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James, down on his luck and desperate for some quick cash, agrees to drive a small truck across country. He soon realizes that he’s made a huge mistake and has inadvertently become involved in a dangerous human trafficking ring. The unlikely hero risks it all to shut down the trafficking ring and save the woman he is falling in love with.
Professor “Johnny Longbow” Salina, a man who really knows his stews, introduces Paul Carlson to the practical-joking Kathy Nolan. Paul and Kathy seem to hit it off rather well but, during a meteor storm, a meteorite fragment strikes Paul, burying itself deep in his skull, which has the unpleasant side-effect of causing Paul to mutate into a giant reptilian monster at night and go on murderous rampages. It turns out that this sort of thing has happened before, when Professor Salina rediscovers ancient Native American paintings detailing a similar event many centuries ago. Kathy, however, still loves Paul, and tries to save him.
TV child star of the ’70s, Dickie Roberts is now 35 and parking cars. Craving to regain the spotlight, he auditions for a role of a normal guy, but the director quickly sees he is anything but normal. Desperate to win the part, Dickie hires a family to help him replay his childhood and assume the identity of an average, everyday kid.
Four curvy college co-eds head south to Ft. Lauderdale on a spring break fun-seeking trek in this free wheeling comedy that’s an 80’s update on the original film! Carole (Lorna Luft, Grease 2), taking a separate vacation from her steady, winds up as a contender in a Hot Bod Contest! Jennie (Lisa Hartman, Knots Landing) is doubly lucky, courted by both a rich, classic pianist as well as a devil-may-care rocker (Russell Todd, Chopping Mall).
In this elaborately mounted seafaring adventure, Rolfe (Richard Widmark) is a Viking leader with the cunning and devious mind of a pirate. Rolfe tells others sailors of “The Mother of Voices,” a mammoth bell made of gold and as tall as three men, but he adds enough incorrect details to throw them off the proper trail. However, Aly Mansuh (Sidney Poitier), the leader of a group of ambitious Moors, sees through Rolfe’s story, and soon the two are in a breakneck race to be the first to capture the precious bell. The Long Ships also features Russ Tamblyn and Oscar Homolka.
Duke Red has overseen the construction of a massive Ziggurat to extend his power across the whole planet. Tima, a robot-girl built in the image of his deceased daughter, is at the core of these plans. However, after escaping the Duke’s clutches in a laboratory fire, she meets and befriends Kenichi, a boy who’s traveled to Metropolis with his detective uncle in search of a scientist wanted for organ trafficking. Will her relationship with Kenichi, and the realization of the truth of her existence, change her destiny?
The chief security officer at a top-secret medical facility finds himself caught in an explosive battle when a young thief and his accomplices steal a groundbreaking curative medicine. After discovering the true origins of the medicine, the officer must decide who he can trust to protect the cure from falling into the wrong hands, and prevent an all-out war from bringing the city to its knees.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
A ratings hit! Amy Schumer debuts her one-hour special in front of a live audience at the Historic Fillmore Theatre in San Francisco. Nothing is off limits as Schumer airs every hilarious, messed up detail of her dating and sex life, from encounters with unexpected body parts to hate-filled personal grooming appointments. In her matter-of-fact raunchy style, at odds with her self-described “Cabbage Patch Kid” appearance, Schumer tells stories of a boyfriend who makes dirty requests over dinner, the way she outsmarts her birth control, and a shocking ending to a seemingly innocent cab ride.
Two years ago, Josh Fox introduced us to hydraulic fracturing with his Oscar®-nominated exposé Gasland. Now this once-touted energy source has become a widely discussed, contentious topic. In his follow-up, Fox reveals the extreme circumstances facing those affected by fracking, from earthquakes to the use of federal anti-terror psychological operations tactics. Gasland Part II is the definitive proof that issues raised by fracking cannot be ignored for long.
It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the “Saudi Arabia of natural gas.” Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called “fracking”-and suddenly America finds itself on the precipice of becoming an energy superpower.
Jane is a beautiful but troubled American girl backpacking through Japan, when her raw street fighting skills draw the attention of Oshima, Japanese karate champion, who recruits and trains her to fight in the vicious, all-female, underground martial arts tournament known as “The Kumite”. After months of rigorous preparation, Jane is ready to face off against the deadliest female fighters in the world, including Ling, the Chinese apprentice of Oshima’s nemesis. But other nefarious forces lie in the shadows, and Jane and Ling will have to unite on a journey that will take them from the gritty underworld of Hong Kong to the glitz of Macao, before deciding who really is the best female fighter on the planet.
