The story of the battle to free Debbie Peagler, an incarcerated survivor of brutal domestic violence. Over 26 years in prison cannot crush the spirit of this determined African-American woman, despite the injustices she has experienced, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who cornered her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when a pair of rookie land-use attorneys cut their teeth on her case — and attract global attention to the troubled intersection of domestic violence and criminal justice.

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.

Prison Terminal: The Last Days of Private Jack Hall is a moving cinema verite documentary that breaks through the walls of one of Americas oldest maximum security prisons to tell the story of the final months in the life of a terminally ill prisoner and the hospice volunteers, they themselves prisoners, who care for him. The film draws from footage shot over a six-month period behind the walls of the Iowa State Penitentiary and provides a fascinating and often poignant account of how the hospice experience can profoundly touch even the forsaken lives of the incarcerated.

Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she discovers she does not have the happy marriage she always believed and begins to piece together the times and dates of her husband’s frequent absences, her fears begin to take hold, and her sanity deteriorates.

When a seemingly abandoned alien spacecraft is discovered orbiting Neptune, a top secret expedition is sent to investigate. In the derelict hulk they discover two surviving alien life forms telepathically linked to one other. 13 years later a savvy, ex-DEA agent and martial arts expert finds herself renditioned to a high security establishment on a remote island where they are conducting experiments on the incarcerated aliens.

“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

A police detective consults with incarcerated serial killer Ted Bundy to help him catch The Green River Killer. Based on terrifying true life elements which inspired Silence of the Lambs. In 1984, police in Washington State are investigating a spate of serial murders committed by a mysterious man known as The Green River Killer. With no leads to go on, the detective in charge of the case consults with psychologists in an attempt to get inside the mind of the killer. But when that doesn’t produce a positive result and the killings continue, the detective realizes that the only way to understand what makes a serial killer tick is to meet one. So he visits the imprisoned Ted Bundy, one of the most notorious serial killers in American history.