Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

The film follows Director/Actor Blake Freeman, who takes a morally and financially bankrupt 69 year old man named Leroy, on a Journey in search of the truth. Leroy’s spent his life savings on trying to protect himself from aliens and paranormal ghost, by entrusting the help of psychics. Upon the discovery of Leroy’s plight, Blake decides he must take Leroy on a hilarious journey across the country to “uncover the truth” of of all things paranormal. From Aliens to Voodoo curses, Blake takes on them all, by pulling pranks on the “so called” experts with hopes to ultimately prove to Leroy, he has been taken advantage of.

In this magical tale, two children, Nellie and George, are sent to stay at a country house while their parents are moving. While exploring the local forest, George mysteriously disappears into Faery Land. With the help of a friendly hobgoblin named Broom, Nellie eventually finds George playing with faeries. Since he has just eaten some of their food, he is bound by faerie law to remain in Faery Land forever. Nellie agrees to complete three tasks in return for her brother’s freedom.

A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband’s coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.