On their way home from the Isle of Wight Pop Festival, Jeff, Trev and Mick along with girlfriends Marty and Cathy decide to pitch a tent on private land. In the morning the land’s owner Rafe turns up and orders them to get off his lawn but changes his mind when one of the girls emerges naked from the tent. Rafe explains he only comes down to the house at weekends and lets them stay providing they redecorate his house. The squatters agree but once Rafe leaves they plot to organize a pop festival at the house. Attempting to raise cash for the venture, the men coerce their girlfriends into making a blue movie. When this proves disastrous Jeff goes to London and poses as a pop journalist in order to book the groups “Crazy Mabel” and “The Juicy Lucy” for the festival.
You’ll be shocked, amazed, and maybe just a little bit creeped out by the things you can find in your newspaper’s classified ads in this vintage sexploitation “mockumentary” from Joel M. Reed. Georgina Spelvin serves as host and guide to this exploration of the sexual netherworld, which can be accessed through discreet ads placed in “underground” newspapers and on public bulletin boards. We meet voyeurs looking for good peeping spots, homosexuals on the cruise for new partners, masked swingers clubs, nudie photographers trolling for naïve new models, a man who makes a good living providing S & M enthusiasts with leather gear, adult film societies screening stag movies for heavy-breathing fans, and “Lonely Hearts Clubs” preying on unsuspecting bachelors looking for relationships with teenage girls. Director Joel M. Reed (who would later make the bizarre horror-comedy Bloodsucking Freaks) and actress Jennifer Welles (a major star in 1970s adult films) can be spotted in cameo roles.
The 9th Godzilla film was the last made by the original Godzilla creators, and was meant to be a grand finale. Aliens have released all the giant monsters from their imprisonment on Monster Island and are using them to destroy earth’s major cities. It is up to the daring crew of the super rocket ship X-2 to infiltrate the aliens’ headquarters before the Earth monsters and King Ghidrah annihilate the planet.
Sierra Young is a rising ingénue, making $10 million per picture. She’s also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she’s run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie’s grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler’s production of “Taming of the Shrew.” Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?
It’s summer. One endless, sexy party under the open sky. Tina and her friends are living the dream of a whole generation of decadent Berlin-party-kids. But after one excessive night she’s haunted by a mysterious ugly creature in nightmares she has. The only person she talks about her fears to is her psychologist. His advice is to confront her fears and to reach out to the creature. At first Tina refuses but after she hears about her parents’ plans to put her in a mental hospital she starts talking to the creature. She slowly realizes that the creature is an incarnation of her fears and that it has the same feelings she does. Afraid of being called a freak she starts hiding the creature in her room. After a while she even gets close to it. It’s almost like a relationship with a wild stray animal. For the first time in her life, it almost seems as if Tina has the courage to be herself. But then her parents and her friends see the creature…
Eccentric Cambridge archaeologist Horatio Smith (Howard) takes a group of British and American archaeology students to pre-war Nazi Germany to help in his excavations. His research is supported by the Nazis, since he professes to be looking for evidence of the Aryan origins of German civilisation. However, he has a secret agenda: to free inmates of the concentration camps.
During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don’t much like the brash Yanks, especially when it comes to the G.I.s making advances on the lonely British girls. One relationship that develops is between married John, an Army Captain, and the aristocratic Helen, whose naval husband is away at war. Helen loves her husband, but Helen and John are looking for some comfort during the difficult times.
A group of old friends gets together for a weekend in a mountain cabin. Years have gone by and yet nothing seems to have changed between them. But lurking behind the laughter and stories is a murky episode from the past that continues to haunt them. A strange, sudden incident alters their plans, leaving them stranded and with no line of communication to the outside world. On their way for help, the group starts to disintegrate, just as a new natural order is unveiled before their astonished eyes.
