Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.

Seven directors each dramatize one of the seven deadly sins in a short film. In “Anger,” a domestic argument over a fly in the Sunday soup escalates into nuclear war. In “Sloth,” a movie …

One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal’s poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles–at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs–are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.

This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.

FMGG’ is a romantic-comedy story revolving around an aspiring actor ‘Jassi’ (Roshan Prince) who dreams of making a movie and launch himself as a ‘hero’. So that he could get to marry his love of life ‘Roop’ (Bhanushree Mehra) and to fulfill his dreams, he starts doing immoral activities and makes quick-money by creating dramas.
During one such ‘drama’, he ends up breaking the marriage of ‘Geet’ (Japji Khaira) and incidentally gets married to her forcefully by the village community… And now he has “Two” girls in his life…
Will he end up with his love or his unexpected life partner?????

This documentary lifts the veil on our planet’s most revered and charismatic animal, inviting viewers to journey alongside Ambar, a young tigress raising her cubs in the fabled forests of India. Curious, rambunctious and at times a bit clumsy, the cubs have a lot to learn from their savvy mother who will do all she can to keep them safe from pythons, bears and marauding male tigers. “Tiger” is the groundbreaking culmination of 1,500 days of filming.

A feature length docu-concert film, Duran Duran celebrate their four decade long career, the release of their latest studio album FUTURE PAST, and the launch of a global world tour. An extraordinary night of music, shot on a Los Angeles rooftop, with the iconic Capitol Tower behind them and the Hollywood sign in the distance. A Hollywood High reminds us of the prolific’s group of its diverse song writing, and capturing their boundless live energy. The film also brings to life the band’s deep and lasting relationship with Los Angeles and through archival footage, interviews and behind-the-scenes it traces the band’s rise to become one of the most influential and successful groups of all time.

An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.

The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters.

The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner’s pilot script, written in March 2001, posited a re-invented CIA tasked with a “War on Terror” after Osama Bin Laden’s Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season.

The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and “The Agency”, at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season’s final episode.

Mags and Julie Go On A Road Trip is a heartfelt, laugh out loud buddy movie, written and directed by actress Ryann Liebl. This film, in the vein of Bridesmaids mixed with Grumpy Old Men, takes the audience on a journey of what it means to be a woman and balance life.

Salt-N-Pepa details the journey of Queensborough Community College students Cheryl “Salt” James and Sandra “Pepa” Denton as they enter the world of rap and hip hop, after recording a song for their friend Hurby Azor. Salt-N-Pepa made a huge impact as one of the first all-female rap groups, changing the look of hip hop and being unafraid to talk about sex and share their thoughts on men. The movie follows the group as they become the first female rap act to go platinum and experience ground-breaking success with multiple awards, including a Grammy award – paving the way for all female rappers to follow. The film will feature performances of Salt-N-Pepa’s greatest hits, including: “Let’s Talk About Sex”, “What a Man”, “Shoop” and “Push It”. The movie stars GG Townson as Cheryl “Salt” James, Laila Odom as Sandra “Pepa” Denton, Cleveland Berto as music producer “Hurby Azor,” Jermel Howard as rapper “Treach” and Monique Paul as “DJ Spinderella.”

Zu, a free spirit estranged from her family, who suddenly finds herself the sole guardian of her half-sister, Music a teenager on the autism spectrum whose whole world order had been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the “art” films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.

A young widower sidesteps grief, loss, and familial dysfunction when he steals his wife’s ashes and sets off on an impulsive odyssey through America’s heartland in the charming new road trip comedy, Monuments. Ted (David Sullivan) encounters a cast of eccentric characters, including his rival Howl (Javier Muñoz), who direct and misdirect him on his mission to find something he’d lost long before the death of his wife Laura (Marguerite Moreau). Monuments infuses humor and hope into a story of mourning, loss, and marriage to create one of the best feel-good indie films of 2021.

Marketing whiz Lara Thompson is living a fast-paced life in the big city when she’s summoned to the sleepy town of Kissing Falls to settle the affairs of her late Aunt Vivienne who owned a tea shop. Lara originally plans to sell the shop quickly, but switches course to fulfill her aunt’s last wish – to have one of her teas awarded by the prestigious International Council of Tea Sommeliers. With the help of handsome local flower expert Matt, Lara sets out to recreate a long lost “love potion” tea. One problem – the tea’s secret ingredient is the extinct Kissing Falls rose. As Lara and Matt work together, she finds herself not only falling for Matt but for the town itself.

