The family man farmer John Rollins is stressed with his financial situation: the crows and the lack of irrigation are destroying his crop of corn; the bank is near closure of his mortgage; he does not have credit to fix the water pump or to buy seeds; and his marriage is in crisis and his wife Mary is giving too much attention to her friend Tommy. When John accidentally discovers a hidden compartment in the barn, he finds a creepy scarecrow but his son Michael makes him promise to destroy it. However, his neighbor Jude Weatherby visits him, gives a six-pack of beer to the abstemious John and convinces him to put the scarecrow in the cornfield. Out of the blue, the life of John changes: the crows die; the pump works again irrigating the land; and the banker responsible for the closure has an accident and dies. However, he feels that his land is possessed by something evil that is threatening his beloved family.

Alfred Eaton, an ambitious young executive, climbs to the top of New York’s financial world as his marriage crumbles. At the brink of attaining his career goals, he is forced to choose between business success, married to the beautiful, but unfaithful Mary and starting over with his true love, the much younger Natalie.

Based on the true story of Matthew Winkler, a beloved minister who, in 2006, was found shot and killed in his Selmer, Tennessee home, his wife and young daughters missing. Authorities soon zeroed in on Matthew’s wife, Mary, as the prime suspect in the murder. After her capture, the residents of Selmer were left to wonder what would drive Mary to shoot her husband in the back as he slept. They would get their answers during her trial, when what went on behind the closed doors of this seemingly perfect family was revealed for all to see.

Ellen Branford, a high-powered attorney, finds love, purpose, and the promise of a simpler life when she sets off on a journey to fulfill her grandmother’s dying wish – to find the hometown boy she once loved and give him her last letter. Based on a book by Mary Simses.

Captures a generational moment – young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who’s having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam’s life revolves around his friends — Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam’s eye.

Desperate to see their church grow, Pastor John (Robert Amaya) and wife Betsy (Erin Bethea) do the unthinkable and change their church Christmas pageant. Flabbergasted, elderly choir director Mary Margaret (Sallie Wanchisn) leads the choir to boycott. Facing termination, Pastor John resorts to disguising himself as an old man to bridge the generation gap, win over Mary, and lead the choir back to the church. When he discovers that the wounds run deeper than he first suspected, Pastor John must learn to love the unlovable or risk the ruin of his church and family.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

Once upon a time in a cheap Jerusalem hotel room, Jesus and Judas are spending their time away from Nazareth between hot, sweaty, carnal love and preparing sermons for Jesus’ growing fanbase. Enter Mary Magdalene, jealousy, Satan, and the Romans, and the once-perfect love affair between Judas and Jesus becomes a hellish ring of fire, leading Judas to betray his beloved Christ and the Romans to punish everyone for trying to turn everyone gay.

MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.

The Bad Boy Squad, a variety of private detective agency, is composed of King (Ekin Cheng Yi-kin), Queen (Kristy Yeung), and Jack (Louis Koo Tin-lok), whose primary source of business is the reuniting of clientèle with their first flames, and when the trio of young operatives returns to Hong Kong from an assignment in Thailand and the Squad’s next three customers supply photographs of lost loves, the women in the pictures appear to be the same individual.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn’t have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.