For years, Archie has been pining for Alice, the wife of his law partner, Sam. When Archie impulsively sends Alice an anonymous love note, she assumes it to be a playful gesture from her husband, and replies with her own unsigned letter. After Sam hides the note, Alice’s sister, Felicity, convinces her that he must be having an affair. As the extent of Sam’s infidelities becomes clear, Alice turns to Archie for support.

A cyclist is killed, swiped by a Range Rover in a village lane. James and Anne Manning become involved because the victim is the husband of their cleaner, Maggie. James, a solicitor in the city, soon comes to suspect William Bule, a millionaire playboy who has moved back to the village. William, pressed by James, confesses to the hit and run. But the confession is clouded by Anne’s admission of her affair with William.

Four wealthy country club wives come to an empty mansion to bid on the diary of a deceased pool boy who they all had affairs with. Once there, a Goth spirit medium hired to scare them actually opens the door to the other realm and the ghost of the deceased refuses to let anyone leave until he finishes playing all his cards.

There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Hua, a young woman from Beijing, is a recent arrival in Paris. Exiled in an unknown city, she wanders between her tiny apartment and the university, drifting between former lovers and recent French acquaintances. She meets Matthieu, a young worker who falls madly in love with her. Possessed by an insatiable desire for her body, he treats Hua like a dog. An intense affair begins, marked by Matthieu’s passionate embraces and harsh verbal abuse. When Hua determines to leave her lover, she discovers the strength of her addiction, and the vital role he has come to play in her life as a woman.

From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Death Billiards is one of the four anime works that each received 38 million yen (about US$480,000) from the “2012 Young Animator Training Project.” Just like in 2010 and 2011, the animation labor group received 214.5 million yen (US$2.65 million) from the Japanese government’s Agency for Cultural Affairs, and it distributed most of those funds to studios who train young animators on-the-job. An old and a young man find themselves in a mysterious bar where they have to play a game of billiard. The bet: their lives.

Feed Me is a larger than life fairy tale, part TV talent show, part thriller, video game in which Maclean plays all the parts

Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.

A consumer affair rep who works from her apartment decides to play hooky one day, and spends her time calling random people, looking for new connections

A man’s affair with his family’s housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi’s primary task is watching the couple’s young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon’s oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra’s pregnancy.

Mizore Yoroizuka and Nozomi Kasaki are two close friends who are part of the Kitauji High School music club. Quiet and reserved Yoroizuka plays the oboe while lively and popular Kasaki plays the flute. The group has decided to play Liz and the Blue Bird, a song inspired on a fairy tale about the relationship between a girl and a bird. The musical piece puts both Mizore and Nozomi on the spotlight due to a solo part by Yoroizuka and forces the two girls to reexamine their friendship.

Frank & Ava joins the wild ride of the tempestuous relationship between icons, Frank Sinatra and Ava Gardner showing their multi-year love affair and subsequent marriage. In 1949, a downcast Frank, his career on the wane because of a faltering voice, a failing marriage, and a tarnished off-screen reputation falls in love with rising star, Ava, by consensus, the most beautiful woman in Hollywood. While their love was incandescent, they were hapless as a couple; often pursued by reporters such as Hedda Hopper who played them off against each other in the tabloids; casting Frank as an adulterer and Ava as a home wrecker while Frank!s wife, Nancy Barbato, refused to grant him a divorce. Once married in 1951 the tabloids then paraded their sorted affairs whenever their careers separated them. (Often it was Ava who went off to Europe or Africa to make a movie, leaving Frank behind). In the meantime, Frank, career hanging by a thread, is desperately trying to land the acting job that he …