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Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people’s memories gets her fix through the vitreous fluid of her victims’ eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
An extraordinary, spell-binding journey through the realms of nature to discover that the natural world is stranger, more magical, more mystical than anything you could possibly imagine. You’ll be propelled from enchanted forests to the edge of the underworld, from a paranormal planet into fantastical seas, from celestial mountains through mercurial waters, finally to experience the ultimate celebration of nature’s magic, the greatest gathering of wildlife on Earth. You won’t believe your eyes or ears as you meet amazing creatures and experience nature as it’s never been seen before, eye-to-eye with the creatures, on an adventure where you will truly believe the real world is more extraordinary and awe-inspiring than any fiction.
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death – a quadruple amputee who has lost his arms, legs, eyes, ears, mouth and nose. Unbeknown to his doctors, he remains conscious and able to think, thereby reliving his life through strange dreams and memories and unable to distinguish whether he is awake or dreaming. He remains frustrated by his situation, until one day when Joe discovers a unique way to communicate with his caregivers.
Suffering because of his father departure to the big city, a boy leaves his village and discovers a fantastic world dominated by bug-engines and strange beings. An unusual animation with various artistic techniques that portrays the issues of the modern world through the eyes of a child.
Intimate, personalized portrait of women of the 1960s through the eyes of one colorful class that graduated in 1969 – same year as Hillary Clinton – and recently turned 65, starting to explore the New Old Age. At a time when these Boomers’ parents were asking less of themselves, many of these distinguished citizens are asking more, feeling a Third Wind. Where will it take them? Some are determined to keep making waves. The trigger for these revelations/reminiscences is the class’s yearbook. Each photo was a collaboration with a sexy Turkish artist, is full of the 60s spirit of risk, rebelliousness, creativity. Indeed, this yearbook wasn’t a book at all. The portraits came to each alumna loose leaf, in a box. Hence our metaphoric title: Unboxed! Written by Anonymous
Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
“Aliens Stole My Boyfriend” – Two cute alien chicks crash land their space buggy in the parking lot of the motor court looking for Earth boyfriends. “Coma Girl” – A macabre maintenance man falls in love with a comatose patient at the convalescent home where he works much to the dismay of her faithful husband. “Brain Robbers In Love” – A powerful older woman steals the body of a young woman using a top-secret brain-swapping devise stolen from a government vault. “The Problem With Clones” – A skip-tracer must search through a family of clones to find the sister who murdered her look alike. “Four-Eyes” – A paraplegic hit man is encouraged to pursue his gruesome talent by a man who wants to murder his ex-wife. “Life After Men” – In the near future, males are virtually extinct from disease and are tracked down my man hunters working for the new government.
The film is told through the naive eyes of a diplomat’s young son, Phillipe, who idolises his best friend, the diplomat’s butler Baines. Baines has constructed a heroic persona, full of exotic adventures, that fascinates the boy.
A successful artist looks back with loving memories on the summer of his defining year, 1974. A talented but troubled 18-year-old aspiring artist befriends a brilliant elderly alcoholic painter who has turned his back on not only art but life. The two form what appears to be at first a tenuous relationship. The kid wants to learn all the secrets the master has locked away inside his head and heart. Time has not been kind to the old master. His life appears pointless to him until the kid rekindles his interest in his work and ultimately gives him the will to live. Together, they give one another a priceless gift. The kid learns to see the world through the master’s eyes. And the master learns to see life through the eyes of innocence again. This story is based on a real life experience.
In 1970s Iran, Marjane ‘Marji’ Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah’s defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
The Crusades: Crescent & the Cross presents the epic battle between two superpowers of the Middle Ages: the Christian Crusaders and the Muslims. Fought over two centuries, the conflict decided the fate of the Holy Land of the Middle East. Only a tiny strip of land, just a few hundred miles long, it contained the ultimate prize: the city of Jerusalem. The documentary is driven by the key personalities of the First, Second and Third Crusades, the popes, kings, sultans, and knights who, in the name of God, ruthlessly fought for land and power. Experience the murder, treachery, and bloodshed of this legendary chapter of history through the eyes of key historical figures such Richard the Lionheart and Saladin, King Louis VII and Nur al-Din. With breathtaking CGI-enhanced visuals, heart-pounding reenactments, and the stunning footage from rarely seen locations, The Crusades: Crescent & the Cross brings the first three Crusades alive for a new generation in conflict.
