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This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.
Stagknight is derived from the uncensored lusty straight-to-Drive-In horrors of the 70’s and 80’s, I Spit on your Grave, The Beast, Samurai Assisan, movies that spawned the mighty Evil Dead, American Werewolf in London, later Aliens. Set deep in dark mythical English woods Stagknight presents a uniquely stupid look at this genre through the cracked “Weekend Warriors” paintball team. This is mansville not boytown on a blow-out bachelor paintball weekender bender of dirty tricks, hot babes and truly splatter-tastic medieval kills to die for.
Nothing is as it seems as an ex-con and aspirant filmmaker set out to manufacture a horror film by scaring real people; however, when it goes too far and someone actually dies, the pair decide that killing for real on film is the way to make a truly terrifying movie.
A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny’s former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak’s black-and-white Plus-X film stock.
When four women move into an old house left by one woman’s aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.
In 1963 a young woman was possessed by a demon claiming to be the Devil, a local priest was requested by the girl’s mother to perform an Exorcism. No one knows what became of them. 50 years later a group of filmmakers attempt to recreate the Exorcism but they are not prepared for the horror they will encounter. Captured on behind the scenes camera we the audience are now able to see these disturbing and unexplained events leading to the film crew’s final hour.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
Stranded in the suburbs, student filmmaker Chloe begins to make a documentary about her family’s troubled past. Whilst filming, she and best friend Ed, witness an hysterical girl appearing to escape from a neighbour’s house, only to be quickly dragged back inside again. Is she a recovering drug addict like the neighbours say? Or is she really in danger from those who claim to be caring for her? Chloe and Ed begin to run surveillance, but as they dig deeper, they find themselves caught up in a world of strange beliefs, old religions, and dark witchcraft. Their search for the truth will climax in a live webcast that will terrify and make those watching question the very authenticity of what they are seeing. Webcast is inspired by a wealth of films from both the horror and thriller genres, including Rear Window, The Wicker Man, The Blair Witch Project, Rosemary’s Baby, Paranormal Activity, and Race with the Devil.
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.
Bright sunny day, Medical Students He Xinyue, Xiao-Li Ma, Ng Yen Yen, Leiyong Han, Yang Gang and Zeng Ping – Meet six people have already abandoned the old school came to play. Six months ago, the school there was a bizarre murder, a woman died of “friends, back to back,” the horror rumors, everyone here was something fishy about the legend, once traumatic panic. Fearless young men and women regardless of the care of the old school of Qin master warning, insisted on a two-day stay here. As night fell, the feeling of insecurity, was seen fleeting ghost, some hearts desires expansion.
On a cold December night Logan’s babysitter tells him three tales of unspeakable horror. But the most terrifying tale of all is lurking right outside their door.
Todd and Bruce, a hapless screenwriting team, get one last shot at success thanks to Todd’s wealthy uncle, Sarge. If they pen a worthy horror script, Sarge will fund the entire project. But there is one condition – the script must be complete in two weeks. With the deadline looming and no fresh ideas, Todd and Bruce head to Shangri-La, a serene artist’s retreat, with the hope that the peace and company of fellow artists will inspire greatness… or, failing greatness, at least enough for straight-to-DVD. Shangri-La proves to be anything but serene, as the artists die off one by one, seemingly by accident. Bruce convinces Todd to soak in this morbid atmosphere to help with the writing, but soon those two are fighting for their lives as well.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
A troubled yet loving family man on a solo adventure deep in the wilderness has a gruesome accident and is the only witness to an unspeakable horror that forces him to fight for his life against a mysterious killer.
Mary Horror is back! She has her spell book and is ready to wreck havoc on the small town of Bernardsville. She needs the Witches blood of the four witches who created the spell book to make it her own once again. Sheriff Tom will do anything to stop her from destroying everything in her path and to get the book back in his hands. Third times a charm in the ultimate showdown between Sheriff Tom and Mary Horror in WITCHES BLOOD!
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
A battered and mysterious VCR…A bevy of lethal video- tapes… These are the building blocks of horror in “DEATH BY VHS”. A mind blowing descent into madness and death. Five shocking vignettes, designed to take your sanity and devour your soul! Mild curiosity leads to severe consequences when a couple rents a supposedly cursed video cassette recorder. An urban legend renowned for leaving a trail of agonizing and torturous death. Unbelieving, they take the plunge… And another legend is horrifyingly born… Do you dare give fate a winning hand, and test yourself against the hellish consequences of the VHS machine? Insert Cassette Press Play…DIE!
Harry Penderecki, a once heralded horror auteur, finds himself on the outside looking in at Hollywood. He hasn’t had a hit film in years, and most in the industry, including his close friends, think he’s washed up. Harry is given one last chance to redeem himself with what could be his best or last picture. Brutal Massacre becomes just that, as the cast and crew find themselves battling one mishap after another as Harry struggles to keep his sanity against overwhelming resistance to finish the picture and find himself at the top once again.
