Day, an insecure art director of a commercial production company is left alone to clear up a 6-meter deep deserted pool after the shooting. He falls asleep on an inflatable raft due to an unbearable fatigue. When he wakes up again the water level has sunk so low that he cannot climb out of the pool on his own. He screams for help but the only thing that hears him is some creature from a nearby crocodile farm.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.

When lapsed Jew and former cardiologist Harry (James Caan) suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica (Rosanna Arquette) is trying to manage the lives of their adult children, Annabelle and David (Jonathan Rhys Meyers), as well as her own.

After their father dies, a middle-aged brother and sister wrestle with legacy and ownership when three brothers, whose family farmed the land for generations, return after 50 years.