In Distance Between Dreams, the most historic year in big wave surfing comes to life through the eyes of iconic surfer Ian Walsh, as he sets mind and body in motion to redefine the upper limits of what’s considered ‘rideable.’ With massive El Niño powered swells building across the Pacific, Ian, Shaun, D.K. and Luke Walsh band together in the way only brothers can on a quest to progress surfing to unimaginable heights. Big wave surfing’s transition from jet ski assists to paddling in raises the stakes, putting Walsh’s intense physical and mental training, the latest technology, swell modeling, and safety team, his brothers, to the ultimate test. Surfers John John Florence, Greg Long, Shane Dorian and more link up with Walsh as he rides an emotional rollercoaster through this momentous winter.
Zone of the Dead, also known as Apocalypse of the Dead (Zona Mrtvih in Serbian) is a 2009 Serbian horror film. A police-escorted prisoner transport supervised by Interpol sets off to Belgrade. The route leads the transport through Pancevo, where they encounter an ecological disaster and infected people who are trying to kill them. Interpol agents Mortimer Reyes and Mina Milius soon realize that their only chance for escape from the zombie hordes lies in allying with the dangerous, mysterious prisoner.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
A thriller captured in real time from the point of view of a six year old girl named Hanah. Through the eyes of Hanah, we experience a normal, almost boring evening for Hanah and her friend Toby. It starts with laughter as a group of bickering, cranky anger management members gather. Hanah’s night suddenly turns to screams as the group is methodically attacked and killed. Hanah and Toby, protected by a female firefighter, Tyler, escape and journey through a remote area in macabre game of hide and seek.
Pobby & Dingan are invisible. They live in an opal town in Australia and are friends with Kellyanne, the 9 year-old daughter of an opal miner. The film tells the story of the bizarre and inexplicable disappearance of Pobby & Dingan, Kellyanne’s imaginary friends, and the impact this has on her family and the whole town. The story is told through the eyes of Kellyanne’s 11 years old brother Ashmol.
American and Japanese soldiers, stranded on a tiny Pacific island during World War II, must make a temporary truce and cooperate to survive various tribulations. Told through the eyes of the American and Japanese unit commanders, who must deal with an atmosphere of growing distrust and tension between their men.
Young urban professionals Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln), move into an old mansion that has been in Jesse’s family for generations. They are soon joined by Jesse’s goofy friend Charlie (Jonathan Stark), who brought along his diva girlfriend Lana (Amy Yasbeck), in the hopes of being discovered by Kate, who works for a record company. Jesse has returned to this old family mansion after his parents were murdered when he was a baby. While going through old things in the basement, Jesse finds a picture of his great-great grandfather (and namesake) in front of a Mayan temple holding a crystal skull with jewels in the eyes. In the background is a man Jesse learns is Slim Razor, a former partner of his great-great grandfather turned bitter enemy after a disagreement over who would get to keep the skull.
Dick Proenneke’s simple, yet profound account of his 30 year adventure in the remote Alaska wilderness continues in this sequel to “Alone in the Wilderness”. Watch through his eyes as he continues to document with his 16mm wind-up Bolex camera, capturing his own amazing craftsmanship, the stunning Alaskan wildlife and scenery and even a visit from his brother Ray (Jake). His epic journey takes you on a vacation away from the hustle and bustle of today’s fast-paced society, and is a true breath of fresh air.
New York is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends – Sam and Maya. It is the story of these three friends discovering a new world together.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
Two apathetic police academy recruits who become best buddies through the tough training together witness a woman being abducted right before their very eyes. As they were taught in the academy, they quickly report the incident to the police, but the police are in no hurry to jump on the case. So the duo decide to take the matter into their own hands and rescue the woman.
Breaion King, a 26 year-old African-American school teacher from Austin, Texas,- is pulled over for a routine traffic stop that escalates into a violent arrest. Dashcam clips intercut with verite scenes tell a story of racism in law enforcement through the eyes of one of its victims.
In the not so distant future, biochemical technology has advanced in unexpected ways. Unfortunately, it has fallen into the hands of the wrong man. A brilliant young biochemist by the name of Jacob, who believes the world is a better place without humanity. Jacob decides to take matters into his own hands by beginning the process to wipe everyone out. Staging biochemical attacks through out the city, the virus is released, infecting millions, from a matter of seconds. The virus is fierce, causing chaos and destruction everywhere. Across the way, just minutes before the attack, a young woman, by the name of Cee is caught in the whirlwind of her sister’s wedding. As the wedding begins, the virus hits. Infecting everyone. Cee watches the attack unfold before her eyes, as dozens of loved ones perish. Waiting for the infection to take her, Cee finds herself alone in the early days of an apocalyptic world, surrounded by chaos and war. Fighting to survive as long as she can, she meets a…
The movie “Seventy-seven Days” is based on the authentic stories of exploration writer Yang Ysong-Song 77 days alone through the Qiangtang no man’s land. Movie, lost in the life of the self-man hovering in the snow-capped heights of no man’s land, the film is still optimistic about life disability, she let him firm to try unmanned eyes of people in the world can not be done Fantasy adventure trip … … two very real state of the true character, in good faith, courage to face the fate of choice challenges, tireless pursuit of the original inner dreams and true self … the film in the rhythm, picture, tension will give The audience’s strong visual impact allows the audience to follow the hero through an unparalleled adventure trip.
