During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire), Jonas Åkerlund takes a radically new approach to capturing the emotion and thrill of Rammstein’s live performance. Jonas Åkerlund: “We shot two nights in Paris, and we had 30 cameras, so that gives you 60 angles, plus we shot a dress rehearsal for close-ups. That gives you a massive amount of footage. This is a whole Rammstein-show, and I take the footage and cut it with the same precision that I would a 3-4 minute music video. Even with a big crew of editors, it took us over a year to nail down the edit. Looking at it now – that is the strength of this project. It really brings the show alive and shows what Rammstein is all about.”

The story of Michael and Richard Henderson, two stepbrothers from West Virginia who saw an opportunity in the burgeoning VHS market in the 1980s and made their own backyard horror movies, “The Curse of Stabberman” and “Cannibal Swim Club.” These films would’ve been long forgotten, but a recent resurgence in horror fans collecting rare VHS tapes has put the Henderson Brothers back in the spotlight. Thanks to their biggest fan, they’re sitting down for their first on-camera interview and looking back on their movies – but they might not be as good as they remembered!

A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”

With the country’s debt growing out of control, Americans by and large are unaware of the looming financial crisis. This documentary examines several of the ways America can get its economy back on the right track. In addition to looking at the federal deficit and trade deficit, the film also closely explores the challenges of funding national entitlement programs such as Social Security, Medicare and Medicaid.

The film opens on a water-skiing accident – a girl (Délie) drives a speedboat and pulls a young man (Stan). They are both challenging their own limits when a crash occurs… Stan wakes up from a coma after this serious accident, to find out that genealogists are looking for an individual whose identity corresponds to his. Instead of asking himself questions about this testamentary filiation, he subscribes for Professor Starkov’s legacy, and embarks for the country of Las Estrellas… Purging odyssey where intuition and telepathy accelerates the journey in time. Dharma Guns revisits the myth of Orpheus and Eurydice fighting with the tyranny of Time-God…

Harry Penderecki, a once heralded horror auteur, finds himself on the outside looking in at Hollywood. He hasn’t had a hit film in years, and most in the industry, including his close friends, think he’s washed up. Harry is given one last chance to redeem himself with what could be his best or last picture. Brutal Massacre becomes just that, as the cast and crew find themselves battling one mishap after another as Harry struggles to keep his sanity against overwhelming resistance to finish the picture and find himself at the top once again.

In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?

Starting with a scientific argument in regards to the Sasquatches and Bigfoot issue, this film covers the chronological history of the creature from ancient to present day. Researchers and scientists cover the hardest questions in regards to proving this creature is real. Looking at photographic, video, and scientific fact based trace evidence from credible encounters with these creatures. What was it related to in the fossil record? We analyze the fossil evidence compared to eye witness accounts of the creature which may still exist today. Bill Miller and Thomas Steenburg uncover the harsh truths about why this creature won’t be taken seriously by the mainstream scientific community and provide evidence that we are dealing with an intelligent animal. Stories and dramatic explanations about some of the more credible encounters follow. The question of whether these creatures exist should be well proven by the time the film has concluded.

A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.

The creation of filmmaker Michael Emanuel, SCARY OR DIE tells five interwoven horror stories that take place in and around the “City of Angles”. A flesh-eating clown desperately trying to protect the person he craves the most; a dirty cop and a hit gone wrong with a vengeful Necromancer; a beautiful but mysterious woman and a lonely man looking for love in all the wrong places; a gruesome, blood-splattered uprising of illegal Mexican zombies; and a Cajun conjurer grandfather whose gift of never-ending love goes terribly awry…SCARY OR DIE is a unique experience in horror filmmaking certain to fulfill all your twisted horror film experience needs.