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What’s the matter with Kathy (Jordan Trovillion, Highland Park)? She’s your typical 17 year-old girl in search of something more in her life. It seems the only place she is going to find it is at Horse Camp. Her father Luke (Dean Cain, Lois & Clark: The New Adventures of Superman) recognizes that she’s got it in her blood, a sensibility in her being – she understands horses just as much as they understand her. But at Horse Camp there is much more to learn, not only about horses, but about people and the many challenges of friendship.
A bizarre incident as a young boy left Aaron with an unusual facial disfigurement that has plagued him all his life. Isolated and vulnerable, Aaron seeks comfort in the friendship and understanding of an unexpected group of outcasts.
Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?
Earth has regained peace, but a new enemy with space-time powers has arrived! Musashi, Cosmos’ host, tells the UPG that the Ultra Warriors have been sealed inside an evil space-time castle by a warrior woman named Arina. The fate of the entire world will be at stake. Hikaru and Shou are not strong enough to face this enemy, but if they can learn to fuse their hearts, they stand a chance. But to do that, they first must survive the training of Ultraman Zero!
Jimmy Della Valle is an Italian-Irish American Comedian and Actor from New York. Jimmy’s rapid-fire stand-up comedy special is about his dysfunctional family, two scratch minimum Latina wife and cat Marvin, all-in poker playing gambling life, and mafia streetwise unique point of view. Jimmy’s TV/film credits: The Sopranos, Without a Trace, America’s Got Talent, Conan, Comedy Central, Rivers 9.
Simon Evans debut DVD is a master class in aloof, patrician observational stand up. To the delight of a packed audience, the star of Live At The Apollo and Stand Up For The Week brings a little polish to the Theatre Royal Brighton. Evans looks back at his life and times, from his early days in London to his family life by the seaside. Along the way, his reflections are as ever as dry and delicious as a good Sancerre, or perhaps a really good radish.
He launched a host of today’s comedy superstars in the ‘90s on the HBO series Russell Simmons’ Def Comedy Jam. Now, Russell Simmons returns to the network for All Def Comedy, taped before a live audience Sept. 7 at the Avalon Theatre in Los Angeles. Hosted by Tony Rock, with DJ Drama, the uncensored special features stand-up performances in a variety of styles from up-and-coming comics, discovered at ADD’s weekly comedy showcase: Chris Powell, Zainab Johnson, Kevin Tate, and Robert Powell, as well as HBO’s Def Comedy Jam veteran Tony Roberts.
We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
Cowboy Bill Martin has traveled the world doing his own brand of original stand-up comedy. Now, in his first one-hour special, the man they call, Cowboy Bill returns home to talk about love, the frailty of life and the magnitude of being a modern man. Sure he wears cowboy garb on stage and he speaks with a Texas accent, but his comedy touches people of all cultures. CMT, along with Inception Media Group, Middlin’ Creative and Cowtown Drive-In Productions are proud to announce the World Television Debut of the stand-up comedy one-hour special, “Cowboy Bill Martin: Let the Laughter Roll”, Saturday Night, Nov. 21, 2015.
Eliska’s husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can’t find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.
Hannibal Buress braves Scotland’s epic Fringe festival in Edinburgh, performing dozens of wry stand-up sets and testing new material on the locals.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Rise follows real life events of a young nurse, Will McIntyre, who has his freedom taken after a one night stand leads to a charge of rape. Despite his innocence, he is found guilty upon trial. We are taken into the maximum security prison where Jimmy Cove, a hardened inmate, infamous for a string of armed robberies is positively impacted by Will’s courage and struggle to make sense of it all. Meanwhile, a Queen’s Counsel Barrister, Julie Nile, is challenged to compromise her status and wage to prove his innocence.
Among serial killers, Israel Keyes is an enigma. When police picked him up in Texas in March of 2012, it was for the murder of 18-year-old Samantha Koenig, whom he had brazenly kidnapped from a coffee stand in Anchorage, Alaska. Once in custody, however, he confessed to other murders and bank robberies and alluded to many more crimes. He ultimately claimed to have killed up to 11 victims between 2001 and 2012, but couldn’t – or wouldn’t – tell the authorities exactly when and where. He told them enough, however, for them to take him seriously. Then, in December 2012, after nine months in custody, he killed himself, taking his secrets with him to the grave.
