Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

Tae-san is a man who truly has everything —money, fame, and power. Everything that a man can desire. He has two women who he wouldn’t change for the world. They’re his only daughter, Mira, and a chart-topping pop star fiancée, Yuna. Tae-san wants them to get along, but Mira doesn’t take kindly to her stepmother-to-be. One day, Yuna gets killed in a horrific accident, and Mira is arrested as the suspect.

Girl of Steel is a conceptual fan film based on DC Universe/Comics heroine, Supergirl. We wanted to produce a short story that empowers female role models. The Girl of Steel isn’t just a superhero, but a freedom fighter inherited in all young women. Do you want to see your super heroine meet the Justice League? We’ll let you decide.

Shy 18-year-old Misty (Misty Mundae) is staying with her aunt Inga (Julian Wells) for a week in the country. Naïve and innocent, yet on the verge of sexual discovery, Misty wants to learn all she can from her seductive aunt about the desires that have begun to stir within her. Misty loses her virginity to the teenage boy next door, and it whets her appetite for further sensual adventures. So when she discovers that Inga prefers the company of beautiful women, it unleashes Misty’s deepest yearnings to see and experience each and every pleasure that lies at her fingertips. How far will Misty go…and with whom?

The mayor of Oita wants to improve the image of his city, so he instructs Chiaki – a young woman working for the city’s PR department – to form a female tug of war team. Nobuo MIZUTA mixes comedy, drama and a pinch of social criticism to tell a tale of eight women, their everyday struggles and their support for each other.

After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.

Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the ‘householder. ‘ This is a film of these seven women, who are truly experts.

The water is tainted. The Taint poisons the minds of men. It turns them into raging misogynists: monsters who want nothing more than to crush women’s heads with rocks (or other objects). When society is transformed into a land of sadistic violence and horrible brutality, it is up to Phil O’Ginny and his hot friend, Misandra, to combat the horrible evil that is The Taint. Can they survive a world brimming with castration and endless head crushing?!

A tabloid reporter makes a shocking cryptozoological discovery while investigating a recent rash of Bigfoot sightings in this comedy featuring beer, bikinis, and the wildest party animal you’ve ever met. Harlan James (Chase Carter) doesn’t believe in Bigfoot. He’s determined to disprove his existence when he heads into the woods, and starts to interview witnesses. Much to Harlan’s surprise, he finds that Bigfoot is no forest-dwelling menace, but a mischievous Sasquatch with a taste for beer, and a love of beautiful women. Unfortunately for the fun-loving creature, vengeful redneck Chester Scroggins (Ron Blackwell) and some villainous bounty hunters are more interested in capturing Bigfoot than sharing a brew with him. Now, with the clock ticking, Harlan enlists the aid of the local sheriff (David Novak) and a pretty television reporter (Nicole Parsneau) in getting the story of a lifetime, and protecting the beast who only wants to party.

A group of women form an unlikely alliance to get their revenge on a pro athlete and his three friends who played them. The guys are used to getting what they want when they want it, but that’s all about to change.

Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.

“After walking out of her wedding for a sandwich, Beatrice decides to take a rest at the Stratford Home for Rest and Rehabilitation. Beatrice soon realizes that if she wants to get out, she’ll need a plan and the help of her unusual cohorts. An award-wining feature length comedy inspired by the women of Shakespeare.”

In 2008 cybersex can only be surpassed by one thing: Cloned women, especially created for their clients. This puts Pamela Travis, a famous and much sought-after cybersex star in great danger – Dr. Vivyan, scientist and genius in the field of biotechnology wants her DNA to clone her for his many customers. Sergeant Bobby Chase is assigned to protect her, but can’t prevent her from being kidnapped. In order to free Pamela, Chase has to risk his life in a deadly virtual reality game called “Hellraiser”

Our story takes place in the fertile, San Joaquin Valley. Fueled by gin and sheer determination, Elizabeth James (Ms. Liz) operates her third generation dairy farm outside the region’s domineering co-ops. To help keep the place afloat, she’s employed five renegade ranch hands. These boys have put a pin in responsibility and opted to stretch out the party as long as possible. Unfortunately, women, booze, and fisticuffs can only lead to one outcome: trouble. With the dairy farm reporting its third straight deficit year, Ms Liz is attracting some unwanted attention. Delbert Furgeson, the owner of the area’s largest co-op, is pushing to buy her out. This only incenses the prideful Ms Liz and starts a volatile feud between the two. Sharing the narrative are the ranch hands.

Opposing his commanding officer’s decision to attack a group of innocent Indians and wipe them out, Lt. Frank Hewitt leaves his post and heads home to Texas. He knows that the attack will send all of the tribes on the warpath and he wants to forewarn everyone. He gets a chilly reception back home however. With most of the men away having enlisted in the Confederate army Frank, a Union officer, is seen by the local women as a traitor. He convinces them of the danger that lies ahead and trains them to repel the attack that will eventually come.