Love, motherhood and a musical career strike dissonant chords in this dark tale of a young Russian woman who tries to keep her balance among wealthy French expats in New York.

The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn’t have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche’s scriptwriting doesn’t help how he lives and he is a womanizer which causes him to procrastinate.

Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She’s surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora — until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.

An emotionally troubled teenager gets into a passionate relationship with the older French woman working in his father’s house.

When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time.

Two strangers, a young a man and woman, are stranded in an isolated house in the French Alps during a snowstorm. As they bond and lie to each other about their pasts, their sexual desires become intense. One problem soon becomes evident as they tear the house apart looking for a condom. Will he succumb to the carnal desires of this young nymph? A crazy, fun thriller with lots of quirky French humor! It’s not Porn…it’s French. Bone Appetite!

Hua, a young woman from Beijing, is a recent arrival in Paris. Exiled in an unknown city, she wanders between her tiny apartment and the university, drifting between former lovers and recent French acquaintances. She meets Matthieu, a young worker who falls madly in love with her. Possessed by an insatiable desire for her body, he treats Hua like a dog. An intense affair begins, marked by Matthieu’s passionate embraces and harsh verbal abuse. When Hua determines to leave her lover, she discovers the strength of her addiction, and the vital role he has come to play in her life as a woman.

Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.

A French man spies on a lovely younger woman across the way. When he’s spotted by the woman shortly after being questioned by the police about a local murder, the man’s simple life becomes more complicated.

Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.