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In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
While coming to terms with his dad’s recent passing in a tractor accident, 13-year-old George McCray is living with his grandparents on their Kansas farm. George misses his mom, Jill, who has moved to Minnesota to deal with her grief, but there is the promise of their reunion at Christmas. George feels needed on the farm as he helps his grateful grandfather Bo with daily chores and comforts his grandmother Cora. He has also made friends with Mary Ann and became attached to Tucker, the smart and friendly dog the McCrays take in when his troubled owner Frank Thorne lands in jail.
Na’ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She’s introduced to a world of drugs, lesbians and sex. She’s thrilled. Her life, at last, becomes exciting. Is it going to last? “Barash” is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.
Forbin is the designer of an incredibly sophisticated computer that will run all of America’s nuclear defenses. Shortly after being turned on, it detects the existence of Guardian, the Soviet counterpart, previously unknown to US Planners. Both computers insist that they be linked, and after taking safeguards to preserve confidential material, each side agrees to allow it. As soon as the link is established the two become a new Super computer and threaten the world with the immediate launch of nuclear weapons if they are detached. Colossus begins to give its plans for the management of the world under its guidance. Forbin and the other scientists form a technological resistance to Colossus which must operate underground.
Between working full-time, raising a young son, and trying to maintain a relationship with her detached husband, James, Lauren Bell desperately needs some help in watching her newborn, Riley. Thinking she’s found the perfect solution, she hires her neighbor, Owen, to be their nanny. Owen is exactly what the Bells need and Lauren couldn’t be happier. It isn’t long, though, until Owen crosses the boundaries between hired help and man of the house.
When darkness is attached and dreams haunt the head, an alternative source of relief can be found in the darkest of places by a most unbelievable being, the elusive Chameleon. When a young photographer seeks relief from his recurring nightmares, the Chameleon provides a cure. Little does he know the side effect is the realisation of his nightmares materialising in the real world.
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
Jake and Kyle are two boys who grew up together in rural Arizona. They are best friends, and they begin to take their relationship to the next level when Jake’s father moves him and his family away to California. Jake and Kyle can never forget their strong emotional bond, and Jake, overworked and unattached, goes back to his hometown for the first time in 15 years to see Kyle and renew their special friendship.
New Zealand independent drama following a young Māori man who moves to the country to rebuild his life after facing prejudices around his sexual orientation. He takes on a job on a farm where he grows attached to the farmer’s son. But when their relationship grows, the situation steers into darker territories…
The Watcher Self is an unsettling psychosexual chiller written and directed by Matt Cruse about one woman’s descent into hell. Cora (Karen French) begins her day facing the consequences of a nightmare. Struggling to maintain a normal routine, she engages in a series of emotionally detached encounters and experiences a confusing psychological connection with the strange and elusive Van (Julian Shaw). Then echoes from the past threaten to derail her tenuous state of mind, and Cora becomes increasingly dislocated from her surroundings. Is she going insane, or is it something else? The Watcher Self is about what remains when the layers of sanity are gradually stripped away… and what may or may not be real.
Doc Martin tells the tale of Martin Clunes’ character in the film, in the months leading up to the Saving Grace story. Martin Bamford is a heart-broken London obstetrician, in a jealous rage after he finds out that his wife has been sleeping with three of his buddies. He escapes to a small Cornish fishing village, which he grows surprisingly attached to, and is extremely reluctant to return with his cheating wife when she comes to pick him up. Although he has only been looking for a week’s R & R, Dr Bamford stumbles across a network of secrets in the village of Port Isaac, and finds himself embroiled in the most exciting scandal the village has seen for centuries.
Jung-Woo (Kim Sung-Su) is a neurosurgeon and also works in bioengineering research. He is married, but has an ongoing relationship with Yoo-Gyeong (Han Go-Eun). She is a doctor and stands by Jung-Woo. Yoo-Gyeong has a mysterious accident one day and her hand is cut off in the accident. Thanks to Jung-Woo’s quick thinking, her hand is reattached successfully with surgery. Yoo-Gyeong’s health improves after the surgery, but bizarre events take place around her constantly.
Basson has five days to make it to his father’s funeral in Cape Town, but needs to complete certain tasks on this trip before he can call the family company his own. On the road he meets free-spirited bohemian girl, Amory. As they journey across the breathtaking landscape of South Africa, they meet wonderful characters that allow for hilarious moments and life-changing experiences. Their trip takes a sudden turn for the worst when a villainous figure makes an appearance. Basson and Amory are faced with disappointment and heartache. On the road called life, it is inevitable that you will take some wrong turns. But no matter how hard the road might be, on route to true love is where you will find your true north.
Because of a train strike, a group of tourists, mostly unrelated to each other, get stuck in New Mal Junction. These people are honeymooners (Saheb and Mimi), family vacationers (Pallavi Chatterjee, Koushik Banerjee, Tridha Choudhury), an ailing mother and her son (Lily Chakraborty, Kaushik Ganguly), a priest (Ardhendu Banerjee), a heroine and her abnormal brother (Gargi Roy Choudhury, Rajdeep Ghosh), one trekker (Kamaleshwar Mukherjee), a bus conductor (Rudranil), and a retired teacher (Maasud Akthar). One of the tourists, the priest manages to arrange a bus from the church for them to reach North Bengal. The other tourists also join him in the bus trip, but unfortunately the bus meets with a terrible accident. It falls off a cliff into an abyss, but the tourists survive with minor injuries. Injured and traumatized, they realize that they have become completely detached from any form of human contact.
Brought together by music, two high school girls, Samantha and Taylor, begin a secret romantic affair. But when Taylor?s mom corners the girls, Taylor seems unwilling to protect the relationship, leaving Samantha to decide if it is worth her heartache to preserve it as she leaves for college.
The story revolves around a set of Indians, fighting to get what is their own, while another set of Indians working for the Scotland Yard Police chase them hard to stop them from spreading terror. The film in entirety has been been shot in London, Birmingham and Scotland. Ajay Devgn plays the role of a businessman who is married to actress Kangana Ranaut. Anil Kapoor plays the cop. The stylist Navin Shetty said to Mid Day, “Director Priyadarshan gave me a brief on Ajay’s character in Tezz saying he didn’t want anything fancy but more realistic – someone who will blend with the crowd. Ajay plays a father of a child and the film is set against a grey London winter so we have give Ajay’s character an earthy look. He has a moustache and faint stubble. The colours are grey, brown, rust and khaki. We have played with the cut and the colours while the fabrics used have been wool and leather with lots of scarves and headgears. The effect is simple, realistic, smart and classy.”
When Steve Mitchell is clandestinely sent to the US embassy in Bucharest, Romania to disarm a nuclear bomb that has secretly remained in the building since the end of the Cold War, little does he know that other problems will soon erupt. He must join Erica Long, a diplomatic attaché who is not all that she appears, to work together on setting the correct computer code that will disable the weapon and accomplish the mission. But while watching video monitors from inside a long-forgotten surveillance room, Steve witnesses a surprising deadly takeover of the building by the Serbian Liberation Front.