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An aspiring writer returns to his native village in rural Turkey, where he becomes overwhelmed by his father’s debts.
Villagers in Turkey’s Black Sea village of Camburnu struggle with the government’s decision to turn their community into a garbage dump.
Ayhan Hanim tells the dramatic story of a family during the 1980 Coup that sadly marks Turkey’s recent history. Ayhan Hanım is a housewife who is not involved with politics. She has four sons. Her husband, Ahmet Bey is a retired sergeant. Ayhan Hanım, her husband and their youngest son stay out of the political turbulences, however, their three other sons are personally involved with the incidents in the chaotic days of 1977. After the coup in 1980, the family’s disintegration begins.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
Jonathan Anselme, a young English academic, teams up with Max Böhm, an amateur ornithologist, to follow storks on their migration from Switzerland to Africa. Max wants to find out why some birds never return from this journey. However, after Max is found dead in mysterious circumstances, Jonathan decides to make the trip alone, never suspecting that he will find himself caught up in an international web of intrigue. While the Swiss detective Dumaz investigates Max Böhm’s murky past, Jonathan is forced to confront his own troubled history. He uncovers a trail of grisly murders travelling through Bulgaria, Turkey, the Middle East, the Congo along the pathway of the migrating storks and their deadly secret.
Denise, a botanist, is working in the swamps in a part of Turkey, planting and researching local flora. In her evenings she sometimes meets with her lover Hamit, a simple man at first glance. But he is making his living with human trafficking which he keeps a secret from Denise. When Hamit learns that Denise is being sent back to her home country soon, one final trafficking job takes a dark outcome.
Fowl-mouthed villain Turkie carves through the likes of a rapping grandma, a mindless puppet, a wig-wearing inventor, a bisexual space worm, and their equally ridiculous friends on his quest to recover the last copy of “ThanksKilling 2”. Also known as “Turkeys, In, Space!”.
