Marilyn “Madam” DeVille is at the top of her game in the Atlanta nightclub industry, and she won’t let anyone or anything stand her in way as she rules a crew of male exotic dancers.

On the surface 19-year-old Mirjam’s life appears perfect. She is a world champion freestyle disco dancer and the pride of her modern, evangelical church. Yet her body is calling out for help and at the dance world championships, where she is defending her title, she collapses on stage. Her family’s solution is for her to focus more on her faith. In search of answers, she turns to a stricter, more conservative church.

Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.

Eight-year-old Iris’s heart condition threatens her dream of becoming a professional dancer.

Ivanna returns to Caracas pretending to be a flamenco dancer…with three performances scheduled at a nightclub called ‘The Place’. There she is supposed to meet Vicente (Gabriel Agüero) and manage to get him emotionally involved with her in order to extract information about his father, the swindler that she has been hired to kill.

When a Tango dancer asks a Rabbi to enter a dance competition, there’s one big problem—due to his Orthodox beliefs, he’s not allowed to touch her! But the prize money would save his school from bankruptcy, so they develop a plan to enter the competition without sacrificing his faith, and the bonds of family and community are tested one dazzling dance step at a time in this lighthearted fable.

A former burlesque dancer turned author (Lena Headey) discovers a second chance at life and redemption when she risks everything to rescue her young neighbor after he witnesses his parents’ murder. Now on the run from the local crime boss (Sam Worthington), who happens to be her longtime ex, she makes a desperate attempt to get the boy to safety.

Goldie, a precocious teenager in a family shelter, wages war against the system to keep her sisters together while she pursues her dreams of being a dancer. This is a story about displaced youth, ambition, and maintaining your spirit in the face of insurmountable obstacles.

Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

The past catches up to three exotic dancers, two of whom were involved in the famous Wisconsin strip club massacre.

Escapes blazes a path through mid-20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and the unlikely producer and screenwriter of the landmark sci-fi classic Blade Runner. Fancher recounts episodes from his life — romantic misadventures with silver-screen stars, wayward acts of chivalry, jealousy, and friendship — matched with a parallel world of film and TV footage wherein Fancher plays cowboys, killers, fops, cads, and the occasional hero. Escapes shows how one man’s personal journey can unexpectedly shape a medium’s future.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

In the early 1920s, a Kansas woman finds her life forever changed when she accompanies a young dancer on her fame-seeking journey to New York City.

Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a dance crew whose neighborhood is threatened by Emily’s father’s development plans.

A down-on-his-luck coach is hired to prepare a team of the best American dancers for an international tournament that attracts all the best crews from around the world, but the Americans haven’t won in fifteen years.

Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.

Street dancer, Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter in the mother of all dance battles.

Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner.

The popular 1980’s dance movie that depicts the life of an exotic dancer with a side job as a welder who true desire is to get into ballet school. It’s her dream to be a professional dancer and now is her chance. The film has a great soundtrack with an Oscar winning song.

A tight-knit group of New York City street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world’s best hip hop dancers in a high-stakes showdown that will change their lives forever.

The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge’s troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman’s quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater’s crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali’s big voice makes her become the main attraction of the revue

Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore’s tracks and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore’s ultra-elite Maryland School of the Arts

A talented young dancer has to learn to fight for his dream despite social and parental disapproval.

Rachel, a female war veteran returns home only to launch her own personal vendetta against the criminal underworld when a family member mysteriously dies. The underworld kingpin rules with an iron fist and those below her are terrified when her name is even mentioned. In order to get closer to the inner sanctum, Rachel takes on the identity of “Angel” a go-go dancer at a popular nightclub. As “Angel” learns details about the organization, she begins to exact her revenge against anyone she deems responsible for her family member’s death. However, a detective is hot on Angel’s trail as he investigates the death and destruction left in her wake. After one woman proclaims war against a band of drug dealers, pornographers, and criminal kingpins, will vengeance rule above all else?

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.

After moving to America from his home in Russia, Ari, an awkward teen, has trouble making friends and adapting to his new life. But everything changes when he falls in love with Paris, who’s not only the most popular girl in school but also a champion ballroom dancer. To get closer to Paris, Ari joins the school’s ballroom team, unaware of the secret from his past that will help him succeed.

Sequel to the 2003 dance movie Honey. Recently released from juvenile detention, talented dancer Maria Ramirez finds an outlet for her passion with a new dance crew.

“Kickin’ It Old Skool” revolves around a 12-year-old breakdancer, who in 1986 hits his head while performing at a talent show and as a result is comatose for 20 years. He awakens to find he is a grown man. With the mind and experience of a young kid, he attempts to revive his and his dance team’s short-lived career with the hopes of helping support his parents’ failing yogurt shop.

The new guy (James Spader) in a Los Angeles high school does some singing and fights a hotshot (Paul Mones) over a disco dancer (Kim Richards).

Bill Dancer and his young companion Curly Sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. When they scam the rich and beautiful Grey Ellison into believing she backed her Mercedes into Bill, they’re only hoping for a free meal. But Grey is touched, and over the objections of her snotty fiancé.

Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.

A young drifter named Nomi arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become a top showgirl.

Three sailors – Gabey, Chip and Ozzie – let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for “Miss Turnstiles of the Month” (he thinks she’s a high society deb when she’s really a ‘cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he’s the perfect example of a “prehistoric man”. Wonderful music and terrific shots of New York at its best.

After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia. But his efforts to get an education and woo the girl he likes are sidelined when he is courted by the top two campus fraternities, both of which want and need his fierce street-style dance moves to win the highly coveted national step show competition.

STEPPING OUT Sima, while stunningly beautiful, has failed to fulfill her dreams as a professional dancer. She is on the wrong side of thirty, being aged out, and is forced to take a job as a teacher at a conservative local high school. Much to her surprise, it sparks the choreographer in her — a talent she has been nurturing in private not only to battle her self-doubt and depression but to create a new and unique fusion of belly and ballroom styles.

The story of “Chandrettan Evideya” revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan’s previous life, which forms the crux of the story.

Coming of age tale told through the eyes of ‘Tu’, an ambitious young man from Auckland who dreams of being a professional hip-hop dancer.

Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.