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Interim school superintendent Eve Morgan finds herself in a tough spot when she is assigned to shut down a school’s failing music program and must come to terms with here musical past.
After witnessing their parents murder as infants, June and Carl have held a deadly secret throughout their entire lives, a secret that none will believe. Years later, June is back to investigate the family home after her estranged brother Carl’s mysterious suicide. As she walks the grounds, and inhabits the house, June learns that the Scarecrow who came to take her family is walking once again and is seeking revenge on the town.
When Arvid, the most malevolent yeti in all of the North Pole has come in possession of the powerful Master Scroll of The Naughty Children, he enlists the scroll’s powers to banish Santa, his sworn arch nemesis, to the Land Of Holiday Misfits, a dreary place from which no one can return. It’s up to a boy named Finn and his mighty dragon Haldor to rescue Santa and save the day before it’s too late!
Laurel, a Chicago-based business executive, travels to Memphis to secure one of the city’s oldest family-owned banks. While in Memphis, Laurel reunites with old flame Clay, a local music promoter with loftier aspirations. Though Laurel tries to keep her eye on the prize of the business acquisition, Clay is very persuasive reminding her of the days when they were a performing duo on the brink of stardom. Now Laurel’s focus turns to the home of the Blues and dreams of making music again.
Albert and David Maysles’ classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill’s childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard’s recollections and artistic vision, we are returned to “that summer” in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.
The world has begun to collapse. The rampaging Meicoomon absorbs Tailmon, who underwent a dark evolution, and changes form into the immensely powerful Ordinemon. In accordance with Yggdrasil’s expectation, the real world is about to be engulfed by the Digital World. Meanwhile, Homeostasis considers Ordinemon to be out of control and puts into motion its final plan that will entangle the real world. Then the time comes for the DigiDestined to arrive at a final decision. What future do they choose for themselves?
When 20-year old Nathan loses his career and his girlfriend, he questions his purpose in life. Compounding his struggle, Nathan grew up in a foster home and never met his birth mother. He sets out on a quest to find his mother and somehow come to terms with her rejection of him. His journey begins by flying to the city where he was born. Upon his arrival, Nathan checks into a hotel and meets Mave the hotel’s housekeeper. Encouraged by Mave’s wisdom and the help of hotel guest Shelly, Nathan finds the address of his mother, Linda. Linda is a social worker who agonizes over the decision she made with Nathan 20 years ago. In an effort to admonish the guilt of giving up her son, Linda is caught up in the life of a teenage mother-to-be, Tori, who is conflicted by the decision to abort her baby. When Nathan gathers the courage to meet his mother, he uncovers a terrible secret that totally redefines what was meant to be for his life.
Second film in Ulrich Seidl’s Paradise trilogy. A devout Catholic woman practises her religion at home and in the local community, but is unprepared for the reappearance of her estranged husband, who is a Muslim.
The final night’s work approaches for the staff of an insane asylum. A minimal crew of security and researchers remain to ensure the patients behave as expected before their transfers to a maximum security prison. Struggling with memories of abandonment, Dr. Helen Kingford finds herself on the brink of quitting her job as a psychologist. Following his forced retirement, the hospital’s head of security decides on a destabilizing course of action leading to chaos and destruction within the asylum. In the confusion, all of the dangerous patients escape their padded cells. Confused, Dr. Kingford awakens finding herself tied up in the hospital morgue. Not knowing who to trust, she finds herself running from everyone in an attempt to survive.
This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.
A young married woman from Montreal’s Orthodox Jewish community finds freedom from the strictures of her faith through her relationship with a young man who is mourning the death of his estranged father.
A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.
The Roughnecks tells the story of the Fort Worth Ridglea Roughnecks, one of the oldest and most intense Pee-Wee football teams in Texas, as they set out to win the Youth football ‘Super Bowl’, their last chance at a title they narrowly lost last year.
