Back in the 1800’s a lady gives birth to a monster. They decide that the baby is too ugly to name, therefore the monster is known as the “Unnamable”. The creature brutally slaughters his family, and gets trapped in a vault. Go ahead to 1988, and some college students have heard the story about the unnamable and want to check out the vault.

A group of friends head to the land of oaky Chardonnays and big, bold Cabernet Sauvignons for one member of the squad’s 50th birthday party.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.

On his 25th birthday, following the death of his brother, Max and his best friend Peter wander the wintry streets of Manhattan, contemplating life, livelihood, and what it means to be adult.