A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
The first film to expose unsolved wildlife deformity outbreaks and where they may lead. Based on a true unsolved ecological mystery, thousands of hideously deformed frogs have turned up in the waters of Minnesota. As seen through the eyes of a one-hit wonder single-mother and her 11-year old son, a small town struggles with the unknown when the deadly mutations move beyond the ponds.
Jodie Baxter is a Captain returned home from Afghanistan after being injured in a rigged booby trap that has left her scarred both physically and on a deep psychological level. She struggles to reconnect with her husband on a sexual and emotional accord and begins to realise the distance between herself and her child as her daughter hides pivotal moments of puberty that a mother should be there to support. In the middle of moving out of their Service Family Accommodation, Jodie escapes to her one place of solace, a hotel where she resides to be free and remember the past. It is there she notices and becomes obsessed with a couple, an abusive older man and a young prostitute who he humiliates and debases. Following them back to their room, Jodie enters into the situation and it is through an extreme act of violence, lust and in her eyes ‘protection’ she has a revelation concerning what she has experienced and what has been haunting her deep within her cognisance.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.
With the instant reach of social media and explosion in cyber porn, a child sex slave can be purchased online and delivered to a customer more quickly than a pizza. Stopping Traffic: The Movement to End Sex Trafficking starts the conversation on a taboo topic – with raw images of life on the streets, heart-pounding rescues and gut-wrenching, personal stories – ultimately offering a story of hope and empowerment, with the goal of engaging others in launching a movement to end modern-day slavery. With 27 million victims, human trafficking is the 2nd largest criminal enterprise in the world. Not just a back-alley enterprise in underdeveloped regions, it’s also prevalent in the U.S. and industrial nations. Stopping Traffic takes an unflinching, first-hand look at this shadowy underworld, telling the shocking story through the eyes of survivors, veteran activists, front-line rescue organizations and celebrities who support the cause, including Dolph Lundgren and Jeannie Mai.
“An idyllic summer day turns into a living nightmare … With school finally over, college graduate Natalie Wilner returns to her hometown to celebrate the Fourth of July weekend. But beneath the flags and fireworks lurks a dark, malevolent figure. After a night of drunken parties, she stumbles home and drifts off to sleep, only to be woken moments later by a loud knock on the door. Experience one night of terror, through Natalie’s eyes as she fights to escape a relentless, knife-wielding maniac …”
A storm grows, a sea otter pup is separated from her mother, and a young woman bound for adventure blows in to town. On a wild and windswept beach these lives collide and an entire species’ survival gets personal. Through Katie’s eyes you will see our playful pup, otter number 501, get an amazing second chance at life in the wild. As the two learn to navigate the opportunities and risks of life without anchor we see the incredible efforts people have undertaken to save sea otters from the brink of existence. Framed against the strikingly beautiful Monterey Bay coastline, the last stronghold of these iconic animals, Katie discovers just how serious this threat remains. Their adventure, unexpected as it was, illustrates what we can do to contribute to the growing movement to protect the southern sea otter…and ourselves.
A Greek tour guide named Georgia attempts to recapture her kefi (Greek for mojo) by guiding a ragtag group of tourists around Greece and showing them the beauty of her native land. Along the way, she manages to open their eyes to the wonders of an exotic foreign land while beginning to see the world through a new set of eyes in the process.
“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.
In the small town of Revelstoke, Alaska, local barber Dexter is surprised to learn that the body of Lucy Waters has been discovered. Having killed this woman, days ago, he hoped her body wouldn’t be found until spring. Through the eyes of a serial killer, we discover the chilling layer of a weary town whose only concern is another long, dark winter.
Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.
Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.
SHOOTING FOR SOCRATES is a David Vs. Goliath set in Belfast against the backdrop of the 1986 World Cup. It tells the story of a momentous time in Northern Ireland’s football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.
