Mason, a dragon warrior from the future, returns to the year 1999 in search of a serum that can combat a disease simply known as “The Plague.” In the post-apocalyptic world of 2099 — after an earthquake has destroyed all of civilization has been — “The Plague” is the deadliest menace of them all. And the cure for it lies in the past!

The Doctor looks and seems human. He’s handsome, witty, and could be mistaken for just another man in the street. But he is a Time Lord: a 900 year old alien with 2 hearts, part of a gifted civilization who mastered time travel. The Doctor saves planets for a living – more of a hobby actually, and he’s very, very good at it. He’s saved us from alien menaces and evil from before time began – but just who is he?

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.