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Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.
This darkly comic, genre-bending piece of gonzo journalism from international provocateur Mads Brügger (filmmaker of Sundance Grand Jury Prize winner Red Chapel) rips the corroded lid off the global scheme of political corruption and exploitation happening in one of the most dangerous places on the planet: the Central African Republic. Armed with a phalanx of hidden cameras, black-market diplomatic credentials and a bleeding-edge wit, Brügger transforms himself into an outlandish caricature of a European-African consul. As he immerses himself in the life-threatening underworld of nefarious bureaucrats, Brügger encounters blood diamond smuggling, bribery, and even murder — while somehow managing to crack amazing razor-sharp barbs at every step along the way. From each absurdly terrifying/hilarious situation to the next, The Ambassador is a one-of-a-kind excursion from the man whom The Huffington Post has called “the most provocative filmmaker in the world.”
It’s four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore ‘undercrust,’ crashes the party to avenge her sister’s death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It’s not long before a naïve pussycat lover, gay drug dealer, smokin’ hot preacher’s daughter, squeaky-clean senator’s son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each ‘bad kid’ pits one against the other, and one by one each falls victim to absurdly gruesome ‘accidents’ while trying to escape.
Whether it’s someone mixing burnables and recyclables or noise from a neighbor’s domestic spat, there’s always something occupying the residents of a housing project in the suburbs of Osaka. However Hinako (Naomi Fujiyama) and Seiji (Ittoku Kishibe) couldn’t care less. Having moved in just six months ago after the closure of their herbal medicine shop, the old couple is reluctantly putting their life back together. But when Seiji disappears, the apartment rumor mill churns: divorce, murder, dismemberment? As the story spins out of control, and a mysterious man with a parasol puts in a tall order of natural remedies, the truth turns out to be even more fantastic than gossip. Ranging from incisive comedy of errors to absurdist adventure to moving late life romance, “The Projects” is one of the biggest surprises of the year.
TRAILER TRAUMA was only the beginning – now you must prepare yourself as a fresh assault of gruesome ghouls leaps off of the screen and into the driver’s seat! Return to the horrific heyday of drive-in theaters and dusk-till-dawn spook shows with TRAILER TRAUMA 2: DRIVE-IN MONSTERAMA, a celebration of psychotronic cinema and monster movie mayhem! This disc has it all: campy classics (WAR OF THE GARGANTUAS, THE BOY WHO CRIED WEREWOLF), Hammer Films favorites (CAPTAIN KRONOS: VAMPIRE HUNTER, FRANKENSTEIN AND THE MONSTER FROM HELL), absolute absurdities (BRAIN OF BLOOD, THE COMPUTER KILLERS), and much, much more! Featuring commentary by genre aficionados Keith Crocker and George Reis (dvddrive-in.com) and digitally mastered from vintage 35mm film sources, TRAILER TRAUMA 2 is a mutant movie massacre destined to blow your mind and eat you ALIVE! 95 RARE AND HARD-TO-FIND TRAILERS MASTERED IN HD… MANY FOR THE FIRST TIME ANYWHERE! NEARLY 3.5 HOURS OF MONSTROUS MAYHEM!
The special was filmed at Bimbo’s 365 Club in San Francisco and centers on Leggero as she “elegantly examines the many reasons why having kids is problematic, the absurdities of Burning Man, Mormons, Hipsters and more. From conservative Republicans to her very own diamond p***y, Leggero’s special proves that no one and nothing is off limits.”
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner’s attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980’s, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today’s young crowds and still get the laughs?
Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D’Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.
The two tradesmen Ib and Edward are tired of their lifeless marriages and dream of living the good life from the stash of money they’ve earned moonlighting for years. After a huge fight with their wives the two men get drunk and hire a Russian contract killer to do a hit on their spouses. But they have badly underestimated their wives, and this becomes the start of an absurd journey where Ib and Edward to their own horror end at the top of a kill list.
Amar, Akbar & Tony follows the lives and loves of three childhood friends through twists and turns as the characters face sudden and unforeseen changes to their idealistic and trouble-free young lives. With hilarious and sometimes tragic consequences, the brotherly bond shared by the trio is forced to come to terms with some unexpected challenges. Interracial marriage, near fatal accidents and stints in prison will test old friendships and family values. A coming of age comedy drama showing the absurdities of life can also be the most amusing.
Based on true events (mostly), Freddie, a 15-year-old runaway becomes intimately acquainted with California’s “Murder City” after being released from jail, just shy of midnight. Absurdly self-reliant, completely broke and 120 miles away from her friends she has nothing to depend on but her wit and youthful charm.
Tragicomic family film about the world of children heroes – particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before “Prague Spring” and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult’s world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.
Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
Three women with mysterious pasts, a nerdy boy, a company man, and Jesus Christ himself all plunge into an absurdist nightmare when a giant and magical prism descends upon planet Earth and warps reality. Featuring Lloyd Kaufman, Blondie’s Matt Katz-Bohen, and a special appearance by indie superstar Mac DeMarco.
A world record orgy, wild sex scenes, ninjas… just a typical day at the office when you happen to work on a porn set. Director Chuck Steak is making his last film and wants to go out with a bang. With the help of veteran actress Roxy Free and the outrageously endowed Lance Long, they concoct the biggest and most absurdly complicated porn film ever made. But along the way, everything that can possibly go wrong does go wrong. Tempers flare, secrets are revealed and a hidden past is exposed, as all hell breaks loose during the climactic orgy scene. It’s a wild ride in this rowdy and heartwarming tale of life in the adult film industry. Written by HBFilmworks
Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother’s murderer who also kidnaps people for money. Cetarti’s path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte’s dark dealings, leading to an absurd and unexpected outcome.
A forlorn teenager abandoned in New York City spirals out of control, from a troubled kid to an accidental addict, after he mistakes the welcoming embrace of a Lower East Side drug dealer for the love of family. Offering a humorous take on the absurdity of the junky lifestyle, STRAIGHT OUTTA TOMPKINS also presents a fearlessly honest portrayal of the violence and danger that come with teen drug use.
THE DWARVENAUT gives viewers a glimpse into the unique mind of Brooklyn-based artist and entrepreneur Stefan Pokorny. Director Josh Bishop weaves memories of Stefan’s tumultuous childhood with his current struggles and triumphs to paint a mesmerizing portrait. An art prodigy obsessed from a young age with Dungeons & Dragons, Stefan navigates absurd adventures—from Wisconsin to Venice to Bushwick—on a quest to bring his most personal project to life through an ambitious multimillion dollar Kickstarter campaign. Part philosopher, part jester, he preaches the virtues of fantasy gaming as a vehicle for uniting the human race on his whimsical, bizarre life’s journey.
FEMALE PERVERT is a provocative sex comedy by Atlanta based female writer/director Jiyoung Lee (Moral Sleaze, 2013), premiering at Slamdance this year. Actress Jennifer Kim (Mozart In The Jungle) shines as the titular star, a painfully awkward, sex obsessed video game designer who meets a series of men in hopes of sparking a love connection, and follows a twisted path to self-empowerment. The film has a truly absurd, original vision and impeccable comic timing. (more info on the film below).
Through Lyonne’s surrealist eye, the lead character learns to reconcile with her Vaudevillian past in order to step into her life more fully. We witness Chastity’s journey through the eloquence of incoherence. It’s about the illusion of significance in a surreal, unjust and often unintelligible world, yet finding meaning within it and retaining a form of hope in despite of it. Chastity finds an uncompromising way of realizing reality is a kind of absurdity.
Comedian Jim Breuer returns to EPIX for his second hour-long special, taped in front of a home crowd at the Paramount Theater in Long Island, New York. As he inches closer to 50, Breuer focuses his own absurd lens on the circle of life-from the hilarious indignities of getting older to the perils of parenting.
Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he’s capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it’s a unique opportunity to fund his finances with Curt’s phenomenal library. The strange couple is going through turmoil of incalculable proportions.
My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.
A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
9to5 – Days in Porn focuses on the people behind a controversial and multi-billion dollar industry “The Adult Entertainment industry”. It depicts their stories, each one different, unadorned and authentic, without glorification or prejudice. It delivers deep insight into their personal lives – from glamorous to grotesque – strange, fascinating, offensive, absurd and sometimes funny moments all at once.
A young writer brings a collection of short stories to a big Moscow publishing house. The manuscript stays at the office and mysteriously influences the lives of anyone who opens it and reads at least one page. There are four stories in the manuscript, and four readers whose lives are changed after reading them. The situations range from realistic to absurd to thrilling to create a rich portrait of life in contemporary Russia and showcase the thoughts, feelings and ambitions of people who live there.
Three friends struggle to maintain their hedonistic lifestyles as they approach 30. Delving into their story, we become subjected to their inane theories, absurd philosophies and warped sense of humor.
A political essay on the absurd dilemmas presented by asylum policies. In a classroom, migrants’ illusions are dashed against the rocks of European arrogance.
Sinful sexpot, Michelle “Bombshell” McGee takes you on a whirlwind march through a collection of absurd film clips and trailers from Nazi grindhouse cinema.
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Fred lives on his own. His wife is dead, his son has left. He leans on the church, busses, meat-and-two-veg. Then Leo appears. Leo is a tramp. Fred lets Leo move in with him. An absurdist feature debut with a laugh and a tear in stuffy Netherlands.
Two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood.
Faced with the absurd competitiveness surrounding his son’s youth league baseball team, Max Morris, a famous comedian, decides to get to know the colorful parents and coaches of the team better in an attempt to find the inspiration for his next movie.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