Filmed in Lisbon, Portugal, the film captures the pop icon’s rare and rapturous tour performance, hailed by sold out theatrical audiences worldwide. The unprecedented intimate streaming experience will take viewers on a journey as compelling and audacious as Madonna’s fearless persona, Madame X, a secret agent traveling around the world, changing identities, fighting for freedom and bringing light to dark places.

December 30, 1941. Vyazma (‘Vyazemsky cauldron’) is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier’s Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film ‘The Red Ghost’ is about the hope that each soldier will have.

A family scandal shakes up Bangladesh when acclaimed filmmaker Javed Hasan marries his daughter’s friend. This movie, though initially banned by Bangladeshi government, was the country’s official entry to 2019 Oscars.

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true “free lance, ” goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor’s heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

In full-on investigative mode, reporters from The New York Times, The Wall Street Journal and Hollywood Reporter doggedly pursue the story of US $3.5 billion missing from a Malaysian wealth fund. They trace the dirty money, via real estate deals and movie financing, back to the top tiers of the Malaysian government. Incredibly (but oh, how fitting!), the audacious swindlers chose to back the 2014 blockbuster The Wolf of Wall Street. Hollywood A-listers, including Leonardo DiCaprio, attended lavish parties hosted to launch the film. The embezzlement was orchestrated by a flamboyant fancier, Jho Low, and Riza Aziz, the stepson of the then-Malaysian Prime Minister. As the truth finally comes to light, assets are frozen and the fall-out begins.

Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend. The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

Indie folk heroes Edward Sharpe & The Magnetic Zeros, Tennessee’s Old Crow Medicine Show, and Britain’s acclaimed Mumford & Sons, climbed aboard a beautiful vintage train in California, setting out for New Orleans, Louisiana on a “tour of dreams”. The resulting film from this journey is nothing short of magical. Part road movie and part concert film, BIG EASY EXPRESS bears witness to the birth of a new musical era. With poignancy and beauty, Malloy documents these incredible musicians as they ride the rails and wow the crowds, from Oakland… to New Orleans.

A horror film that combines classic monster movie elements set within the backdrop of unpredictable Kansas weather. Start with a mother and her three daughters forced to take shelter from an advancing tornado in a local storm cellar. What is waiting for them underneath is another story entirely.

Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

For No Good Reason a film about Ralph Steadman. Johnny Depp guides the visually stunning journey, smashing narrative conventions, moving seamlessly from interview to animation and in the finest Gonzo tradition questions of witness and authenticity are challenged. Steadman’s art is for the first time animated, including illustrations from Hunter S Thompson’s Fear and Loathing in Las Vagas. Featuring Richard E Grant, Terry Gilliam, Bruce Robinson and with music from Slash, The All American Rejects, Jason Mraz, Crystal Castles, Ed Hardcourt and Beth Orton. A touching and at times funny film about honesty, friendship and the ambition driving an artist. This is a true record of the demise of the 20th Century counterculture and hipster dream with Ralph Steadman the last of the Gonzo visionaries.

Based on the book by John Heilemann and Mark Halperin, Game Change focuses on the Republican run of the 2008 Presidential election, when candidate John McCain picks a relative unknown, Alaskan governor Sarah Palin, to be his running mate. As the campaign kicks into high gear, her lack of experience, in both political and media savvy, becomes a drain upon McCain and his strategists. Directed by Jay Roach, who previously directed the HBO film Recount and the Austin Powers movies, Game Change premiered on HBO on March 10th, 2012.

Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.

Starring “Family Ties” Michael Gross and Meredith Baxter, the two reunite in “Becoming Santa” as Mr. and Mrs. Claus. The film also stars Laura Bell Bundy, Tony Calero and Jesse Hutch. The movie follows Holly, who has never introduced her toy designer boyfriend Connor to her family and has only revealed that they live “up north.” As their relationship intensifies, Holly knows she can’t wait any longer and decides to bring Conner to meet her parents for Christmas. Connor is in for a shock when he discovers he’s actually headed to the North Pole and Holly’s parents are none other than Santa and Mrs. Claus! Connor embraces his time there despite running into Holly’s ex, Jack Frost. Will Conner be ready to take their relationship to the next level – especially when it means he would be next in line to be Santa.

