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Two down on their luck Liverpool cabbies, Tommy and Gerry, strike an unusual deal with a local gangster to take their sons on a trip of a lifetime, to watch their beloved football team play in the European Cup Final in Istanbul. Hoping to use the trip as a chance to bond with their sons, big trouble awaits them in the form of a sexy hotel chambermaid, two ruthless crooks on a mission and a bag of counterfeit cash. It is 3-0 down at half time and things could not be more desperate both on and off the pitch. Stevie G and the boys in red are trying to launch the most amazing football comeback in history, and Tommy is in deep water, being held hostage. With the clock ticking and time running out, a miracle is needed fast. In the end a bit of faith, and Gerry’s lucky underpants may be the only thing that can get them and the cup back home in one piece.
A woman will risk everything for the life of a young girl held hostage by a group of Mercenaries that hold her hostage high in the mountains.
Held hostage in an isolated house, three kidnapped women attempt to escape from their sadistic captors.
Robert McQueen’s day takes a turn for the worst when he is held hostage and accused by three vengeful husbands of sleeping with their wives.
The evil Gen. Rancor has his sights set on world domination, and only one man can stop him: Dick Steele, also known as Agent WD-40. Rancor needs to obtain a computer circuit for the missile that he is planning to fire, so Steele teams up with Veronique Ukrinsky, a KGB agent whose father designed the chip. Together they try to locate the evil mastermind’s headquarters, where Veronique’s father and several other hostages are being held.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.