In celebration of the publisher’s 75th anniversary, the hour-long special will take a detailed look at the company’s journey from fledgling comics publisher to multi-media juggernaut. Hosted by Emily VanCamp (S.H.I.E.L.D. Agent Sharon Carter), the documentary-style feature will include interviews with comic book icons, pop culture authorities, and Hollywood stars. The special also promises an “extraordinary peek into Marvel’s future!” Might Marvel release the first official footage from next year’s Avengers: Age of Ultron or Ant-Man? If they do, you’ll know about it here.
This searing British thriller follows Flash (Dylan Duffus), who’s safeguarding his buddy Angel’s (Yohance Watson) cash until his release from prison. Now Angel is out — and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson
Divided into chapters, the film first chronicles Hemel’s many sexual conquests, but then takes on a different tone as it explores her complicated relationship with her father, Gijs. A dapper auctioneer, Gijs has dated a series of younger women since Hemel’s mother’s death. But when Gijs starts seeing the charming Sophie, for the first time Hemel feels that her special relationship with her father is threatened…
Roy ‘Chubby’ Brown celebrates twenty-one years and an amazing one thousand performances at Britain’s favourite seaside resort. Filmed in front of a packed house at Blackpool’s Winter Gardens venue you can be sure Chubby will be as crude and as rude as ever. No subject is taboo for his trademark ferociously shocking blue humour.
Dangerous Men has many characters like Mina whose life is shattered when two bikers with rape on their minds attack and kill Daniel, her fiancé. Driven by grief, she embarks on a killing rampage, wreaking vengeance upon all the men that she seductively lures into her trap. In her twisted world, cops and killers are all the same – David, Daniel’s brother, is a cop who relentlessly pursues the killers, while facing a nest of drug dealers, followed by the FBI and the police SWAT team, also in hot pursuit. Mina, a victim of violence, carrying a twisted obsession for justice, is caught between opposing forces in a world of dangerous men
This is Tomorrow is the third film of ‘A London Trilogy, the films of Saint Etienne’. A History and reconstruction of the Royal Festival Hall, interviewing surviving architects and designers including Leonard Manasseh and Robin Day. The film also documented the hall’s complete refurbishment from 2005-2007, which has once again made it London’s cultural centre.
Chronicles the history, ideology and aesthetic of Norwegian black metal – a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first (and only) film to truly shed light on a movement that has heretofore been shrouded in darkness and rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews and verité with the musicians, a wealth of rare, seldom seen footage from the “Inner Circle’s earliest days, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world. This is the movie that gets inside the minds and hearts of black metal’s musicians.
Jack and Jill’s Manifesto of Rules to Live By Rule 1 Be honest Rule 2 Believe in fairy tales Rule 3 Accept time as our friend Rule 4 Make sure the nooky is good Rule 5 Promote beauty. Wage a sustained campaign against ugliness Rule 6 Abandon the pursuit of happiness and its false promise Rule 7 Show compassion, except to pirates Rule 8 Less TV Rule 9 Always be willing to admit when you’re wrong
Saya Toma (Erika Toda) is a female detective with an IQ of 201. Takeru Sebumi (Ryo Kase) is a career detective with a distinguished background. They work on cases by postulating the “SPEC” of the unknown criminals and then deduce the criminal’s unknown “SPEC” to make arrests. A mystery occurs when bodies are found on a cruiser in the ocean. Saya Toma and Ryo Kase of the Tokyo Metropolitan Police Department are brought in to solve the case.
Best friends Deco (Lázaro Ramos) and Naldinho (Wagner Moura) co-own a cargo boat in Brazil’s Salvador de Bahia. They give a ride to a sultry prostitute named Karinna (Alice Braga), and soon both men fall prey to her considerable sexual charms, pushing the bonds of their friendship to the limit.
