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It’s the ultimate fairytale musical! Barbie stars as Alexa, a shy princess who discovers a secret door in her kingdom and enters a whimsical land filled with magical creatures and surprises. Inside, Alexa meets Romy and Nori, a mermaid and a fairy, who explain that a spoiled ruler named Malucia is trying to take all the magic in the land. To her surprise, Alexa has magical powers in this world, and her new friends are certain that only she can restore their magic. Discover what happens when Alexa finds the courage to stand up for what’s right and learns that the power of friendship is far more precious than magic.
Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.
In 2013, Idris Elba produced and released “Idris Elba presents mi Mandela”, an album inspired by his time researching and portraying Nelson Mandela in “Mandela: Long Walk to Freedom”. The musical culture of South Africa was a great influence to him, both present day and historically, and connecting to the music Mr. Mandela would have listened to throughout his life was a great aid in Elba’s preparation for the role. Arrangements were made to record the album in South Africa and Mali at the end of 2013, however, sadly just before Elba left, his father, Winston, passed away. While working simultaneously on the album and promoting his film, Elba had BAFTA award-winning director Daniel Vernon document his movements. “Mandela, My Dad and Me” not only documents one man’s struggle in producing his first album, but also his emotional quest to pay a fitting tribute to two inspirational men.
Andrea, a gifted young Polish violinist from Krakow, is bound for America when he is swept overboard by a storm. When the Widdington sisters discover the handsome stranger on the beach below their house, they nurse him back to health. However, the presence of the musically talented young man disrupts the peaceful lives of Ursula and Janet and the community in which they live.
After the brutal murder of her fiance Antonia Fox’s once musical and peacful
James Cagney stars as a fledgling producer who finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences. Co-starring Joan Blondell and Dick Powell with spectacular Busby Berkeley dance sequences. Inducted into the Library of Congress National Film Registry.
The musical is set at Monster High and features the children of famous monsters, including Dracula, Frankenstein and the Wolfman, who undergo the trials and tribulations of high school.
A celebration of the musical work of a group of session musicians known as “The Wrecking Crew”, a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
High school music teacher Beth Landon puts herself on the line when she invites world-famous country singer Jason Keith to perform at her rural town’s Strawberry Festival. A one-hit wonder with a horrible rep for cancelling shows and copping an attitude, Jason isn’t what Beth’s mother, Eileen, considers a reliable musical act for the beloved festival, which she is proudly hosting with her good friend Ruth. Beth, reigning as Strawberry Queen, attempts to stick up for her favorite singer, but when she finally meets Jason face-to-face, it becomes obvious it won’t be easy. But behind Jason’s rock star image, he’s hiding a secret about his past that could turn his tanking career around. Along with his manager Ray, Beth convinces Jason the festival gig is a great way to revitalize his career and win back his audience appeal. As Jason spends more time with Beth, his attitude starts to fade as they each encourage the other to realize their deepest dreams as talented musicians.
On October 16, 1992, an impressive and eclectic group of artists gathered at Madison Square Garden in New York City for the purpose of celebrating the music of Bob Dylan on the occasion of his 30th anniversary of recording. Bringing together musical greats as far-flung as Johnny Cash and Eddie Vedder, The Clancy Brothers and Lou Reed, the four-hour show celebrated a truly remarkable lifetime of songs in front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured a cast of musical notables performing carefully chosen and often surprising selections from the incomparable Dylan songbook. At evening’s end, the man of honor himself appeared on stage and gracefully brought it all back home again. In a world where all-star celebrity gatherings have become commonplace, the Bob Dylan celebration stood out as, first and foremost, a legitimately memorable musical event.
Rusty Parker, a red-headed leggy dancer at Danny McGuire’s Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a ‘Cover Girl’ as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle’s granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century.
No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, ‘I Don’t Know How To Love Him’, ‘Gethsemane’ and ‘Superstar’.
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show’s 2010 original production at the Queen’s Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play’s musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical’s heyday.
‘Who the Fuck is That Guy’? The Fabulous Journey of Michael Alago tells the astonishing story of a gay Puerto Rican kid growing up in a Hasidic Brooklyn neighborhood, who got on the subway one day and began a musical odyssey that helped shape the musical landscape across N.Y.C. and around the world. Directed by Drew Stone and produced by Michael Alex the film tells the incredible story of a cherished New York City icon. From rubbing elbows with N. Y. scene makers as an teenager at Max’s Kansas City and CBGB, to being the architect of a rock ‘n’ roll renaissance as the 19 year-old talent booker at the legendary Ritz, to making history as a 24 year-old A&R exec, signing the biggest metal band in a generation in Metallica, Michael Alago was on fire.
