Writer Ernest Hemingway begins a romance with fellow scribe Martha Gellhorn.

Cassie Nightingale (Bell) finds herself with only days to plan her stepson Brandon’s (Knight) wedding to Tara (Leggat) when the happy couple unexpectedly pushes up the date for their big day. Meanwhile, Martha (Disher), the newly elected mayor of Middleton has roped her into chairing the silent auction to raise much-needed funds for her pet project, the Middleton Botanical Gardens. Audrey (Wilson), a new arrival in town, pops in to Cassie’s store Bell, Book & Candle and the two instantly bond. Needing help in the store, Cassie immediately hires Audrey as her new store associate and she even pitches in and helps Cassie organize the auction. But, Audrey is hiding a secret past and suspicions start to swirl around her when the donated auction items are missing. With the use of her “special” powers – as well as some teamwork by the Mayor and Jake (Potter), her husband and local Chief of Police – Cassie hopes to conjure up the truth before it’s too late.

Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.

Zambrano is a young criminal with the only hope of joining the legendary prison American football team known as The Dogs of Santa Martha. His hopes end up involving him with organized crime since The Dogs, who are also known as The 4th Company, a squadron of inmates at the service of the administration that controls the jail, its vice and its privileges. Corruption and crime have no limits; they ravage the city with car thefts, bank robberies and other crimes under the auspices of the authorities, the story takes place during the López Portillo presidency and his men.

Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.

Friends head off to the remote island of Martha’s Vineyard to celebrate New Year’s Eve and reconnect. As tensions rise, an unforeseen presence halts celebrations and instead turns their holiday into a fight to live through to the new year.

As Christmas approaches, Paula, a St. Louis antique appraiser, reluctantly accepts a marriage proposal from her boyfriend, Daniel, a career-focused attorney. When her Aunt Jane senses she has mixed emotions over the engagement, she invites Paula to her Nantucket home. Upon her arrival, Paula plans a trip to the nearby island of Martha’s Vineyard where she meets a charming inn owner.

Allison Bennet, along with her daughter Olivia and mother Martha, run a bakery in the small mountain town of White Pines, Tennessee. When Matthew, a charming real estate developer, tries to buy the town for a corporate ski resort, Allison and the townspeople must work together to prevent that from happening. And just when the Bennet ladies seem out of luck, an unexpected visitor – with a well-known sweet tooth for cookies and milk – comes to the bakery and may in fact be the key to solving everything.

Martha Barlow, a modern day outlaw, must reconcile her dark past after her teenage son commits a horrible crime.

Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

Young Claudia works in a supermarket where she promotes various types of products. One night, she ends up in the emergency room with severe appendicitis and meets Martha, a patient, laying in the bed next to hers.

A young woman takes work on a Martha’s Vineyard farm and befriends the ten year old farmer’s daughter only to discover present day horrors that stem from a dark past.