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An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.
Lewis Collins is back to leading mercenaries on the move in Southeast Asia. This time the cast is unusually good including Lee Van Cleef, Brett Halsey (Cop Game), Romano Puppo (Robowar), Mike Monty (Raiders of Atlantis), Bobby Rhodes (The Great Alligator), etc. Anyway, Van Cleef has Collins go on some random mission to locate a disc with all sorts of valuable crazy intelligence data on it. It just happens that Donald Pleasence, a random government official, hires another mercenary-for-hire Manfred Lehman to tag along and make sure the data ends up in the right hands. Van Cleef isn’t taking any chances, and since he is crooked and murders Collins’s other bosses quickly, he places Romano Puppo in the group as well to make sure the operation runs smoothly. Collins may not be too expressive but at least he seems to figure out quickly who’s out to get him, so the mission continues with lots of double-crosses, twists and turns, and of course lots of explosions!
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
A group of high school students, led by a rich boy Derek, is sick of school violence and decides to become underground vigilantes named “Brotherhood of Justice”. It starts with the idea “watching people”, but things quickly get out of control. “Brotherhood of Justice” turns out another gang of violence. Derek wants to stop it but it is too late, so he takes responsibility for it and gives himself to the law.
Here and There (Serbian: Tamo i ovde) is a Serbian film which was premiered at the Belgrade Film Festival FEST 2009. Here and There follows two interconnected stories on two different continents. Robert (Thornton), a depressed New Yorker, tries to make quick cash and ends up in Serbia, where instead of money he finds his soul. At the same time, a young Serbian immigrant, Branko (Trifunović), struggles in an unforgiving New York, desperately trying to bring his girlfriend from Serbia to the United States. Mirijana Karanović plays Branko’s mother.
Kiwi black-comedy about Nige and best mate Deano (Flight of the Conchord’s Brett McKenzie and Hamish & Andy’s Hamish Blake). Directed by Robert Sarkies (Scarfies, Out of the Blue), based on the book written by brother Duncan Sarkies. Nige (McKenzie) runs over and accidently kills a Scandinavian soccer star in an unfortunate incident involving a hot meat pie, a ginger cat and a policeman. He chucks the body in a nearby road works hole and runs to his best mate of fifteen years, Deano (Blake). But Deano’s not the guy you should turn to in a crisis…
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Catherine Bomarzini returns to the family castle in Italy after her father’s death and gets caught in the web of a mysterious love triangle: a man who is at times repulsive, at others enchanting; and a creature of the night whose gentle eyes and touch reveal his infinitive love and devotion. With the help of Martha, her faithful childhood nanny, and the ghost of a slain young girl, Catherine discovers the medieval curse that threatens their lives and only she can dispel.
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.
East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boy’s mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard; and the entire township rallies together in solidarity – to support her and Detective Cordin’s efforts to find the killers.
Based on the plot of Euripides’ Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
The best of Led Zeppelin’s legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. The Song Remains the Same is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member’s individual fantasies and hallucinations. Includes blistering live renditions of “Black Dog,” “Dazed and Confused,” “Stairway to Heaven,” “Whole Lotta Love,” “The Song Remains the Same,” and “Rain Song” among others.
The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State’s debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke’s affairs, a series of frantic chases, plots and counter-plots begins.
A boy kidnapped by two mismatched hitmen puts them at each other’s throats while being driven to their employers, possibly to be killed. Cohen, an older professional becomes increasingly irritated with his partner Tate, a brutish killer, when their prisoner uses unnatural guile and resourcefulness to play them off against each other.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
A grizzled ex-sheriff helps a man framed for murder to confront the powerful trio of brothers who want him dead.
In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo, a half Indian, who was sent to prison during the latter part of the 19th century. He escapes with 6 others to exact vengeance on Sam Burgade the lawman who not only captured him but was also responsible for the death of Provo’s wife, at least in Provo’s mind. Part of his plan is to kidnap Burgade’s daughter, which prompts him to strap on his guns and go after him on horseback. Can Burgade who has been retired for sometime still have what it takes to track Provo down?
Hotheaded laborer B.J. Hammer can’t go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis, a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.
Two disillusioned New York policemen plan a $10 million robbery to fuel their low pensions, only to run into one debacle after another in the process.
Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. The sheriff chases the brothers to Mexico. They join forces, however, against a group of Mexican bandits.