CITIZEN SOLDIER is a dramatic feature film, told from the point of view of a group of Soldiers in the Oklahoma Army National Guard’s 45th Infantry Brigade Combat Team, known since World War II as the “Thunderbirds.” Set in one of the most dangerous parts of Afghanistan at the height of the surge, it is a heart-pounding, heartfelt grunts’ eye-view of the war. A modern day Band of Brothers, Citizen Soldier tells the true story of a group of young Soldiers and their life-changing tour of duty in Afghanistan, offering an excruciatingly personal look into modern warfare, brotherhood, and patriotism. Using real footage from multiple cameras, including helmet cams, these Citizen Soldiers give the audience an intimate view into the chaos and horrors of combat and, in the process, display their bravery and valor under the most hellish of conditions.

Difficult tale of poor, struggling South Carolinian mother & daughter, who each face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance. The film won an Emmy Award for “Outstanding Casting for a Miniseries or a Special” and was nominated for “Outstanding Directing for a Miniseries or a Special”, “Outstanding Supporting Actress in a Miniseries or a Special”, and “Outstanding Made for Television Movie”. It was screened in the Un Certain Regard section at the 1996 Cannes Film Festival.

When Hollywood star Helena Harris (Diane Neal) films her newest movie, “This Magic Moment,” in the small town of Stone’s Throw, she strikes up an unlikely friendship with local video store owner Clark Gable (Travis Schuldt). Helena, who recently broke up with “This Magic Moment” co-star Roberto Molinez (Vincent Spano), asks her new friend Clark to pretend to be her love interest in order to make Roberto jealous. Clark agrees and in exchange, Helena helps him pursue his screenwriting career. While this agreement benefits both Clark and Helena, it also complicates the relationship between Clark and his newly single ex-girlfriend, Emily McIntyre (Alaina Huffman). As the director Doyle Duncan (Charles Shaughnessy) begins to wrap production, Clark finds himself caught between his admiration for the famous beauty and his feelings for former high school sweetheart. With whom will he find his happy ending?

Joseph, Matthew and Andrew Lawrence (TV’s Brotherly Love) star in this thrilling, action-packed sequel to the Disney Channel Original Movie Horse Sense. It’s first-class adventure on the high seas for Michael Woods (Joseph Lawrence) and his cousin (Andrew Lawrence) when they charter a private yacht for a fun-filled cruise off the coast of Australia. But the yacht turns out to be a broken-down fishing boat complete with rusting hull! When they find themselves being chased by modern-day pirates, they decide that Jumping Ship with the boat’s captain Jake Hunter (Matthew Lawrence) is the only option. Stranded on a desert island without any conveniences from home, these three castaways must work together as a team if they hope to survive and be rescued.

Henry & Me tells the courageous story of Jack (AUSTIN WILLIAMS), a brave young boy who is dealt a life changing blow. Low on confidence and filled with self-doubt, hope seems lost until a mysterious stranger named Henry (RICHARD GERE) appears. With the touch of his pin, Henry sweeps Jack away to a magical world where illness no longer exists and New York Yankee legends play forever. The incredible journey brings Jack face to face with Babe Ruth (CHAZZ PALMINTERI), Thurman Munson (PAUL SIMON), Lefty Gomez (LUIS GUZMAN) and Mickey Mantle (DAVID MANTLE) – who all teach Jack to face his fears and never give up. The movie climaxes at Yankee stadium, where Jack must test his newfound courage to save the season and find his way home. Featuring an all star-cast of unforgettable characters, Henry & Me is heartwarming movie experience for the entire family with a message of hope… when life throws a curve… swing away!

A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL’S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can’t get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.

Documentary filmmaker Robert Kenner examines how mammoth corporations have taken over all aspects of the food chain in the United States, from the farms where our food is grown to the chain restaurants and supermarkets where it’s sold. Narrated by author and activist Eric Schlosser, the film features interviews with average Americans about their dietary habits, commentary from food experts like Michael Pollan and unsettling footage shot inside large-scale animal processing plants.