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Does hell exist? If so, who ends up there, and why? Featuring an eclectic group of authors, theologians, pastors, social commentators and musicians, HELLBOUND? is a provocative, feature-length documentary that looks at why we are so bound to the idea of hell and how our beliefs about hell affect the world we are creating today.
After two years hiding out in his Grandfather’s retirement residence, Stock Burton is forced back into his small town where he must come to terms with the troubled past that led to his early retirement.
is a story about elite high school seniors, the top 1%, who are prepared to go to extremes to get into prestigious universities. A student who has ranked number one at an esteemed school dies in a remote mountain. Finding out why and the ultimate impact of his death make up the bulk of this thriller’s elaborate narrative, whose shocking conclusion could lead us to comment, “We’ve seen a devil.” Despite a structure that freely weaves together past and present, and a cast of appealing actors including Lee David, Gung Jun and Kim Kkot-bi, the most remarkable thing about the film is the theme itself. It touches on and raises the critical issue of the demands of Korea’s education system, which are becoming more extreme and competitive by the day.
James and Carl were only 10 years old when they kidnapped and murdered 3 year old David McClendon. They were caught, tried, convicted and placed in separate juvenile facilities. At 18-years old, both are given new names and released back into society – much to the horror of the nation. They can have no contact with each other or with their past friends or relatives. The story follows the lives of these two boys as they try to start over, escape the past and survive the growing outcry following their release.
A personal exploration into the life of America’s controversial former CIA Director told through the eyes of his wife and filmmaker son, Carl. Through extraordinary events in twentieth century history, this consummate soldier/spy stood at the center of the Agency’s most clandestine activities and operations. The film reveals the ‘cover life’ of this CIA operative, who followed orders and took on the dirtiest assignments until the Nixon Administration ordered him to ‘stonewall’ Congress about the CIA’s past abuses, but he refused. This film reveals why, for the first time, he could not obey.
For decades science fiction writers have amazed us and terrorized us with their portrayal of the world of artificial intelligence – from armies of cyborgs to legions of programmed zombies. Today we are now living in that future age of robots and artificial intelligence and all those dreams of the past are coming true. Mechanical robots will soon be outdated with biologically created humanoids connected to each other across the globe. They will self-repair, gather energy from the sun and live forever. They will be all-knowing and all-powerful like Gods that will walk the Earth. This future world is now inevitable and cannot be stopped. The greatest brains on Earth today have warned us about the consequences of getting this new technology wrong. They have predicted catastrophe. Prepare to meet your future.
Following the death of his father, Lyle Bennett sets out on an extreme weight loss journey in the hopes of reaching health and happiness. His goal will push him past his physical limits and test the strength of his mental and emotional stability.
After bandits steal his poker winnings this American legend makes his way to the next town in search of them. Seeking out his revenge during a poker game gone bad Doc West finds himself in the local town jail. When his past is exposed and a battle amongst the town breaks out in gunfire he will have to choose sides, between the outlaws or the law-abiding citizens.
Jared, the son of a Baptist pastor in a small American town, is outed to his parents at age 19. Jared is faced with an ultimatum: attend a gay conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith.
In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own.
Ann, a reclusive elegant lady, with an obsession for butterflies, is befriended by the eerily beautiful young Alice. Using her seductive innocence, Alice establishes a disturbing mother daughter relationship with Ann. Lured into her twisted world, Ann soon discovers that she is not the only recipient of the girl’s affections. Confronted by Alice’s other lady friends, Ann’s shock awakens a dark, hidden past, unchaining a spiral of madness: a series of brutal and bizarre crimes that Ann will have to commit to preserve her harmless and deceptive appearances. The only one who recognizes there’s something unsettling about Ann, is nine year old Julie, her next door neighbour’s daughter. With the inevitable curiosity of a child, Julie begins to explore the corners of Ann’s apartment, discovering a dark secret hidden in the walls of the forbidden butterfly room. No one believes what she’s seen except for Ann’s daughter. Horrified, she realises that the fate of the young girl lies in her hands.
After being run out of Las Vegas, Kolchak heads for Seattle and another reporting job with the local paper. It’s not long before he is on the trail of another string of bizarre murders. It seems that every 21 years, for the past century, a killer kills a certain number of people, drains them of their blood and then disappears into the night. Kolchak is on his trail, but can he stop him?
John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.
Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.
After a violent altercation, a runaway youth goes on the lam with a charming beach dweller offering an easy way out, but once they skip town, she quickly realizes that the harrowing past she’s running from is one she may never escape.
DIE EXPATS explores love, loss and lust, identity and modern relationships. It is a story of four people in search of reclaiming a sense of self while navigating the knotted, overlapping space they occupy. When said space begins closing in around them, they realize the only way to get out, and not be squashed by it, is to examine their own intentions, and be willing to let go of the past, and each other. The saying goes, people come to Berlin to find what they want; but for this group, Berlin is the bearer of disillusionment. Perhaps in finding out what they don’t want, Vivian, Nate, Sienna and Andreas finally uncover what it is they each truly need.
There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi
A young woman returns to her birthplace after her father’s death and unearths distant memories and long-buried secrets that change everything she thought she knew about her family, past and herself.
A young archaeologist uncovers a coffin of an ancient princess who was his lover in their past life. The princess is out to avenge her death from her younger sister who, in this life, is the lover of the archaeologist.
