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Louise (Sophia Myles) is an alienated boarding school student in the midst of a hot and heavy affair with the husband of her headmistress, Veronica (Sophie Ward). Suspicion and passion hang in the air of the isolated campus until Matthew (George Asprey) suddenly disappears. Fearing the worst, Louise struggles to uncover what happened to her lover, but is foiled at every turn by Veronica, who begins to take a sadistic glee in the psychological torment she inflicts upon her. When a mysterious woman appears around the campus, Louise becomes convinced that she is being framed for the murder of Matthew, or even worse, being set up to be the next victim. Alone and friendless, Louise must keep herself alive long enough to uncover the truth of Mathew”s disappearance.
The plot concerns a small group of people who are forced to flee from their base (which happens to be a Mission) in an old school bus when the VC launch a vicious assault upon it. Along the way they are joined by a group of three battle hardened American Special Forces soldiers and together they desperately fight to make it to safety.
Strange Battle 2016 is based on a strange incident happened in Xiangxi in 1945, the film was first lift the veil of secrecy horrific truth about the arrival of vampire and a poisonous insect ethnic Cats. Film is a creative combination mystic by many factors mainly explore the mysteries of insect poisons, reveal hidden in the vampire legend, the appearance of bells evocation, the Vampire West of the mountains Like dragons and ancient villages Meo will attract viewers from beginning to end. – See more at: http://kissasian.com/Drama/Strange-Battle#sthash.oMsxVzbx.dpuf
LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi – together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.
Mone, Kechon, Chiffon, Younapi and Chibo are ordinal women. They work at a cleaning company. The CEO of the company is a woman and she is like a devil. The 5 working girls have boring days. One day, they go to a place in the middle of the forest to clean up. There, they find a dead body of a beautiful girl. The girls raise the beautiful girl from the dead by imitating a ritual of a Norwegian black metal band.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
DIE EXPATS explores love, loss and lust, identity and modern relationships. It is a story of four people in search of reclaiming a sense of self while navigating the knotted, overlapping space they occupy. When said space begins closing in around them, they realize the only way to get out, and not be squashed by it, is to examine their own intentions, and be willing to let go of the past, and each other. The saying goes, people come to Berlin to find what they want; but for this group, Berlin is the bearer of disillusionment. Perhaps in finding out what they don’t want, Vivian, Nate, Sienna and Andreas finally uncover what it is they each truly need.
Not long ago the people of an unnamed country were involved in a civil war. After the armistice, both sides noticed hundreds of bodies unaccounted for. Looking through their land, there was discovered a place where men would vanish from sight. Those who returned spoke of a zone governed by cruel logic. This place, dubbed The Ulterior, was closed off and a guard was placed at its entry. The curious have found their way to its borders believing it holds healing properties and that it can reunite the living and the dead.
Martin (Luis Fernandez) is the star of “Camp Blood”, a hit TV show and one of the biggest teen idols of the time. One morning wake up locked in a huge house after a wild party with three girls I met last night. Through a mobile from which can´t call, start receiving videos showing the deaths of younger locked in the house, run by a mysterious figure dressed as the murderer who appears in the series starring Martin.
Elizabeth and Johnny, each of whose pasts have been sorrowful, find salvation in each the other. Theirs is a romance that knows no bounds until an accident leaves one in a coma and their burgeoning love ripped apart. Enter the guarded Seth who has been keeping a watch over the shattered Elizabeth. He resolves to do what it takes to save Johnny even if that means the only way to prolong his life, which hangs in the balance, is by turning him into a vampire. Shot in Memphis Tennessee from a reinvigorating fresh perspective, Daylight Fades conjures a heartbreaking experience of love found and lost and reborn, the depths of despair and the profound connections we break in the mending of our hearts.
Together with a girls camping club, Tamae sets out on a trip to a mountain where it is said that a long-nosed goblin lives. According to rumors, the goblin once was a boy who by mistake killed his own mother and has since been abducting people who have burdened hearts. The girls, who end up getting lost in the mountain, meets the mysterious boy Tsubaki. But who is he really?
In July 2010, a vacationing couple discovered something disturbing on a ranch in rural Texas. Armed with a home camcorder, they captured their experience on video.
Food Stamped is an informative and humorous documentary film following a couple as they attempt to eat a healthy, well-balanced diet on a food stamp budget. Nutrition educator Shira Potash teaches nutrition-based cooking classes to elementary school students in low-income neighborhoods, most of whom are eligible for food stamps. In an attempt to walk a mile in their shoes, Shira and her documentary filmmaker husband embark on the food stamp challenge where they eat on roughly one dollar per meal. Along the way, they consult with food justice activists, nutrition experts, politicians, and ordinary people living on food stamps, all in order to take a deep look at the struggles low-income Americans face every day while trying to put three-square meals on the table.
