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Blood Brother takes place on he mean streets of a city in decay, where a recently released convict begins to take a murderous revenge against his childhood friends, whom he believes let him take the fall for a crime they collectively committed. As the bodies start piling up, one of the friends, now a cop, will stop at nothing to put and end to the murderous rampage and to right the many wrongs of their tragically violent past.
At his fiancée’s urging, a very modern Irish groom-to-be reluctantly agrees to a stag weekend with his friends, camping in the western wilderness of Ireland. Much to their chagrin, these modern men are joined by the brother of the bride, a crazy, unpredictable alpha male known as “The Machine”, and an explosive Id to their collective Ego. The Machine is a force of nature, and under his leadership, the men—stripped of modern comfort, convenience and, finally, clothing—must begin their journey into the wild.
Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.
Delving into our collective nightmares, this horror-documentary investigates the origins of our most terrifying urban legends and the true stories that may have inspired them.
When a group of young actors adapt an Edgar Allan Poe tale into a theater production, the line between truth and fiction becomes terrifyingly blurred as elements from the harrowing story begin to bleed over into reality. The ensemble soon comes to the horrifying realization that life has begun to imitate art, and their collective descent into madness has reached a point of no return.
How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father’s suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
A sexy, romantic and uncomfortably chilling tale of love and deception from first time director Marcelo Briem Stamm. Handsome middle class Manuel (Patrico Ramos), hurt by his previous relationship and bored being alone, meets Julio (Mario Veron), a rugged, lonely, unemployed young man in a chat room. The two eventually meet up in person and the sexual spark is quickly ignited. And while sex is satisfying and frequent, it is their collective problems with intimacy, trust and the fear of being hurt that make them hesitant to commit fully. As their relationship develops, both reveal secrets from their past but these revelations might be real, imagined or outright lies. Who is being truthful, who is real, and who truly loves the other? All is revealed in this romantic, passionate drama/thriller that offers a shocking, strangely satisfying conclusion.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.
“In 1946, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary, DID YOU WONDER WHO FIRED THE GUN?, which takes us on a journey through the American South to uncover the truth behind a horrific incident and the societal mores that allowed it to happen. Acting as narrator and guide, Wilkerson spins a strange, frightening tale, incorporating scenes from TO KILL A MOCKINGBIRD, the music of Janelle Monáe and Phil Ochs, and the story of Rosa Parks’ investigation into the Recy Taylor case, as well as his own family history, for a gripping investigation into our collective past and its echoes into the present day.
“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
The Old Republic: Rescue Mission is a passion project born from the idea of breaking the bounds of achievability. Begun as a small collective of individuals to soon becoming a larger team, we set out with an aim to create some of the best fan-made content ever to be based from the Star Wars Expanded Universe lore. It is an original story featuring Mission Vao and Revan, set between the events of the KOTOR game and Drew Karpyshyn’s novel ‘Star Wars: The Old Republic: Revan’.
When Lynyrd Skynyrd emerged onto the world stage in 1973, it was the result of a collective determination; the group had struggled and fought to gain real recognition ever since their formation eight years before. And although they were initially identified, both in the music industry and in the media, as just another act in the then booming Southern Rock movement, it became quickly apparent that not only were Skynyrd a distinctly individual collective, but also they had the potential to become one of the finest rock bands in history. Led by the headstrong and domineering Ronnie Van Zant, a tough, blue collar brawler with a powerful stage presence, distinctive vocals and gritty, honest lyrics, his energy and vision propelled the group until its tragic end in 1977. This films tells the story of the rise and fall of a remarkable band.
Collective screening of the Academy Award nominated short films from the Live Action category for 2016.
Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared “a threat to the national security of the state of Israel.”
Brothers Colin and Ewan McGregor follow up their documentary The Battle of Britain with a film exploring Bomber Command, a rarely told story from the Second World War. The film focuses primarily on the men who fought and died in the skies above occupied Europe, with numerous examples of individual heroism and extraordinary collective spirit, and Colin learns to fly the key aircraft of the campaign: the Lancaster bomber. But this is also the story of a controversy that has lasted almost 70 years. The program covers six years of wartime operations, and traces the obstacles and challenges that were overcome as the RAF developed and deployed the awesome fighting force that was Bomber Command.
Philosopher Slavoj Žižek and filmmaker Sophie Fiennes reunites for this follow-up to their hit The Pervert’s Guide to Cinema, using their interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams that shape our collective beliefs and practices.
The world is facing a “pandemic” of chronic disease – heart disease, diabetes, cancer, obesity, asthma, kidney and liver disease, Alzheimer’s, autoimmune diseases, allergies and skin conditions and many, many more. This year more than 36 million people will die from degenerative conditions – more than from all other causes put together*, and that number is expected to rise to over 50 million within 15 years. At the same time, the amount spent trying to treat these diseases with pharmaceutical drugs is expected to rise by 50% to more than $1.2 trillion! One summer Jason Vale took eight people who collectively suffered from 22 different chronic diseases and put them on his ‘Juice Only’ diet for 28 days. Could these different diseases with their many different prescribed drugs be improved and even cured by one thing? Maybe it’s time to get Super Juiced!
Brody, his girlfriend Kerry and their friend Leo go hiking in Dartmoor’s Wistman’s Woods, so named because of its legendary haunted past. That night jealousies, sexual tensions and strained relationships come to a head turning what should have been a peaceful camping adventure into a trip to terror. As collective paranoia reaches fever pitch it becomes clear that there is a much darker force at work in the ancient eerie surroundings. Who or what is after them? And can any one of them survive a night in the woods?
The extraordinary story of a group of twenty-somethings who seized the streets of New York, transforming the meaning of comedy, performance and art through forming “Improv Everywhere,” a prank collective ten years in the making.
A man at three disparate moments in his life: as a member of a fifteen-person collective on a small Estonian island, alone in the wilderness of Northern Finland and as the singer of a neo-pagan black metal band in Norway. Three moments for a radical proposition for the creation of utopia in the present.
“Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote’s poetic music and lyrics.” BBC Four website
A random invitation to a Halloween party leads a man into the hands of a rogue collective intent on murdering him for the sake of their art, sparking a bloodbath of mishap, mayhem and hilarity.
Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.
A documentary spanning over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of Berkeley’s inspiring 924 Gilman Street music collective.
