and a young scientist are examined as they attempt to deal with war and evade German spies.
Danny is a blind man who does not let his impairment get in the way of living his life to the fullest, except when it comes to love. Danny’s brother sets him up on a series of blind dates, but all of them go disastrously wrong. Just when Danny is about to give up, he meets Leeza, a nurse who works for Danny’s doctor. There is just one catch: Leeza, who is from India, is promised to another man.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
Two young couples are driving through a remote forest when their car breaks down. When a run-in with a curious grizzly bear ends up with the bear being shot to death, the bear’s mate arrives on the scene and vengefully attacks their van. The couples are trapped inside the disabled car and must come up with clever ways to survive. As they battle the surprisingly intelligent creature, and contemplate their uncertain fate, secrets begin to emerge that threaten to tear the group apart before the bear does.
Waikiki Brothers is a band going nowhere. After another depressing gig, the saxophonist quits, leaving the three remaining members to continue on the road. The band ends up at the lead singer’s hometown, which was a popular hot spring resort in the ’80s, but the return home is filled with reservations of previous and past disappointments, a lost love, unemployment and tragedy.
This documentary seeks to be the ultimate Odyssey of exploration into Cannabis and its uses starting from the formation of the Endocannabinoid system in the simple sea squirt, through to its early uses, the plant’s medical benefits and landing at the modern legalisation movements across the Globe. Where the billions generated in tax could be re-invested back into hospitals, roads, fire departments, scientific research, community projects and the list goes on.
Documentary which marks the 50th anniversary of the triple trawler tragedy during January and February of 1968, in which 58 men died. It was one of Britain’s deadliest maritime disasters, which tore through the heart of Hull’s Hessle Road fishing community. The film tells the epic story of the Hull fishermen who did the most dangerous job in Britain and their wives whose protest ensured such a disaster never happened again. The women’s campaign was one of the biggest and most successful civil action campaigns of the 20th century. Combining rare archive and emotional testimony – including that of Yvonne Blenkinsop, the last surviving leader of the women – those who lived through the tragedy and fought for change tell their incredible stories for the first time.
A year after her identical twin’s disappearance, Maude Ashton is still haunted by visions of her sister’s violent abduction. Convinced she is still alive, Maude follows the clues to a derelict caravan park.
Can games change the world? With cities everywhere struggling to cope with the population growth that increased urbanisation brings, can video games be harnessed to help the residents, especially young people, take part in planning, and fixing their own cities? Today public spaces and entire cities are being designed, planned and played through the medium of games. The result of this ‘civic gamification’ is that city architecture and urban planning is being democratized. Cities have become the ground zero for digital innovation and the debate about how our cities evolve has suddenly gone viral. We follow three game companies navigating the space where urban planning and gaming meet. Lydia Winters at the game developer Mojang, the creators of Minecraft, Paradox Interactive and the game Cities: Skylines and José Sanches and his indie game Block’hood. How will our cities look in 20 – 100 years time?
Jodie Baxter is a Captain returned home from Afghanistan after being injured in a rigged booby trap that has left her scarred both physically and on a deep psychological level. She struggles to reconnect with her husband on a sexual and emotional accord and begins to realise the distance between herself and her child as her daughter hides pivotal moments of puberty that a mother should be there to support. In the middle of moving out of their Service Family Accommodation, Jodie escapes to her one place of solace, a hotel where she resides to be free and remember the past. It is there she notices and becomes obsessed with a couple, an abusive older man and a young prostitute who he humiliates and debases. Following them back to their room, Jodie enters into the situation and it is through an extreme act of violence, lust and in her eyes ‘protection’ she has a revelation concerning what she has experienced and what has been haunting her deep within her cognisance.
A young girl named Heidi who lives with her mentally disabled mother, travels across the country to find out about her and her mothers past.
Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Ten years ago Hurricane Katrina devastated the coast of Louisiana. Five years later the Deepwater Horizon exploded and spilled more than 200 million gallons of oil into the Gulf of Mexico, the worst ecologic disaster in North American history. Amazingly those aren’t the worst things facing Louisiana’s coastline today. It is that the state is fast disappearing. When on Earth Day 2010 BP’s Deepwater Horizon exploded and sank many in Louisiana predicted it would change the state’s coastline forever, both its economy and its people. How has the coast changed in the past five years?
At an exclusive Catholic boys school in Melbourne 1976, Tim Conigrave and John Caleo fell madly in love. Their passionate, tempestuous, operatic romance lasted for 16 years, facing disapproval, temptation, separation, and the looming shadow of the Grim Reaper. Their relationship has been immortalised in Conigrave’s posthumous autobiography Holding the Man (now a major Australian film directed by Neil Armfield). This is the true story of how Romeo met Romeo and how first love can not only last but endure.
