Tells Lacey Schwartz’s story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — despite the open questions from those around her about how a white girl could have such dark skin. She believes her family’s explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.

A new breed of action sports film comes to life as Red Bull Media House, in association with Brain Farm Digital Cinema, present “The Art of FLIGHT”, a Curt Morgan Film. Two years in the making, “The Art of FLIGHT” gives iconic snowboarder Travis Rice and friends the opportunity to redefine what is possible in the mountains. Experience the highs, as new tricks are landed and new zones opened, alongside the lows, where avalanches, accidents, and wrong-turns strike. Immerse yourself in a cinematic experience as Brain Farm and their arsenal of filmmaking technology capture the culture, wildlife and scenic landscapes the riders take in along the way. Join in the ride as the creators of “That’s It, That’s All” completely rewrite the formula for action sports cinema with “The Art of FLIGHT.”

Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger…

A group of attractive young people (of course) awaken to find themselves prisoners in a mysterious house with no means of escape. They are each outfitted with new accouterments–electronic devices attached to the base of their skulls–and a recording on a television screen alerts them of their task. In order to escape, they must hurt themselves and each other. The chemicals that the brain produces when in pain are collected by the devices, and when it collects a predetermined amount, the doors will be opened. Fail to do it in time, and everybody dies.

A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show – and bring in new victims.

On a star-filled night, homeless Thomas seeks warm shelter. Still grieving his late wife, ruined and desperate, he comes across a vast house with the lights on and an inviting open front door. But the next morning, the premises will not let him leave. Destiny has brought Thomas to this place and now he must survive a very personal ordeal. For what appeared a safe haven turns out to be something far more malevolent. From Arrow in The Head blogger, writer and director John Fallon, a psychological horror show tapping into fears of the mind, body and soul.

An anthology of three horror stories presented by George A. Romero. In “Valley of the Shadow,” a woman searches for her missing husband in the jungles of South America, only to be in great danger herself. In “Wet,” a lonely man finds an empty box on the beach and opens it, with disastrous results. In “House Call,” a doctor is called to a rural farm house to diagnose a strange ailment. This segment is a short film directed by Tom Savini in 2004 as a failed television pilot.

With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.

“Wishful Drinking” is based on Fisher’s memoirs of the same title. The stage adaptation had its world premiere in 2006 at the Geffen Playhouse in L.A. It later played at Berkeley Repertory before opening on Broadway in October at Studio 54. The show takes audiences on a comic tour of Fisher’s messy personal life and career. The actress-writer recounts stories about her work on the “Star Wars” series as well as her relationship with her parents Eddie Fisher and Debbie Reynolds. She also discusses her much-publicized problems with alcohol and drugs.

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

On the surface, Clara Barron seems to have it all: a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn’t have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.

After his family moves to a new house, a young boy discovers a mysterious book that details a curse hanging over the date of Saturday the 14th. Opening the book releases a band of monsters into the house and the family must join together to save themselves and their neighborhood.

As one art scene insider proclaims, the contemporary art world can be summed up as “rich people trying to prove how rich they are,” but is that all there is to this billion dollar industry? Well-researched and expertly constructed, Barry Avrich’s eye-opening documentary peels back the layers of the art world economy- from production to circulation, and delineates every integral player in the game of art-making, including curators, gallerists, collectors, donors, auction houses, and … artists. In the process, he unpacks the complex and surprising ecosystem that supports the art world superstars and million-dollar deals that make front-page news. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.

Four small gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop in the countryside, in an old, wrecked house, hiding there for several weeks. Slowly, one after another, they realize, that they would like to stay there, start a new life.

Scare Zone is Oliver’s pride and joy. Sure, it’s just another strip-mall Halloween Horror House, but as always, he’s put his heart and soul into it. The attraction is open for three nights only, and Oliver has brought back his old staff, including ex-con Spider, eager bride-to-be Summer, and the enigmatic Goth princess Claire. A bunch of newbies are also on board, including earnest young Darryl, who immediately finds himself bewitched by the creepy Claire. The dysfunctional ‘scream team’ learns to work together while someone or some-thing is out to make the horror REAL.

Sydney Ragsdale (Thompson), recently divorced, decides to spend Christmas in a house she inherited with her young daughter. As Sydney begins to spend more time at the local bookstore, she meets a teacher, Mac (Paevey), who also fills in for the town Santa. Mac tries to make Christmas wishes come true, and this year Sydney is at the top of his ‘nice’ list. As a new opportunity with the bookstore unfolds, Mac helps Sydney open herself up to life, love, and believing in the spirit of Christmas again.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

How would you react if three years after the death of your father, you receive a letter signed by him inviting you to visit an abandoned house in the middle of nowhere in China? Curious in nature, you decide to set off on this adventure. Here’s the snag, when you arrive in front of the house (which looks more like a bunker), you realize that there are other visitors summoned as well. Four guys show up with the same letter you have! All five characters, Monk, Casino, Black Jack, Shang and Poker have something in common. All carry guns, have dangerous reputations and are wanted by the police. Unexpectedly the door to the house is opened by a mysterious woman and shortly after entering they notice that they are all locked inside. The house is surrounded by police and they can not escape the psychotic killer that wants to wipe them out. After shocking plot twists and with a growing suspicion of each other, they come to realize that they have only one hour to live.

A young writer brings a collection of short stories to a big Moscow publishing house. The manuscript stays at the office and mysteriously influences the lives of anyone who opens it and reads at least one page. There are four stories in the manuscript, and four readers whose lives are changed after reading them. The situations range from realistic to absurd to thrilling to create a rich portrait of life in contemporary Russia and showcase the thoughts, feelings and ambitions of people who live there.

Determined to restore her dying father’s reputation, Ana travels to the remote town of Rosales. Decades ago, he settled there and opened his first free clinic for cancer research. He launched an illustrious medical career – and fell in love. Ana plans to celebrate her father’s scientific and humanitarian achievements by transforming the old family mansion into a world-class museum. She will preserve his legacy, and also breathe new life into the forgotten Rosales. But the townspeople-now destitute and helpless-do not greet her warmly. Neither does the house.

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie’s new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.

In the summer of 1969, Bernard, a Gaspesian fisherman’s son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the ‘Fisherman’s House’. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio’s ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.

Patagonia, 1960. A German physician meets an Argentinean family and follows them on the long desert road to Bariloche where Eva, Enzo and their three children are going to open a lodging house by the Nahuel Huapi lake. This model family reawakens his obsession with purity and perfection, in particular Lilith, a 12 year-old with a body too small for her age. Unaware of his true identity, they accept him as their first guest. They are all gradually won over by this charismatic man, by his elegant manners, his scientific knowledge and his money — until they discover they are living with one of the biggest criminals of all times.

When six-year-old Sophie is tragically orphaned guardianship is assigned to her estranged aunt Annabelle. The two move into a large, eerie, Victorian house where Sophie unearths a locked wooden box with a strange symbol drawn on it. Desperate to connect with her niece Annabelle pries the lock open revealing a beautiful music box. Each time the music box is wound and replayed it’s surprisingly chilling melody plays slightly longer, captivating Sophie even more. When the music box begins affecting Sophie’s behavior and health Annabelle seeks the aid of a child psychologist and clairvoyant who soon discover the music box is possessed by an evil spirit who seeks to haunt Sophie and destroy Annabelle. As the haunting intensifies time begins to run out and Annabelle finds herself racing against the music box’s melody to defeat the spirit before the last note plays.