Woo-gon, a passionate manager who lost everything due to stock advertisements and a specialist gets together to find out the truth behind the rumors that have shaken up the country. From precious information to distribution, this crime chasing movie surrounds the invisible truth.

The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

Lonely pensioner, Harold Gimble, has become the first man to suffer from a new neurological disease that is slowly turning him into a zombie-like state. Harold’s hermit-like existence is shaken up when a vivacious nurse, Penny Rudge, is sent along to alleviate his stiffness. Her ‘special’ massage techniques work a treat on Harold and they become close friends. Harold agrees to trial a possible cure for the disease at a private institute, and the initial results are excellent. But the following day he’s in an even worse state than before, and after Penny accidentally overhears the doctor’s dire prognosis for Harold she decides to sneak him away the next morning. Word soon gets out, and before long a small group of bloodthirsty thugs are pursuing Harold and Penny across dramatic moorlands in the hope of a kill.