A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.
Dark Horror comedy starring Raine Brown and Billy Garberina
An ice cold tale of misguided ambition and savage revenge. Set in the bowels of an iconic derelict Los Angeles high-rise, we follow Lauren and her real-estate investing fiancé as they discover first hand what happens when a madman leads not with emotion, but rather chilling rationality. The Man in question brings a heaping helping of sanity and jet-black humor to the crazy table. The result is a wonderfully off-kilter horror/thriller that never goes where we expect, but rather draws the audience deeper into a surprising world that has dark corners even in the brightest rooms.
Siblings find their dead uncle’s secret stash VHS tapes. The tapes feature sick solicitors, gruesome dares, patricide, demonic technology, monstrous fruit and many more horrors. As they eagerly watch each of these shocking, bizarre, comedic and bloody movies, little do they know that they are conjuring something very ghoulish and gruesome. In the tradition of horror anthologies like V/H/S.
The bizarre story takes place in Amsterdam-West, where a virus turns people into bloodthirsty zombies. Although much blood is flowing and many limbs chopped off, there is a lot to laugh at in this bizarre horror comedy.
Damien Shadows introduces you to 5 blood curdling horror films, all of which are actually enchanted and or cursed. Damien shows you how to ward off the spirits after each terrifying tale in this anthology. From demented sisters, to panty raids gone wrong, to killer mimes and bad periods, this film will take you on one wild ride!
“Yorktown” is a 1970’s inspired thriller/horror film that takes place in the City of Yorktown. It’s about a group of eight friends that upon hearing of Yorktown Memorial Hospital from an ill guided bar patron, played by actor/comedian and NBC’s Last Comic’s Standing finalist Dante, the group decides to take a road trip to the haunted location and “investigate”, despite the heeded warnings from the bartender, played by actress Rebekah Kochan. What they don’t realize is that someone has taken up residence in the building and someone is trying to revenge a death. When you don’t pay attention to your friends, bad things happen. The movie takes a traditional plot and adds modern social elements with a plot twist.
Kike, Alexis, and Arturo want to film a documentary about urban legends. When they unexpectedly interrupt a strange ceremony at an ancient cemetery, they are forced to join with Michelle and Renato, a nurse who loves to install cameras at places where paranormal activities occur. Together they will unfold a horror that should have never been revealed.
The Last Buck Hunt is a horror-comedy about a hapless TV crew and some killer wildlife.
Set six months after a deadly outbreak has all but ended the human race, a man and woman have survived by isolating themselves in a remote cabin and never opening the door. Now they don’t have a choice. Starved for resources, they must confront the horrors that threaten them… but what’s inside may be even more toxic than what remains outside. When it all ends, this is what remains.
A relentlessly-paced hybrid of gritty crime thriller and Lovecraftian supernatural horror, “The Devil’s Mile” follows a trio of kidnappers who take an ill-advised detour en route to deliver their hostages – two teenage girls – to their mysterious and powerful employer. When they accidentally kill one of the girls during a botched escape attempt, their simmering mistrust explodes into shocking violence. But what they thought was their worst case scenario is only the beginning, as they are engulfed by the hellish forces that haunt the road – a road they realize they may never escape. Now captors and captive must fight together to escape the monstrous forces pursuing them and somehow survive …
An international group of film students finds a disturbing video clip on the dark web which seems to contain poltergeist phenomena. Agreed that it’s just what they need for their latest documentary project the group travels to the sanatorium shown in the video clip. Once there, they rig up their camera equipment and start to explore the possible ghost activities – until the true horror begins.
The Legend of the Psychotic Forest Ranger is a B horror movie straight out of the 80s. After taking a wrong turn down an abandoned road, the Jock, the Joker, the Blond Bimbo & the Paranoid Brunette run out of gas and find themselves stranded in the middle of the woods. What a total drag. What was that noise? Why is everyone vanishing? Is it all one of Bradley’s dumb practical jokes, or could The Legend be true? Your compass can’t help you in these woods.
As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.
His latest offering from serial horror movie director, Melanie Ansley is sure to send a chill down your spine. Charles, a western reporter, is exiled to a small village in south china where he discovers the most extraordinary story… He finds a small town whose folk move in an eerily slow manner, carrying out the strangest of deeds. Weirdly enough, the town cemetery is entirely barren. With only his wits about him, he must survive this, quite literally, dead town… and break the story to the rest of the world. The answers he finds will take him on an epic journey.
A horror feature film about 4 girls who move into their first off-campus house only to find that the owner is a soul-eater.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Horror – Jose Yenque, Noel Gugliemi, Neil Brown Jr.