Audrey is a typical music student at a large Midwestern college, interested in pursuing a career in classical music. Her apparent “normalcy,” however, makes her something of a misfit in her family, made up as it is by a group of outrageous performers. Audrey’s parents were funk/ R& B stars in the 1970s, while her brother currently reigns supreme on the hip hop and fashion scene, and her precocious little sister is a streetsmart MC in the manner of Lil’ Kim. Audrey finds this family tree a little embarrassing, and is somewhat disdainful of the ego and trappings of pop culture entertainment, so she hides her clan from her new boyfriend. This unfortunately becomes a bit difficult to maintain when the family shows up for a visit. The campus will never be the same again!
Sergeant Tong is wracked with guilt after he unwittingly kills a young girl whilst capuring a criminal named Cheung. When the girl’s sister is later kidnapped in a ploy to get Cheung released, Sergeant Tong vows to find and rescue her before she comes to harm.
Comedian and film star Mike Epps takes center stage as the host of the newest installment in Shaquille O’Neal’s All Star Comedy Jam franchise. Epps called on some of stand-up comedy’s freshest talent to help him bring down the house; Lil’ Rel, Henry Welch, Deon Cole and DeRay Davis. This hilarious lineup delivers nonstop laughs in this high-energy night of comedy.
Pensioners, lawyers, married couples and teenagers are all customers at the Angel Love Hotel in Osaka Japan. With unprecedented access into one of the most private and anonymous spaces in Japanese society, this film follows the love hotel’s struggling manager and staff as the try to keep their hotel running, as well as revealing the intimate and private lives of the customers who visit.
Matt Travis is good-looking, popular, and his school’s best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.
The story of what happened to Neal Cassady after Jack Kerouac’s “On The Road” came out. Deals primarily with Neal’s relationship to his fictional alter-ego, Dean Moriarty.
Paul Harris works at a small research facility on the outskirts of Boston. After a weekend tryst with a co-worker leaves him wanting more, his unreciprocated desires gradually mold into an acute infatuation. When Danielle takes interest in a new scientist at the laboratory, Paul’s suppressed resentments and perverse delusions finally become unhinged, triggering a horrific course of events that mercilessly engulf a tortured past and fugitive present.
Cop drama meets romance: This intense thriller is about a police officer who shoots his best friend (who also wears a badge) while on the job. His buddy is permanently paralyzed, and the incident raises eyebrows around the precinct. Was it an accident, or did this detective’s feelings for his pal’s wife cause him to cross the line? Only true super sleuths will figure it out before the end!
King of the Travellers is a contemporary drama grounded in the traditions of the Irish traveller community and driven by emotive Shakespearean themes of love, betrayal, friendship and revenge. The story follows John Paul Moorehouse on his destructive quest to uncover the truth about the killer of his father twelve years ago. John Paul’s desire for revenge is swayed as he falls for Winnie Power, the daughter of the man he suspects killed his father. John Paul must now battle between his consuming passion for justice versus his desire to be with the woman he now loves.
Just as the business which Steve helped create, American Lightsticks, is on the brink of collapse, a huge ‘deal’ suddenly materializes, and he and his partners are sure that their lives have changed forever. A true-to-life comedy inspired by actual events.
In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel’s intelligence and security agency — speak about their role in Israel’s decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means. (TIFF)
In 1963 a young woman was possessed by a demon claiming to be the Devil, a local priest was requested by the girl’s mother to perform an Exorcism. No one knows what became of them. 50 years later a group of filmmakers attempt to recreate the Exorcism but they are not prepared for the horror they will encounter. Captured on behind the scenes camera we the audience are now able to see these disturbing and unexplained events leading to the film crew’s final hour.
Hazel Fortune works in a strip club in the small Southern town of Redemption. Haunted by the death of his only daughter, Fortune has become a self-destructive, suicidal alcoholic, until he meets Starla Motes. Hazel’s downward spiral is interrupted when is befriended by Starlas daughter, Hope. But when Hope is kidnapped by Enoch Pitt, a ruthless, psychotic preacher on a bloody crusade, Hazel must make the decision to rejoin the living and risk life and limb to save her from a terrible end.
A hate crime on the campus of a New England college puts the school’s dean (Parker) in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration’s politically correct policies.
