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Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
Veniamin, a teenager in the midst of a mystical crisis, has his mother, schoolmates and entire high school turned upside down by his questions. – Can girls go to their swimming classes in bikinis? – Does sex education have a place in school? – Should the theory of evolution be taught as part of the Natural Sciences? The adults are soon overwhelmed by the certitudes of the youngster who swears only by Scripture. No one but Elena, his biology teacher, will alone challenge him on his own ground.
Mike and Toni are on their way to the mountains for a romantic weekend, when their car breaks down. The couple take shelter in an empty cabin, unaware that it is being used by bisexual photographer Jan who is on an erotic shoot with model Kristin. Things get more complicated when Glen, a fashion editor, arrives. Soon inhibitions (and underwear) are being freely cast aside. But the lovers’ reverie is broken when Kristin’s psychotic boyfriend breaks in, seeking vengeance.
Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated — since Maggie’s family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.
A timid and reclusive 18-year-old high school student is alienated by her parents and ruthlessly rejected by her peers. Desperate and isolated, she confides in her own reflection — and in the mirror she finds her imagined evil twin, someone who supports her, encourages her and knows all her secret desires. When the “girls” trade places, repressed sexuality and a ferocious violence erupt with a dangerous sense of freedom.
Jodie Baxter is a Captain returned home from Afghanistan after being injured in a rigged booby trap that has left her scarred both physically and on a deep psychological level. She struggles to reconnect with her husband on a sexual and emotional accord and begins to realise the distance between herself and her child as her daughter hides pivotal moments of puberty that a mother should be there to support. In the middle of moving out of their Service Family Accommodation, Jodie escapes to her one place of solace, a hotel where she resides to be free and remember the past. It is there she notices and becomes obsessed with a couple, an abusive older man and a young prostitute who he humiliates and debases. Following them back to their room, Jodie enters into the situation and it is through an extreme act of violence, lust and in her eyes ‘protection’ she has a revelation concerning what she has experienced and what has been haunting her deep within her cognisance.
A family living in Marfa, Texas attempts to pull themselves back together after a horrific tragedy. This provocative sequel to Larry Clark’s film Marfa Girl, shows us a group of people ready to escape their current realities – no matter the cost. Gritty, unrelenting and powerful, auteur Clark once again delivers a bleak landscape of sex, drugs and boredom amongst the residents of a dead-end Texas Border town.
Why do human beings get married in almost every society in the world? Why do we cheat? Why is monogamy so important to a relationship and why does infidelity cause so much grief? These are some of the questions acclaimed documentary filmmaker Dhruv Dhawan confronts in his next feature length documentary which explores why human beings evolved cultures of marriage and monogamy that are rife with infidelity. As he attends various lavish weddings occurring within his family, Dhruv is pestered to follow suit but is haunted by his family’s history of infidelity, as well as his own and embarks on a personal quest to discover the origins of marriage, the reasons for monogamy and the pain of infidelity as he tries to mediate an open relationship with the woman he loves. Dhruv’s search takes us on a journey into the biology of sex, the history of patriarchy and the politics of monogamy told through the lives of scientists, swingers, adulterers and Dhruv’s own family.
Captured Hearts, an insane serial killer/horror film, is a heart-jumping, heart-crushing – truly demented – roller coaster ride of mystery, violence, sex and gore. With a raging, climatic twist, all hearts end up in one place. And it’s not where they’re supposed to be.
Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives – only they don’t exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity.
A Muslim fundamentalist in New York kidnaps a liberal Muslim scholar with intent to kill. A closeted lesbian in New Delhi kidnaps her activist bisexual lover with intent to marry. The resulting torture and violence evokes a brutal struggle of identities against unfreedom.
Rasmus is a commissioning editor prepared to go to lengths to keep people happy – which is just what he has to do, because Rasmus has a problem. He can’t say no. To his ex-girlfriend who wants a baby or his new girlfriend, who wants things clear cut, or his author pal, who wants to write for a limited audience, or his new boss, who wants to publish sex guides.
1977. A family is murdered in cold blood. The case goes unsolved for decades and remains a mystery. Enter the present day, detective Lee Southward is sent on assignment to infiltrate an illegal underground fighting tournament and bring in the organizers. Lee battles his way to the top of the tournaments in attempts to get closer to the organizers. As Lee draws closer and begins to piece clues together he is brought back to the case closed decades ago. However there is a problem: The organizers are of the undead and crave human blood! Lee must fight his way through all the sex, drugs, and violence of the underground while trying to piece together evidence with the help of an undercover officer and find a way to stop the undead!
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
This animated Japanese film is a dark, adult-oriented thriller. A peace treaty between the Earth and the Black World, a parallel universe of spider-like aliens is coming to an end. Two cops, Taki, a human male, and Maki, a female alien, are assigned to protect a diplomat who will help secure another treaty. A radical group of aliens from the Black World are out to assassinate the diplomat and prevent the treaty; only the bond that forms between the two cops can save the Earth from destruction. Sex is strongly associated with violence in many graphic scenes; although this is intended to play a symbolic role, this theme is used excessively. The story is effective, but the film is definitely not for children or anyone easily offended.
