Horror is back in the hood! The sequel to the groundbreaking original film “Tales from the Hood” reunites executive producer Spike Lee and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride and politics through tales with demonic dolls, possessed psychics, vengeful vixens and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.

Snuffet is a found footage snuff film with a psychotic twist. The victims are all puppets. Imagine a world exactly like our own except for one crucial detail… puppets are real and they coexist with humanity. Just like our world there is a seedy underbelly beneath the surface. Puppet racism, puppet hate crimes, puppet civil rights issues, and of course puppet serial killers. Human serial killers who hunt puppets to be specific. Our story follows a maniac’s video diary as he hunts, mutilates, dismembers, and violates poor hapless Puppet Americans. Watch as they scream, bleed, and beg for mercy as a masked psychopath dismantles them one stitch at a time.

“Chile On Hell” was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax – Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax’s entire catalogue – all the fan-favorites including “I Am The Law,” “Indians,” “Madhouse,” “Caught In A Mosh,” “The Devil You Know,” and “I’m Alive.” “Santiago was the perfect place to film the show for this,” said Anthrax’s Charlie Benante. “When we’d played there in the past, we’d finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn’t stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn’t we want to film a DVD in front of an audience like that?

Friday night in Toronto’s lower west end. Chatter from a dinner party in Harry and Carol’s nouveau riche condo drifts through an open balcony door, as two freebase cokeheads, Pretty and Johnny, have a party on their own in the alley below. As the dinner guests leave, the hostess is nowhere to be found. Until, a wet thud and a sharp scream rise up to the balcony. Pretty stares in horror at Carol’s body, splayed on the alley floor, as Harry screams for help from above. The sharp burst of police sirens sends the cokeheads running as Peter, a middle aged police officer, sprints from his cruiser to check Carol’s vitals. Rocket forward three months and these five disparate lives begin to cataclysmically intersect through weaving multi-narrative story arcs that release spurts and geysers of long-suppressed sexuality and aggression. Beautiful things can happen when you hit rock bottom.

After stealing a huge stash of drugs, speed freaks Hector and Dorena plan to cook up an enormous batch of crystal meth and get rich quick. Hector’s old buddy Merle has the perfect hideout/meth lab: an old, abandoned farmhouse in the woods where no one will ever find them. Unfortunately, no one will hear their screams either. Turns out, they may not be alone after all. It seems this farmhouse is the site of a horrific urban legend. Now, holed up together with nothing to do but snort, smoke and shoot up, the strung-out “cookers” fall prey to paranoia, private demons and terrifying visions which, whether they are hallucinations or hauntings, are equally terrifying and just as deadly!

First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found dead in a warehouse, all signs point to suicide. But a freelance journalist gets a tip that an eyewitness with a different story is ready to talk. Yorke and Michael immerse viewers into a world beyond normal youthful indiscretion, one that’s dark and safely self-contained until pressures from mainstream society shatter everything. Videotape is a raw, powerful exploration of the darker side of human nature, with crucial questions screaming to be answered.

Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.