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Oprah Winfrey hosts a conversation featuring Wade Robson and James Safechuck, alongside Leaving Neverland director Dan Reed, before an audience of survivors of sexual abuse and others whose lives have been impacted by it.
The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.
Public Prosecutor Mathur names an accused, Sandeep Mishra, and three other suspects who had arranged the homicide of Lucknow-based journalist Monica. The trio are Aseem Ray – a wealthy publisher; Pamela Grewal – a businesswoman; and Chandrakant Pandit – the former Telecom Minister and soon-to-be Chief Minister of Uttar Pradesh. With odds stacked heavily against him, Mathur presents, what is an apparent circumstantial case before a female judge, and must prove beyond a reasonable shadow of doubt, that Sandeep was directly involved – even though direct evidence indicates that the murder was committed by two unknown males, and that the deceased victim lived a dual life.
“I’m known to be a feminist, but I don’t do male bashing, because I think men and women need each other, and all we need is a new equation: love and mutual respect.” – Aruna Raje. CineVedas Inc. presents Women Beyond Bollywood, a film in which women filmmakers in India are challenging Bollywood’s misogynistic tropes, venturing into taboo territories with dramatic, realistic, and subversive films. In Women Beyond Bollywood, director Rahila Bootwala meets with some remarkable women, from doyennes of Indian cinema to vibrant emerging filmmakers. She meets three generations of women who are reshaping the film industry and taking controversial stances on religion, sexuality, marriage, and other taboo subjects. “Women Beyond Bollywood” has opened at the Indian Film Festival (Melbourne, Australia), Tasveer South Asian Film Festival (Seattle, U.S), Through Women’s Eyes (Florida, U.S), La Femme International Film Festival (Los Angeles, U.S), Chicago South Asian Film Festival (Chicago, U.S).
Prince Albert presents this revealing documentary about how the world’s most iconic Grand Prix came into being, how the circuit changed as F1 developed, and how it’s created each year.
William, a once obese and troubled teen, goes back to his family’s home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to the city and become a fit, well-adjusted gay man, but during his visit home, he becomes unhinged as the newly remembered reasons for his miserable adolescence come to life in each of their presents.
Six months after the 7 October attacks, Lyse Doucet presents searing accounts of the human cost from both sides and explores what it will take to bring about a lasting peace.
Germaine Camden and his best friend, Tammy discuss Christmas presents for the upcoming season. After watching a late night ad, Tammy suggests she give her friend, that has everything, a Threesome for Christmas. Never thinking that Germaine would take her up on the idea, Tammy has to find 2 candidates for Germaine present all while hiding her true feelings for him.
After a decade in the making, including a rib-tickling behind the scenes chronicle at AFF2020 (Video Nasty: The Making of Ribspreader) Adelaide’s doyen of trash, Dick Dale, presents a gloriously unrepentant gore fest. Decades after his career as a tobacco advertising icon, Bryan Burns’ (Tommy Darwin) life is in ruins. After his mother dies of lung cancer, he is tormented by a talking cigarette on an anti-smoking billboard. He snaps and transforms into the Ribspreader, a killer stalking the city, extinguishing smokers and cutting out their lungs to make his macabre smoking jacket. Littered with excessive set pieces and moments of genuine hilarity, the precious gold is the brilliant cast of faces from Adelaide’s underground.
A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary Mexican living in Montreal. However, Camilo wants to get back on track and an opportunity to recover his culinary passion finally presents itself. Everything is in place for this new beginning when Camilo receives a visit from his daughter Tania, with whom he had cut ties because of her drug addiction. She tells him that he is a grandfather and asks him to take care of the child while she undergoes her umpteenth rehab. The arrival of this grandson will upset Camilo’s plans. There will be a new beginning for him, certainly, but not as he imagined it.
The Electrifiers won the 1984 Best New Artist Award for a smash hit which no one remembers, and have been stuck in traffic on the fast track to international stardom ever since. Thirty years later, the band members continue to drag themselves between gigs at nursing houses and cheap B&Bs while their lead singer still believes he is a 20-year-old rocker. But just as everyone is about to become completely fed up with him, a surprising opportunity presents itself, which could propel the Electrifiers straight to the top.