An intimate journey through the formative years of [Lynch’s] life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema’s most enigmatic directors. David Lynch: The Art Life infuses Lynch’s own art, music and early films, shining a light into the dark corners of his unique world, giving audiences a better understanding of the man and the artist.
Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.
USSR, Late November, 1941. Based on the account by reporter Vasiliy Koroteev that appeared in the Red Army’s newspaper, Krasnaya Zvezda, shortly after the battle, this is the story of Panifilov’s Twenty-Eight, a group of twenty-eight soldiers of the Red Army’s 316th Rifle Division, under the command of General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though armed only with standard issue Mosin-Nagant infantry rifles and DP and PM-M1910 machine guns, all useless against tanks, and with wholly inadequate RPG-40 anti-tank grenades and PTRD-41 anti-tank rifles, they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
In the follow up to the box-office hit Nitro (2007), we catch up with Max as he serves time for the role he played in the death of a police officer. When the film begins, Max learns that his 17-year-old son Theo has just been recruited by a criminal organization. Desperate to get him out of this situation, Max escapes from prison. He discovers that Theo and his best friend Charly have fallen under the control of Daphne, an alluring femme fatale, who is taking advantage of the teens’ expert computer skills to plan a bold and risky burglary. Quickly understanding he’ll be unable to persuade his son to walk away from it all, Max joins the team in order to protect them. His driving skills and his athletic prowess will prove to be invaluable assets in this action-packed sequel.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
Mastering classic pinball arcade games requires focus, agility and dedication. Robert Gagno has all these traits. It might explain why he surged from a complete unknown to one of the world’s best players in five years. The achievement is even more impressive considering he was diagnosed with autism at age three. His success on the pinball circuit made him part of a community that provided acceptance and encouragement. With his parents’ support and determination, Robert has exceeded every expectation placed upon him. As he approaches adulthood, his next challenge is to become more self-sufficient and gain his independence. From high-stakes tournaments across the continent to his day-to-day search for employment, we follow Robert’s persistent progression to overcome obstacles and manage the highs of success and lows of falling short. In Wizard Mode, flashing lights and triple combos highlight an outstanding individual who continues to beat the odds and set records.
Filmed in front of a sold-out hometown crowd in New York City, “SMD” is the first Comedy Central stand-up special from Saturday Night Live’s Pete Davidson. The special is filled with Davidson’s unfiltered, brutally honest anecdotes about smoking a Snoop Dog amount of weed, texting his mom dick pics, and his issue with male porn stars. From his stint in “prehab” to this one time at a Justin Bieber concert, Davidson proves that even at 22, he and his friends have had some high times and heavy experiences.
Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!
Brash, bold and never afraid to go blue, comedian Lisa Lampanelli offers a raucous and raunchy performance in her first stand-up special for EPIX. Taped at the Music Hall in Tarrytown, New York, the set includes Lampanelli’s signature brand of insult comedy as well as her personal experiences with weight loss and divorce.
As Christmas approaches, Amelia Hughes (Anderson), a career-focused Chicago app developer lacking in holiday spirit, returns to her small hometown of Christmas Creek to rediscover the meaning of Christmas. There, she reunites with her childhood best friend Mike (Huszar) and her estranged uncle Harry (Weber), whose mysterious rift with Amelia’s father divided her family during the holiday season when she was a child. As she engages in local holiday festivities — and begins falling for Mike — Amelia finds herself feeling the Christmas spirit and looking forward to Harry’s Christmas Eve tradition of delivering toys to needy children in his small, private airplane. Meanwhile, Harry begins repairing his damaged relationship with his ex-girlfriend Pamela (Kari Matchett). But as she helps prep Harry’s airplane for the toy delivery, a shocked Amelia learns her parents have unexpectedly shown up in town for the holiday and is crushed when her father and Harry resume their longstanding feud.