Pei-xun, an early university graduate, is eager to take risks, and believes that she can play in the game of love. She soon finds out that in the adult world of love, love is not merely love – it is a war between different generations of women, and it is a war created with business and power struggles.
No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Little Wing tells the story of 12-year-old Varpu, who’s quickly growing to adulthood, and about her mother, who doesn’t want to grow up. Varpu lives with her mother and has never met her father. One night Varpu has enough of her riding buddies and her mother. She steals a car and drives up north in search of her father, of whom she only knows the name. But her father is not exactly what she had expected. Meeting him trigger something in Varpu and Siru’s life, making them realize their role in each other’s lives, and in the world.
21 Brothers tells the story of the Canadian 21st Battalion as they prepare for the battle of Courcellette in WWI. Taking place in real time, the film follows Sgt. Reid as he must get his men ready for the impending battle. Not only must he prep his battalion Sgt. Reid must also deal with the day to day difficulties of Life in the trenches, including injuries to his men, supply issues, and an underage recruit who has recently been sent into the front lines.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
When Jack and Sally announce that they’re splitting up, this comes as a shock to their best friends Gabe and Judy. Maybe mostly because they also are drifting apart and are now being made aware of it. So while Jack and Sally try to go on and meet new people, the marriage of Gabe and Judy gets more and more strained, and they begin to find themselves being attracted to other people.
A mother and daughter who run a brothel for truckers fight back when the Mafia tries to take over their operation.
When Jewish songstress Fania Fénelon is plucked from the stage and sent to Auschwitz, she and other musicians find themselves assigned to a terrible task – using their talents to soothe fellow prisoners who are sentenced to die in the gas chambers.
The heads of Wall Street’s biggest investment banks were summoned to an evening meeting by the US Treasury Secretary, Hank Paulson, to discuss the plight of another – Lehman Brothers. After six months’ turmoil in the world’s financial markets, Lehman Brothers was on life support and the government was about to pull the plug. Lehman CEO, Dick Fuld, recently sidelined in a boardroom coup, spends the weekend desperately trying to resuscitate his beloved company through a merger with Bank of America or UK-based Barclays. But without the financial support of Paulson and Lehman’s fiercest competitors, Fuld’s empire – and with it, the stability of the world economy – teeters on the verge of extinction.
Compiled over two years, an ‘on-camera oral history’ of Easy Company, told by the veterans themselves. Accompanies the mini-series Band of Brothers.
Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.
Sent to spend the summer with their uncle on a remote island, young brothers Andy and Mark learn that their eccentric grandfather once owned the island, but vanished without a trace…taking with him the secret to a vast fortune. Delving into the mysterious past of the island, the brothers discover that their grandfather designed a complex treasure hunt, a hunt that could lead to unimaginable wealth and heal their broken family – if they can find it in time. Sinister forces also search for the money and will stop at nothing to keep the boys from their quest. As the adventure unfolds, the boys learn that the bonds of family are the most valuable riches of all, and that some family secrets can’t stay buried forever.
In the fourth installment of his Law and Disorder series, Louis goes to through Lagos, Nigeria, and follows the KAI (Kick Against Indiscipline) task force and union leader MC as well as other gang members.
Off a dirt road in rural Maine, a precocious 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative fringe community. Will she take the leap to experience the wide world for herself? Michelle’s joyful story of self-discovery celebrates outcasts everywhere.
Redheaded teen Remy is bullied by his soccer teammates and drawn into fights with his younger sister and mother in their cramped apartment. After a flare-up of domestic violence, he flees home and is tracked down by a bitter guidance counselor, Patrick, also a redhead. Patrick looks upon Remy’s sullen insolence with both sympathy and disdain and decides to toughen him up…
Poor but happy, young Nello and his grandfather live alone, delivering milk as a livelihood, in the outskirts of Antwerp, a city in Flanders (the Flemish or Dutch-speaking part of modern-day Belgium). They discover a beaten dog (a Bouvier, a large sturdy dog native to Flanders) and adopt it and nurse it back to health, naming it Patrasche, the middle name of Nello’s mother Mary, who died when Nello was very young. Nello’s mother was a talented artist, and like his mother, he delights in drawing, and his friend Aloise is his model and greatest fan and supporter.
On their way to Monte Carlo, Monaco, Marilyn and her husband, Neil, meet several other married couples, including Julian and Phoebe, who are traveling with a lost dog they plan to return to its wealthy owner for a large reward. But, when the dog’s mistress is murdered, the travelers become the prime suspects, and Inspector Bonnard is determined to track them all down.