For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the “battered” syndrome change legal practices in 2000, Missouri’s Governor crafts a new law demanding the parole board reevaluate each woman’s case.
Celebrating the joys of an Irish Wedding in all its pleasant predictability – the requisite chats about the weather, the haggle over the beef or salmon, the losing of the rings, the ditching of the heels, the intergenerational whirl around the dancefloor. Alex Fegan (Older than Ireland, The Irish Pub) captures all that is familiar but also conveys the momentousness of the day from the pre-wedding nerves, to the tenderness of the first kiss, from the affectionate humour of the speeches to the melancholy moments as absent friends are remembered. The Irish Wedding presents a pleasingly diverse community of brides and grooms in this warm-hearted and thoroughly entertaining survey of Irish nuptial activity.
This unflinching documentary presents shocking new evidence and stunning testimony as we follow a brand new investigation, 20 years in the making, into one of modern America’s most heinous crimes and attempts to finally secure justice for Nicole Simpson and Ron Goldman. Norman Pardo, OJ’s former manager, unpacks a sordid tale of deceit, revenge and evidence that not only once and for all answers questions that have lingered for more than 25 years with this case – but finally answers the question, Who Killed Nicole? This film will make you question everything you thought you knew about this notorious case.
In the tradition of the horror movie V/H/S , Acres Films presents: TALES OF FOUND FOOTAGE. Put the kids to bed, turn off the lights, and prepare yourself for this horror anthology containing 3 stories of terror, presented in found footage style.
Controversial radio host Alex Jones presents his case that Obama was not the beacon of hope he was portrayed as, but rather just another cog in the immoral government & corporate regime.
Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.
Based on the beloved writings of L. Frank Baum, The Woodsman, an imaginative retelling of the origins of Oz’s Tin Woodsman, is the story of the Tin Man, the woman he loved, and the witch that would stop at nothing to keep them apart. Through spectacular life-size puppetry by and Edward W. Hardy’s original music, the ensemble of Strangemen & Co. presents an inventive take on one of America’s original fairy tales.
Louis Malle presents his entertaining snapshot of the comings and goings on one street corner in Paris.
Between 1865 and 1920, Finnish immigrants brought traditional arts to America, including woven and braided rag rugs. As a hallmark of Finnish ethnic culture, rag rugs and their makers hold special places in the hearts of Finnish America. Cultural sociologist Michael Loukinen brings us into the homes and to the workrooms of traditional weavers in Michigan’s Upper Peninsula. He portrays the interwoven world of cultural beliefs, aesthetic practices, and family history that each rug represents. From the treasured family-memory heirloom, from each carefully protected rug to its threadbare, tattered clump on a tractor seat, these rugs are an art form that embodies several Finnish American cultural values.
Between 1955 and 1995, over 70,000 West African children were fostered by white Britons, in a practice known as ‘farming’. Many individuals then had to live, often in silence, with the long-lasting impact of this controversial official policy. Nine of those raised this way were invited to a workshop retreat, under professional guidance, to discuss their experiences. Each take turns delving into their past, revealing the confusion and trauma of dealing with such change at a young age. For many, this marks the first time they have had the opportunity to connect with people who have shared a similar childhood. White Nanny Black Child presents a personal, moving and sometimes unsettling meditation on identity, belonging and the nature of family.
For Fred, Christmas is about enjoying good food, presents and family. But for Emma, Christmas is about taking care of people in need. She misses her parents and their traditions, so Fred suggests she goes to Canada. Emma asks Fred to join her, but the mothers of his daughters refuse to let them go at short notice. Fred says he will go with Emma no matter what, so Vic, Romy and Clara plot to stop them leaving! And it’s a good thing they do, as surprise guests will be arriving.
Heather bumps into Carla, having not spoken to her in years, and presents her with a very unexpected proposition that could change both of their lives forever.
A mischievous, swag-obsessed boy must overcome his inner Scrooge, or remain caught in a cycle where everyday is a Christmas without presents.
The Romanian penitentiary system allows, from 2006, the marriage of people sentenced to serve time in prison. Most of the inmates cultivate the pre-existing relationships with the concubines or partners who live outside the prison walls. Though, there is a special category, of those who find a life partner during their time in prison. VISITING ROOM follows the stories of some prisoners found in different penitentiaries across the country, who have found their life partner during their sentence time. The one is either a person from outside, or as them, a person who is serving time in prison. Our intention was to talk to the people found in the special situation of being deprived of freedom, to whom love becomes a substitute for freedom and represents maybe their only hope for a better future.
