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It has been thirteen years since the Androids began their killing rampage and Son Gohan is the only person fighting back. He takes Bulma’s son Trunks as a student and even gives his own life to save Trunks’s. Now Trunks must figure out a way to change this apocalyptic future
An outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.
Musa, who is only a thirteen-year-old shoe shiner, undergoes destiny through his adventure of waging war during the war time. Will he manage to bring peace among the troops who keep on fighting for nothing?
A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn’t return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
Based on the characters from the bestselling novels by Angela Sommer-Bodenburg, tells the story of Rudolph, a thirteen year old vampire, whose clan is threatened by a notorious vampire hunter. He meets Tony, a mortal of the same age, who is fascinated by old castles, graveyards and – vampires. Tony helps Rudolph in an action and humor packed battle against their adversaries, together they save Rudolph’s family and become friends.
SMITTY is a family film about a rescue dog. When life gets tough for Ben, a friendly paw is all it takes to pull him through. Mischievous thirteen-year-old Ben is sent to his grandfather’s farm for the summer, where he crosses paths with a lovable mutt. With help from the unlikely canine companion, Ben learns the importance of friendship, family and responsibility.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
On a peaceful October day a college team and their coaches depart on a three day journey to a national championship. From the start strange things happen on their creaky, rented bus. Just after midnight on the third day, they hit something on the road. For the next six hours in the dead of night thirteen people face their ultimate terror. Trapped and isolated they must recruit all their strength and courage and find every available resource to destroy these mysterious predators. What do they want? Who do they want? It’s a fight for survival In the Still of the Night.
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
Michele is thirteen year old, shy, unpopular at school, and in love with Stella. After wearing a costume for a Halloween party, he finds out that he’s invisible.
Two kids, fourteen-year-old Eriko and her thirteen-year-old brother Daigo, suddenly find themselves trapped in a parallel universe. Most things are the same as in their own world, but their parents are missing from home and are only contactable when using one particular phonecard. Based on a novel by the Akutagawa Prize-winning Fujino Chiya, and directed by the writer of Nakata Hideo’s Dark Water.
Thirteen years ago, Aiden Ashley’s world was torn apart after an online stalker followed her into the real world and broke into the Ashley family home to claim the object of his desire. The resulting night of terror ended with the murders of both Aiden’s mother and father. The stalker escaped the scene without Aiden seeing his face; he is gone without a trace, an unknown man, a murderer now watching Aiden’s every move. To escape this danger Aiden spends the next 13 years offline, in therapy and secluded anonymity. Who should Aiden trust in a web of deception where no one may be who they seem? There is nowhere for Aiden to hide when someone wants to love her to death.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Despite assurances that his condition is common and will pass, thirteen year old Sam is horrified to find he has grown a pair of breasts. His terror intensifies when the resident school bully (the only person to have discovered his secret) sets in motion a tense game of cat and mouse, as he subtly threatens to expose Sam to the school, building inexorably towards a confrontation that neither of them could ever have imagined…
Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry connects these distant regions. GIRL MODEL follows two protagonists involved in this industry: Ashley, a deeply ambivalent model scout who scours the Siberian countryside looking for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, a thirteen year-old plucked from the Siberian countryside and dropped into the center of Tokyo with promises of a profitable career. After Ashley’s initial discovery of Nadya, the two rarely meet again, but their stories are inextricably bound. As Nadya’s optimism about rescuing her family from their financial difficulties grows, her dreams contrast against Ashley’s more jaded outlook about the industry’s corrosive influence.
A resourceful and high-spirited woman deals with financial distress and her asthmatic thirteen-year-old son when his life is gravely complicated by a new friendship with the son of her former drunken and abusive husband.
Middle school as it really happened. Maya Erskine and Anna Konkle star in this adult comedy, playing versions of themselves as thirteen-year-old outcasts in the year 2000, surrounded by actual thirteen-year-olds, where the best day of your life can turn into your worst with the stroke of a gel pen.
John Adams is a 2008 American television miniseries chronicling most of U.S. President John Adams’ political life and his role in the founding of the United States. Paul Giamatti portrays John Adams. The miniseries was directed by Tom Hooper. Kirk Ellis wrote the screenplay based on the book John Adams by David McCullough. The biopic of John Adams and the story of the first fifty years of the United States was broadcast in seven parts by HBO between March 16 and April 20, 2008. John Adams received widespread critical acclaim, and many prestigious awards. The show won four Golden Globe awards and thirteen Emmy awards, which is more than any other miniseries in history.
“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.
Desperate Housewives is an American television comedy-drama-mystery series created by Marc Cherry and produced by ABC Studios and Cherry Productions. It aired Sundays at 9 P.M. Eastern/8 P.M. Central, on ABC from October 3, 2004, until May 13, 2012. Executive producer Cherry served as showrunner. Other executive producers since the fourth season included Bob Daily, George W. Perkins, John Pardee, Joey Murphy, David Grossman, and Larry Shaw.
The main setting of the show was Wisteria Lane, a street in the fictional American town of ‘Fairview’ in the fictional ‘Eagle State’. The show followed the lives of a group of women as seen through the eyes of a dead neighbor who committed suicide in the very first episode. The storyline covers thirteen years of the women’s lives over eight seasons, set between the years 2004–2008, and later 2013–2017. They worked through domestic struggles and family life, while facing the secrets, crimes and mysteries hidden behind the doors of their — at the surface — beautiful and seemingly perfect suburban neighborhood.
The show featured an ensemble cast, headed by Teri Hatcher as Susan Mayer, Felicity Huffman as Lynette Scavo, Marcia Cross as Bree Van de Kamp, and Eva Longoria as Gabrielle Solis. Brenda Strong narrated the show as the deceased Mary Alice Young, appearing sporadically in flashbacks or dream sequences.