An origin story, of sorts–LIGHTNINGFACE stars Oscar Isaac as Basil Stitt, who in the aftermath of an inexplicable incident, decides to sequester himself inside his apartment, setting the stage for a profound transformation.
A weekend trip to the woods for a bachelorette party turns deadly when a nearby train accident causes a chemical reaction that overtakes the secluded valley. But waiting out the disaster inside could prove to be just as dangerous as being outdoors.
THE GREAT AUSTRALIAN FLY looks at how a national nuisance has shaped Australia and its people, confounding our scientists, influencing our lifestyle and defining the way we speak. But is its value misunderstood? The one-hour documentary explores how this much-maligned spoiler of the Australian summer is in fact a crime solver, healer, pollinator and street sweeper. We’d miss them if they were gone, yet we put huge amounts of energy into wiping them out. Is it time to call a truce? Directed by Tosca Looby and produced by Sally Ingleton, the amusing and intriguing film pays homage to a much-maligned invertebrate and the influence it has had on our world.
A young girl disappears in a forest in the heart of São Paulo, Brazil.
Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last… until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.
SEED: The Untold Story follows passionate seed keepers protecting our 12,000 year-old food legacy. In the last century, 94% of our seed varieties have disappeared
After her mother decided that the eighteen-year-old mentally disabled Dora no longer has to take psychotherapeutic drugs, the young woman begins to blossom. The sedated teenager was never a problem for her surroundings – but new challenges arise when the pleasure-loving young woman discovers her sexuality. The family is threatened to fall apart.
Heidi, is an eight-year-old Swiss orphan who is given by her aunt to her mountain-dwelling grandfather. She is then stolen back by her aunt from her grandfather to live in the wealthy Sesemann household in Frankfurt, Germany as a companion to Klara, a sheltered, disabled girl in a wheelchair. Heidi is unhappy but makes the best of the situation, always longing for her grandfather.
When Maria (Lisa Carlehed) meets Niels for the first time, he comes across as an angry and unsympathetic young man. His chronic illness has been concentrated into a single wish – to go to a Swiss nursing home for euthanasia. But in order to get there, he needs a volunteer escort.
Beppu Sumire is a wedding planner who works for True Love Bridal (TLB), a well-established wedding hall. Her late mother, Sakura, showered love on her and would always tell her that she is lovely. After she passed away, Sumire lived with her father, Tetsuro. Sumire gave up on her own romance long ago because of her disappointing looks. But she works hard with a smile even when she gets scolded by her stern superior, Umemiya Hitomi, her impertinent junior, Sudo Yuri, pins trouble on her, and her relationship with her father is not working out, in order to bring smiles to many people’s faces.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
In July 1945, during the end of World War II, Japan is forced to accept the Potsdam Declaration. A cabinet meeting has continued through days and nights, but a decision cannot be made. The U.S. drops atomic bombs on the cities of Hiroshima and Nagasaki, Japan. General Korechika Anami is torn over making the proper decision and the Emperor of Japan worries about his people. Prime Minister Kantaro Suzuki leads the cabinet meeting, while Chief Secretary Hisatsune Sakomizu can’t do anything, but watch the meeting. At this time, Major Kenji Hatanaka and other young commissioned officers, who are against Japan surrendering, move to occupy the palace and a radio broadcasting station. The radio station is set to broadcast Emperor Hirohito reading out the Imperial Rescript on the Termination of the War.
News about the disappearance of panties is still being covered every day. Kyosuke (Ryohei Suzuki) still wears Aiko Completo’s (Fumika Shimizu) panties to battle evil. Meanwhile, Aiko has mixed emotions and decides to get her panties back. Kyosuke suffers from the loss of Aiko’s panties and disappears, but his biggest enemy yet is about to materialise…
The year 2015 CE. The last era in which magecraft still thrived. The Chaldea Security Organization was founded to focus on preserving the continuation of human history. They observe a world which magecraft couldn’t observe and science couldn’t measure all to prevent the certain extinction of humanity. But one day, the future that Chaldea continued to observe disappears and humanity’s extinction in 2017 becomes clear. Rather, it had already happened. The cause seems to be related to Fuyuki, a provincial town in Japan, in the year 2004 CE. There, an “unobservable region” that had not existed before appears. Based on the assumption that Fuyuki is the reason for humanity’s extinction, Chaldea issues an order to explore, investigate, and possibly destroy this singularity – a quest for the Holy Grail, the Grand Order.