The musical drama is a sequel to the 2008 blockbuster ‘Rock On’ that tells the story of four friends and their passion for music. This time around, the film centers around the regional conflict prevailing in the North Eastern states of India.
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
Gypsy’s mother Rose dreams of a life in show business for her daughters, but Louise becomes a huge burlesque star. Stage musical based on the book by Arthur Laurents.
Interim school superintendent Eve Morgan finds herself in a tough spot when she is assigned to shut down a school’s failing music program and must come to terms with here musical past.
Chronicles the history, ideology and aesthetic of Norwegian black metal – a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first (and only) film to truly shed light on a movement that has heretofore been shrouded in darkness and rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews and verité with the musicians, a wealth of rare, seldom seen footage from the “Inner Circle’s earliest days, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world. This is the movie that gets inside the minds and hearts of black metal’s musicians.
Young man in the prison is obsessed with a singer who is to perform in a new musical its director is currently auditioning for. He escapes and through complex and often very funny series of events ends up being the main star of the musical, only to be discovered by the police the day before the premiere…OK, enough spoilers! The story keeps going on… Lots of great dialogs, awesome music and singing, and ever-twisting story (plus, the parallels between the play’s script and the real story) makes this one of the most enjoyable Czech movies I’ve seen in years (and I’ve seen many)! Definitely check it out if you like comedy, drama, musicals, and theater.
EUROPE IN 8 BITS is a documentary that explores the world of chip music, a new musical trend that is growing exponentially throughout Europe. The stars of this musical movement reveal to us how to reuse old video games hardware like Nintendo’s GameBoy, NES, Atari ST, Amiga and the Commodore 64 to turn them into a tool capable of creating a new sound, a modern tempo and an innovative musical style. This is a new way of interpreting music performed by a great many artists who show their skills in turning these “limited” machines designed for leisure in the 80’s into surprising musical instruments and graphical tools. It will leave nobody indifferent.
Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.
Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the audience to see that, in a certain light, the “bad guys” weren’t really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that’s filled with Germans, Jesus, banjos, bongos, beers, and bongs.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
America’s Blues takes a new angle on the Blues, focusing on, not only the musical impact it has had on all forms of Popular American Music, but also the influence it has had on art, fashion, language, film and racial equality.
Mizore Yoroizuka and Nozomi Kasaki are two close friends who are part of the Kitauji High School music club. Quiet and reserved Yoroizuka plays the oboe while lively and popular Kasaki plays the flute. The group has decided to play Liz and the Blue Bird, a song inspired on a fairy tale about the relationship between a girl and a bird. The musical piece puts both Mizore and Nozomi on the spotlight due to a solo part by Yoroizuka and forces the two girls to reexamine their friendship.
When he started as a comedy writer for the Late Show with David Letterman, Steve Young had few interests and not many friends outside of his day job. But while gathering material for a segment on the show, Steve stumbled onto a few vintage record albums that would change his life forever. Bizarre cast recordings – marked “internal use only” – revealed full-throated Broadway-style musical shows about some of the most recognizable corporations in America: General Electric, McDonald’s, Ford, DuPont, Xerox. Bathtubs Over Broadway follows Steve Young on his quest to find all he can about this hidden world. While tracking down rare albums, unseen footage, composers and performers, Steve forms unlikely friendships and discovers that this discarded musical genre starring tractors and bathtubs was bigger than Broadway.
Hov1 is one of Sweden’s most popular bands and in the summer of 2023 they played 27 sold-out gigs. In the unique film “HOV1 4-EVER”, the audience gets to follow the band on stage where they sing their biggest songs and meet their fans, but also take part in their personal conversations behind the scenes and when they produce music. It will be an intimate concert film where the fans can get close to their idols – while they get a strong musical experience.
Growing up in a musical family was magical for Dreamz Hart until he falls in love and family lies and shady business jeopardize it all.
What would it sound like if the national anthem was written today? Anthem follows composer Kris Bowers and producer Dahi on a musical road trip across the country to reflect on “The Star-Spangled Banner” to find out.
A musical documentary celebrating the life and work of glam rock pioneer Marc Bolan, combined with a behind-the-scenes look at the tribute album of the same name.
This lively and intimately-crafted documentary immerses the audience in rock icon Carlos Santana’s life and musical trajectory. Filmmaker Rudy Valdez bolsters this personal narrative with pulsating, never-before-seen footage — guided by Santana himself, in his own words.
Set in London’s streets, follows a musical cat and Fred, a gifted busker, and their warm, amazing friendship.
When Branch’s brother, Floyd, is kidnapped for his musical talents by a pair of nefarious pop-star villains, Branch and Poppy embark on a harrowing and emotional journey to reunite the other brothers and rescue Floyd from a fate even worse than pop-culture obscurity.
