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Ayano Mishima works as an AD at a TV broadcasting station. She covers the mysterious death case of a young man. Before he died, he said that somebody was watching him. Covering the case, Ayano Mishima realizes that the mysterious eye is also coming after her.
Rachel and Anna return home two years after their mother’s death, and find the town abandoned with their house left in disgusting disarray. When Rachel begins hallucinating about their dead mother and some ancient artifact, terrifying clues begin falling into place surrounding their family’s past.
The morphine-addicted detective Charlie Daines is on the trail of a sophisticated psychopath who is setting up murders and broadcasting them live on the internet. As he closes in on the killer, he realizes that it has become personal and that he is to be the final victim. Will he catch the killer before it’s too late or will his old-school methods mean his death?
HONDROS follows the life and career of famous war photographer Chris Hondros by exploring the poignant and often surprising stories behind this award-winning photojournalist’s best-known photos. Driven by a commitment to bear witness to the wars of our time after the events of 9/11, Chris was among the first in a new generation of war photographers since Vietnam. HONDROS explores the complexities inherent in covering more than a decade of conflict, while trying to maintain a normal life. It also examines the unknowable calculus involved in making split-second life and death decisions — before, during and after his photos were made. Chris was killed in Libya in 2011, but he left a lasting impact on his profession that is still felt today.
Following his father’s deathbed confession about the location of his last will and testament, Tang Sen (Bai Ke) packs up and heads to India with his friend Wu Kong (Wang Baoqiang) in search of it. Along the way, the merry duo becomes a motley crew, enlisting a loyal but quirky fighter (Yue Yunpeng) and a cagey but beautiful woman (Liu Yan), all while experiencing the mysteries of a magical land that both helps and hinders them in their quest.
Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.
At the beginning of the 20th Century, Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two women will have a lasting impact on him – his sister and first muse Gerti, and 17-year-old Wally, arguably Schiele’s one true love, immortalized in his famous painting ‘Death and the Maiden’. Schiele’s radical paintings scandalize Viennese society while daring artists like Gustav Klimt and art agents alike are sensing the exceptional. But Egon Schiele is also prepared to go beyond his own pain and to sacrifice love and life for his art.
A sociopath gathers and drugs groups of college students to bring out their existing suicidal tendencies to the surface then walks among them to enjoy and record their deaths.
Set in a prison, a death row inmate has a secret and the warden will go to any lengths to get it. Things dont go as planned as you would expect. A good action film with alot of good fight scenes and an interesting twist at the end.What we have learned to expect from Art Camacho.
A homeless man (Kevin Kenny) begins a killing spree on the streets of New York City. Completely deranged and barely aware of his own identity, he makes little attempt at concealing his actions. But in a city with 50,000 homeless citizens, our killer finds himself effortlessly camouflaged. Steel yourself for a non-stop onslaught of violence and disgusting imagery. Blending horror, drama, and dark comedy, Crazy Murder is a disaster film at its core – featuring a tornado of death, a tsunami of blood, and a volcano of faeces.
Things are not looking good for Brook, a young, talented singer/songwriter who has become the clichéd tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother’s ashes. Brook’s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all.
Jack is a wanderer whose aimless roaming leads him to a number of interesting locations and into the company of many interesting people, and despite his fascination with bullfighting he leads a largely peaceful existence. When a crime boss’ daughter is accidentally gored to death, Jack is implicated in the unfortunate event and singled out for termination by a seemingly unending army of lethal hitmen. As Jack wages an uphill battle for survival against the harsh desert terrain and a hail of gun smoke and lead, his will to live depends on his ability to exercise his demons and come to terms with the fact that he may not live to see another sunrise.
A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House.