Drag Race Germany is a German reality competition series, based on the original American series, RuPaul’s Drag Race. The series is broadcast on MTV and Paramount+ in Germany, Austria, and Switzerland and on WOW Presents Plus internationally.
The first World War is in its third year and aerial combat above the Western Front is consuming the nation’s favored children at an appalling rate. By early 1917, the average life-span of a British pilot is less than a fortnight. Such losses place a fearsome strain on Gresham, commanding officer of the squadron. Aces High recreates the early days of the Royal Flying Corps with some magnificently staged aerial battles, and sensitive direction presents a moving portrayal of the futilities of war.
The film tells the story of Mauricio Fernandez, mayor of the wealthiest municipality in Latin America, located in the North of Mexico. He presents himself as a polemical figure who takes justice into his own hands in order to “clean” his municipality of the drug cartels’ presence. Mauricio is a key character to better understand the present situation in Mexico and through the unusual views of this politician, the audience will be a privileged witnesses of an scenario where political tasks and excessive violence mingle with one another.
Ali, Kwita, Omar and Boubker are street kids. The daily dose of glue sniffing represents their only escape from reality. Since they left Dib and his gang, they have been living on the portside of Casablanca. They live in constant fear of Dib’s revenge. Ali wants to become a sailor – when he was living with his mother, a prostitute, he used to listen to a fairy tale about the sailor who discovered the miracle island with two suns. Instead of finding his island in the dream, Ali and his friends are confronted with Dib’s gang. Matters are getting serious.
As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son’s future. Eventually, the two brothers meet again.
A comedy based on the novel of Jaroslav Hašek’s The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek’s novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk’s Budějovice anabasis. Don’t miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý’s adaptation is undoubtedly the most famous and memorable at present.
The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde’s fiancé, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father.
Hundreds of years ago in Lapland, a little boy named Nikolas loses his family in an accident. The villagers decide to look after the orphaned boy together. Once a year – at Christmas – Nikolas moves to a new home. To show his gratitude, Nikolas decides to make toys for the children of the families as good-bye presents. Over the years, Nikolas’s former adoptive families become many, and soon almost every house has presents on its doorstep on Christmas morning. At thirteen, Nikolas is sent to live and work with Iisakki, a grumpy old carpenter, who forbids Nikolas to continue making presents for Christmas. Gradually, however, Nikolas wins Iisakki’s trust. Together they begin to look after the Christmas traditional that Nikolas has begun. When the aged Iisakki has to leave Nikolas and move away, the tradition of Christmas presents is once again at risk. Thankfully, Nikolas comes up with a solution that brings children joy every Christmas, even continuing to today.
A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud’s classic “The Name of the Rose”. From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco’s best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters’ murders inside the mysterious abbey.
When a spiteful coworker sabotages her deliveries, a courier and a helpful customer must race to return Christmas presents to their intended recipients.
A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan trains the wild man, Puff, in the ways of the world – starting with table manners – Nathan’s lover Lila fights to preserve the man’s simian past, which represents a freedom enviable to most.
During a family gathering, a celebration for their father’s 60th birthday, the eldest son presents a speech that reveals some shocking secrets to everyone.
Karin does not belong to the nobility but nevertheless marries the mentally ill king Erik XIV and becomes queen of Sweden. The king’s skilled counsellor Göran Persson wants a royal policy supporting the people and supported by it. But in relation to the nobility the king oscillates between provocative strength and unpredictable weakness. Göran arranges that some very powerful noblemen are killed. Subsequently the king tries to have them convicted of high treason by the parliament. He forgets the manuscript, mixes up all facts, and the noblemen are acquitted. But Göran speedily gathers another parliament and has them convicted. Meanwhile Erik apologises because of the unjust murders. Hence Erik is dethroned and imprisoned. Göran is executed. Karin is restricted to a castle in Finland. In the prison Erik believes that he is still the king and gives the guards presents such as all fishes in the Baltic Sea.