Over the years, the funky divas of En Vogue have gone their separate ways, until they are asked to perform a benefit concert to save the club that made them stars. They put aside their hesitations to reunite for the special night, but first must overcome their challenging history with Marty (David Alan Grier, “In Living Color”), their former manager and the man responsible for breaking them up. In the spirit of the holidays, the ladies find forgiveness and come together for an epic En Vogue Christmas concert to keep the club from closing its doors forever. Stars Terry Ellis, Cindy Herron, Rhona Bennett as themselves and features some of En Vogue’s biggest hits and two new original songs. Genelle Williams also stars.
Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that an elite in Washington knows best how to allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one’s lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples’ money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.
In an attempt to stem the heroin trade from Iran, a group of narcotics agents working for the UN inject a radioactive compound into a seized shipment of opium, in the hopes that it will lead them to the main heroin distributor in Europe. Along the way, they encounter a mysterious woman doing her own investigating of the smuggling operation.
Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor. Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments — Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago.
In a city where greeting card writers are celebrated like movie stars, Romance writer Ray used to be the king. In trying to recapture the feelings that once made him the greatest, he gets entangled in a web of murder and deceit as writers vie to create the perfect card for a new holiday: Girlfriend’s Day.
A group of college friends celebrate the end of term with a party to end all parties. During a drink and drug-fuelled evening, an innocent game of ‘Truth or Dare’ has a very sore loser, sparking a terrifying sequence of events and a whole new twist on the game of truth or dare – where the truth can kill you.
“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.
Patagonia narrates the journeys of two women – one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.
Seven friends – Alec, Billy, Jules, Kevin, Kirby, Leslie and Wendy – are trying to navigate through life and their friendships following college graduation. Alec, who aspires to political life, has just shown his true colors by changing his allegiance from Democrat to Republican, which freaks out girlfriend Leslie, who he wants to marry. Budding architect Leslie, on the other hand, has an independent streak. She believes she has to make a name for herself to find out who she is before she can truly commit to another person in marriage. But Leslie and Alec have decided to live together. Because Leslie refuses to marry Alec, he believes that justifies certain behavior. Kirby, who wants to become a lawyer and who pays for his schooling by working as a waiter at their local hangout called St. Elmo’s Bar, and struggling writer Kevin are currently roommates. They are on opposite extremes of the romance spectrum.
When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
By 1933, Prohibition has proven a booming enterprise, where average citizens break the law, hide in the shadows and operate at night. The new world order has even lined the pockets of corrupt cops like Jack Malone. He collects a ‘luxury tax’ from every bootlegger and scofflaw in the small town he has sworn to protect. While shaking down the newest speakeasy in the local underground, Jack and his men uncover a clan of vampires hell bent on taking over the town. Now Chesterfield, an ancient vampire, and his horde must hide their secret at any cost. The bloody result leaves several bodies and innocent townsfolk taken as lambs to await the slaughter. With nowhere else to turn, Jack joins forces with a busboy and a crazy preacher to save the town and make a final stand against Chesterfield and his vampires.
Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
Taking inspiration from Peter M. Bracke’s definitive book of the same name, this epic 7-hour documentary (by the same team behind Never Sleep Again: The Elm Street Legacy) dives into the making of all 12 Friday the 13th films, with all-new interviews from cast and crew.
The upcoming installment’s story takes place amidst signs of postwar reconstruction in the winter of 2028. Tensions are rising in New Port City as demonstrations are held concerning the interests of foreign cartels. This leads to a shooting incident involving riot police. It all started with a cyberbrain infection released by the terrorist “Fire Starter.” An independent offensive unit led by Makoto Kusanagi entrusts the suppression of the situation to their ghosts and aims for their own justice. Below the surface of the incident, lies the “tin girl” Emma and the “scarecrow man” Burinda Junior. As Kusanagi deals with the incident, she draws near to what those two ghosts were seeking.
“Ring of Fire” recounts June’s meteoric rise to fame with The Carter Family, considered the First Family of country music, before breaking out on her own to perform, when she would become a legend in her own right. Taking a personal look at June’s first two marriages, life with her daughters and touching relationship with her son, the movie showcases her infamous courtship with Cash and June’s heroic role in saving his life during his battles with substance abuse, as well as how her unwavering faith in God, confidence and talent has taught lessons to generations.
A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these “loser” kids learn they have the qualities they thought they were lacking all along.
When Clawdeen dreams of opening a salon made for monsters and normies, Frankie has the perfect place – an abandoned power station outside town. But the idea sparks negative voltage when Moanica plots to ruin the whole thing, and replace the celebration with something a little more… shocking!