The follow up film to Haunted State: Whispers from History Past (2014). The Wisconsin-based paranormal investigation team sets out on a journey across Wisconsin to investigate historic theaters, that are rumored to have paranormal activity including “Shadow people” being reported by theater staff. Individually the theatres make up a group called, the Theatre Of Shadows. Those Wisconsin theatres are: The Riverside and Pabst theatres in Milwaukee, Barrymore Theatre in Madison and the Grand Opera House in Oshkosh. The adventure unfolds as the paranormal events are captured on film along with the history of Wisconsin’s theaters being revealed. The evidence is pieced together uncovering the mysteries that lie inside Wisconsin’s Theatre Of Shadows.
Michelle Wallace is a girl haunted by the demons of her past, having witnessed the brutal murder of her mother at the age of four. Sixteen years on she lives in a run-down boarding house looking forward to a future with her boyfriend away from the squalid life she has been leading. Michelle is befriended by her new neighbour, Charles Paskin, a mysterious middle-aged man. Unbeknown to Michelle, Charles is actually a British government assassin involved in a highly confidential operation. His mission is to retrieve government files about a top secret operation which has been stolen. He has been instructed to dispose anyone associated with these documents, but all is not as it seems. Through a bizarre turn of events, Michelle becomes embroiled in Charles’s mission, and a fast-paced story of intrigue and suspense begins to unfold
Nine former schoolmates, staying at a secluded mountain cabin for a reunion, try to figure out why one of their friends and their hostess would invite them there and commit suicide which prompts them to look into the mysterious and dark past of their 10th friend.
Money. Sex. Power. They’re all a part of My Boo, the latest terrifying, sizzling, action-packed erotic thriller from acclaimed filmmaker and multi-media artist Erica D Hayes. When a mysterious stranger (Revon Yousif) moves to Detroit to get a new lease on life, he receives a warm welcome from his new neighbor across the hall (Ashlee McLemore). But what she doesn’t realize is that he is actually an old classmate with a chip on his shoulder, and his arrival sets off a deadly game of obsession and seduction. She begins to receive strange, threatening phone calls and finds hidden cameras throughout her apartment, and discovers that someone is watching—a voyeur who knows her most intimate secrets and deepest desires. As she gets closer and closer to this disturbing revelation, secrets about her own dark past are awakened, and as the danger mounts and begins to threaten those around her, she comes to the realization that… some high school crushes never die.
Bucharest, 2009. Twenty years after Romanian Revolution, Tavi Ionescu, a nice but quite immature guy for his late 30’s finds out from his Securitate (Romanian Secret Police) file that he could be the father of a son he didn’t know about. Starting his own secret investigation, Tavi is caught by a complicated past that now comes to reveal ugly hidden truths, messing up his life and the life’s of the ones close to him. For the first time in his life, Tavi is forced to take really mature decisions.
Victor Bukowski is an out-of-work actor with problems. He’s got a lousy agent, he has a habit of falling out with directors and he’s still in love with his ex-girlfriend. However, Victor is about to embark on an unexpected emotional journey which will make him confront his future and his past mistakes.
Two Mexican-American sisters from the Eastside of Los Angeles who couldn’t be more different or distanced from each other are forced to return to their old neighborhood, where they are confronted by the past and surprising truth about their mother’s identity.
Beginning with “The 400 Blows,” director Francois Truffaut made a series of films about the impetuous Antoine Doinel, in which this is the last. Antoine is now 30, working as a proofreader and getting divorced from his his wife. It being the first “no-fault” divorce in France, a media circus erupts, dredging up Antoine’s past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Welcome to a place where being normal is really quite strange. In a remote Texas town no one is who they seem. From vampires and witches to psychics and hit men, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops and their own dangerous pasts, they band together and form a strong and unlikely family.
This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.
Mystery Inc. withdraws from solving crimes after botching a case. When Vincent Van Ghoul contacts the gang about an unfinished investigation from Daphne, Shaggy and Scooby’s past, the gang springs into action to finish the job that involves catching the 13th Ghost that escaped from the Chest of Demons and is still at large.
Peaceful, rustic Metzburgh is a quiet village which was a former industrial town whose glory days are long past after the collapse of Metzburgh Grain. Teenager Mark Lowe (Jason John Beebe) and his ex-girlfriend Lucy Greenheart (Sarah Manzella) are stuck in a lovers quarrel when a meteorite crash lands in the passive community. Glen (Robert Bozek ), an ex-employee of the grain silos who became homeless after the collapse of the mills, stumbles upon the fiery crash. Unaware that his find could be dangerous, he gets too close and a chemical poison sprays out of the meteorite, enveloping him. The chemical agent known as Ombis begins to turn his insides into a slimly substance. Unable to stop the spread of the infection, Glen runs onto the road where Mark and Lucy find him. The two take him to the only Doctor in town, Doctor D (Deborah Manzella) Mark and Lucy are shocked by their gruesome discovery and immediately contact the local Sheriff Thomas Brackett (Richard Satterwhite).
A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe’s energy and outlook help Abner look at life anew and try to reconcile his conflicted past.
Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.
Small town bookstore owner Jamie Vaughn learns that hers and other struggling local businesses face closure by a powerful Portland property developer, led by architect and former flame Sawyer O’Dell. As Valentine’s Day approaches and closure seems imminent, Jamie must not only hatch a heartfelt plan to save her beloved bookstore, but she must also sort out her past feelings for Sawyer.
