Ellen Branford, a high-powered attorney, finds love, purpose, and the promise of a simpler life when she sets off on a journey to fulfill her grandmother’s dying wish – to find the hometown boy she once loved and give him her last letter. Based on a book by Mary Simses.

When Ethan arrives at the airport just in time to declare his undying love for his girlfriend, love appears to have conquered all. The scene, however, is really the ending of Ethan’s novel, which his agent calls “unrealistic.” Ethan soon meets a waitress, Jesse, and falls in love with her despite her growing devotion to Troy, a charming businessman. But the line between reality and fiction becomes increasingly blurred.

Based upon obviously not true events, All Hell Breaks Loose is the story of love, leather, and violence. When the Satan’s Sinners, a vicious motorcycle gang from hell, kidnaps one man’s bride, they bite off more than they can chew. Now the man is out to save his wife, any way he can… even if it means dying over and over again. With the help of a shit-kicking sheriff, a perverted priest, and a cowboy who just might be God, all hell is bound to break loose.

Hot off the heels of Septic Man and Ejecta, genre studio Foresight Features and Pontypool writer Tony Burgess have unleashed the trailer for their third collaboration, and the company’s most ambitious film to date, the horror fantasy throwback HELLMOUTH. A visual mindwarp in the vein of F.W. Murnau meets Tim Burton, HELLMOUTH is director John Geddes’ (Exit Humanity) love letter to an era of forgotten cinema. Veteran actor in over 200 films, Hoser horror hero Stephen McHattie (300) is back, taking on two bigs roles within the film, including the leading role as a dying gravekeeper who must pass through Hell to save the soul of a beautiful woman, (Siobhan Giles Murphy). Full of gothic graveyards and monster mayhem, HELLMOUTH is based on an original screenplay by award-winning punk bard Tony Burgess. The film co-stars Julian Richings (Supernatural), Bruce McDonald (Hardcore Logo), Boyd Banks (Dawn of the Dead), and Ari Millen (Orphan Black).

Làn fhìrinn na sgeòil. The truth is in the story. When a young man, Angus, visits his dying Grandfather in hospital he cannot hold back his boyhood quest for the truth – the truth behind the death of his parents and the truth behind his Grandfather’s ancient, incredible, fearful stories. Stories from the whole swathe of Gaelic history of poisoned lovers, bloody revenge, water-horses and Spanish gold. His Grandfather hijacks Angus’ life for one last time leading him to one of Scotland’s most treacherous mountains, The Inaccessible Pinnacle on the Isle of Skye, and an ancient truth he never expected to find. Seachd: The Inaccessible Pinnacle is the first Scottish Gaelic feature film.

Determined to restore her dying father’s reputation, Ana travels to the remote town of Rosales. Decades ago, he settled there and opened his first free clinic for cancer research. He launched an illustrious medical career – and fell in love. Ana plans to celebrate her father’s scientific and humanitarian achievements by transforming the old family mansion into a world-class museum. She will preserve his legacy, and also breathe new life into the forgotten Rosales. But the townspeople-now destitute and helpless-do not greet her warmly. Neither does the house.

An unexpected first kiss causes Gabriel to feel the electrifying “jitters” of love and lust with the free-spirited Marcus; a perfect way to end a Summer studying abroad. Realizing he is gay, Gabriel returns home and is immediately scrutinized by his family and friends who notice he’s different. But as the school year launches with Gabriel distracted with parties and his friends’ own dramas, Marcus returns, reigniting the hot, thrilling emotions of one’s first crush. Jitters fires head-first into the topsy-turvy world of first love with an attractive cast and pulsating soundtrack, making it a smartly refreshing journey into the queer, teen experience.

Isabelle is a famous and beloved actress from the Netherlands, who disappears when on Holiday in Belgium. She has been kidnapped by bartender Jeanne Bitor, an artist with a disfigured face. Jeanne is very bitter about her ‘ugly’ appearance, and she is obsessed with the process of dying and deterioration of animals and humans. Therefore, she abducts Isabelle and starves her to death, while painting her in different phases of the process.

WINTER is a dangerous, sexy, poignant and at times darkly funny story about two people who desperately want intimacy but have fashioned lives of reclusivity and emotional fracture which ultimately spells the doom of their great love. WINTER begins with Michael, in his mid forties, suicidal about his writing career, which once flourished and now is on a downturn. He leaves his home in New York and goes to Paris in hopes of igniting his passion for writing and life. He also has a penchant for S and M. Soon after is arrival he meets Sophie, a sexy, smart, soulful, nurse who helps dying people transition to the after world. She and Michael instantly have chemistry albeit combative. Sophie has a secret. Her other job is being a dominatrix. Throughout the film, Sophie is nursing a little girl, Anais, who is dying of leukemia. Written by Anonymous (IMDB.com).

Pitch and Shane, who once were lovers, are trying to heal the pain of their lives by reviving their old romance through the making the traditional Thai ornament made of the leaves and flowers that symbolize love and virtue. When Shane finds out that Pich is dying, he decides to become a monk.

Lawrence Shaw is a run of the mill guy who just can’t get accepted for being who he is. He’s not straight enough for his job where he sells testosterone fueled ad campaigns to beer companies and he’s not stereotypically gay enough for his boyfriend. To make things worse, his father Elijah just died and his last dying wish was for Lawrence to go on a road trip with his extremely homophobic half-brother Kevin to bury his ashes. It’s a heroically dumb journey of brotherly love and acceptance that begs the age old question… Can you truly accept someone else when you can’t even accept yourself?”

Forty-something Pierre is serving a fourteen year prison sentence. His mother, who is approaching eighty, visits him every week. Suzanne, Pierre’s current wife, has moved on since he was sent away. Each character gives us a frank account of a period in their lives that seems suspended in time by the fragile connection between life on the inside and the world outside. Their destinies are linked by crime, guilt and loneliness, and like casualties of love and desire, they are dying to stick their heads above the water and breathe the air of life.

Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the “difference engine.” Ada’s ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications?

A young-wife desperate to give her beloved comatose and dying husband a child considers her only option: cloning. Giving birth to a son fulfills her dream of having a family. But the arrival of the baby awakens a supernatural presence unleashing unexpected results. The family must make an impossible choice and live with a secret forever. (DCIFF)

A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.

19-year-old Ben Burns unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.

Shuddh Desi Romance is the journey of three restless young people who junk the society’s syllabus for finding love and decide to follow their heart. Raghu (Sushant Singh Rajput), a tourist guide in Jaipur, wants a love in his life, and that’s it. The rest he’s going to figure out along the way. Gayatri (Parineeti Chopra), a part-time instructor in an English speaking institute, has been around the block a few times and knows the scene, warts and all. Tara (Vaani Kapoor), who’s dying to get out there and fly, knows what’s right for her, but a little experimenting never hurt anybody, did it? When their lives crisscross, their beliefs get challenged, and their loves testing. We all want it all…the love, the attraction, the relationship, the commitment. But when we get it, it may not be in the way we recognize.

By his dying father’s last wish Joe is sent to the Wild West to become a real guy. The dreamy young man despises guns and fights likes poems and prefers bicycles to horses. Now his three teachers footpads all of them shall teach him otherwise. This doesn’t work until Joe has to defend himself against gunman Morton who’s jealous of Joe’s love to rancher Ohlsen’s beautiful daughter.

Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.–Sean Axmaker