Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.

Abner is trapped in the rough life of Mexico City. His escape? Boxing. Dr. Frank Irwin (Martin Sheen) and his son Jimmy, a pro boxer, come together to teach Abner that the heart fuels the punches we throw in life.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

Three teens find themselves in a town over run with zombies. Deciding to fight back, they go on a punch you in the throat, action packed, non stop ride through the city, woods, and schools.

The story of Mike Tyson. From his early days as a 12 year old amateur with a powerful punch, to the undisputed title of “Heavyweight Champion of the World”, and ultimately to his conviction for rape. The story of his turbulent life moves quickly, never focusing for long on anything in particular.

Steve Ford is a private detective in Venice Beach, Calif., who’s good with the ladies, bad with the punches and wild about his dog Buddy. When local thugs steal Buddy, Ford turns to Spyder, their devious leader, and forges an unlikely alliance. With help from his best friend, Steve pulls out the big guns to retrieve Spyder’s stolen cash and cocaine and save Buddy.

In You, Me and Him we meet lesbian couple Olivia and Alex (Lucy Punch, Faye Marsay) who, despite their age difference, are very much in love. But as the question of pregnancy rears its head and their neighbour John (David Tennant) befriends them, they both start making some truly disastrous decisions.

He’s a comic. A husband. A dad. An American. And on top of it all, he’s hilarious. Steve Byrne brings his signature style to Chicago with an all-new comedy special that holds no punches, calls it like it is and tells the damn jokes.

Bruce Willis goes from “Die Hard” to dead on arrival as some of the biggest names in entertainment serve up punches of their own to Hollywood’s go-to action star. And with Roast Master Joseph Gordon-Levitt at the helm, nobody is leaving the dais unscathed.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

Two slackers put on their superhero suits to save Hong Kong from a zombie invasion. This hybrid directorial debut packs one hell of an emotional punch.

Roshan Kalra is a three-star Michelin chef who gets fired from New York’s Gulli restaurant after he punches a customer. Forced to take a break, he flies to Kochi to spend time with his son, Armaan and his estranged wife Radha Menon. It’s a fruitful trip because he manages to mend broken family ties. In a bid to help him get his mojo back, his wife suggests he put up his own food truck and begin afresh.

In his one-hour special, Joe DeRosa leaves no subject unexplored. He discusses topics such as the truth about golfers, the correct way to use Tinder, and why it should be OK to punch people in the face.

Matt sets out to live his dreams of becoming a world champion fighter. He meets Happy McBride, a washed up has-been, who takes him under his wing and introduces him to the underground world of MMA fighting. Matt fights his way to the top but then finds that love throws a stronger punch when his falls for Happy’s daughter Nikki.

Academy Award Winning Director, Daniel Junge (Saving Face) and director Bryan Storkel (Holy Rollers: The True Story of Card Counting Christians) team up with producers Eben Kostbar and Joseph McKelheer (The Hammer) for a feature documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

Dust Up is a kick ass action comedy served up by Ward Roberts and starring Amber Benson that will make you laugh, gasp and punch the person you’re sitting …

A concert inspired by the Coen Brothers’ film, ‘Inside Llewyn Davis,’ which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film’s music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.

Two policewomen from Internal Affairs arrive in a provincial precinct to investigate the death of an Algerian woman who was an informer. One punches, the other eyes, tip top.

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne’s HM Prison Pentridge’s maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he’s subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.

Deep in the Pennsylvania hills, a cemetery for those who died during exorcism remains a dark secret for the church. In 1671, hundreds of men, women, and children suffered in bloody, torturous rituals at the hands of priests unable to contain the evil of the possessed. Were these possessions real, or is the story a hoax to cover up the sins of the deranged priests thirsty for human blood? Bill and his team of cynical paranormal investigators plan to find out the truth. Armed with the church’s historical record, they set out into the wilderness to uncover this series of forgotten atrocities. Alternately gut-punching hilarious and brutally violent, The Cemetery takes the best elements of the old-school slasher film and pushes them to the edge.

Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.