A building speculator tries in every way to get their clutches on the lands of a pastor. It loses its fortunes playing broom with him .The Commendatore gag, trafficone building Lombard, bursts like an elephant in the quiet of the shepherd Lazio Baldo which would tear the earth, to be speculation. The hostility of the provincial lazy is fought by the invitation to enjoy the hospitality of the suitor and his bourgeois home. This would not be enough, but the ribs of rustic sent you bring Mrs. Greta, wife of the muzzle, and his daughter Paola, a professional student protester. Of course women Baldo receives several favors that little by little the glimpse a new future. The magic moment, however, that transforms the Lazio is given by a game of broom, which Baldo rips at Lombard its fortunes becoming its equal partner.
In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.
Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory’s frozen remains 75 years later.
Chronicles a man who is obsessively interested in only one thing, the pictures he takes that document the way people dress. The 80-year-old New York Times photographer has two columns in the paper’s Style section, yet nobody knows who he is.
A sequel to Kwak Kyeong-taek’s “Friend” in 2001, “Friends 2” is about three men who are gangsters based in the background of the year 1963 and 2010.
An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams – sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
Over time, the people residing on Swampland began to take on new forms, their modified DNA altering their physiology to better suit their new environment. Generations passed and their original forms were forgotten; these humans had evolved into a new race: the Frogmen.If history (and genetics for that matter) shows us anything, it is that there is always variety.The genetic “success” of the Frogmen was also mirrored by the “achievements” of another group of human descent: the Cockroaches, otherwise known as the T-zhu Alliance. The brutal T-Hy poured out into the galaxy seeking new territories, resources, and the data crystals left by the original human explorers. The T-Hy’s material driven hunger broke the peaceful lives of the Frogmen forcing them to take up arms in order to stop the T-Hy’s insatiable ambitions. So began the MALO war.
16-year-old Haruka lost the people she loved the most in a fire. Haruka is also physically and emotionally wounded from the fire, but she still dreams of becoming a pianist. She takes part in an upcoming competition. Inauspicious incidents then occur around her. Musical student Yosuke, who teaches piano to Haruka, tries to solve the case.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
Tatsuya Ichihashi kills a British woman who taught English in Japan. Ichihashi escapes the police dragnet to Aomori, 550 kilometres away. Learning that he is wanted by the law, he cuts his own lips to change his features. Burdened by guilt, he continues to avoid the law enforcement. He travels 1000 kilometres to Shikoku to participate in a pilgrimage in hope of resurrecting his murder victim. Obviously it fails and he remains a fugitive. As if to escape his own guilt he changes his identity and has cosmetic surgery to further alter his features. He works at construction sites and when people get suspicious of him he flees to a far-off island in Okinawa where he relies on survival skills.
A top actress, the daughter-in-law for a wealthy family and an innocent bride to be were once good friends. Someone then threatens to reveal their pasts if they don’t seduce three men. The three men are a photographer, a wealthy man and humorous guy. They have a secret hobby, ordinary people could not understand. By chance, these three men and women meet and they all go on vacation to a paradise like place. But, that is all part of a scheme. Who is behind the scheme?
Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
Henry and Jack are two famous and talented pianists: they are rivals and try to outdo each other in the various music events where they regularly compete. The former friends will clash with no mercy, from contest to contest until the day a domestic robot, GLENN, enters their lives. GLENN will jeopardize everybody and everything around them.
Butterfly Crush is a modern love story, starring award winning Australian actress Amelia Shankley, and set against the backdrop of the Sydney music industry. The song and dance duo, Butterfly Crush are about to break big, and are up for the Australasian Song Awards, but their chance at success is jeopardized when half of the duo; Eva, gets involved with a Kings Cross cult, the “Dreamguides”, deep into astrology and virtual dreaming. Moana must risk everything to save her, in this brand new contemporary feature about music and love.
Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.
Cell phone novelist Yukina Himuro has decided that in order to satisfy her fans’ demand for love stories, she must experience romance firsthand. However, with her icy reputation, how can she find someone willing to play the part of boyfriend? By blackmailing the most popular boy in school, of course.
Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.
Are you a risky drinker? Nearly 70% of American adults drink alcohol and nearly 1/3 of them engage in problem drinking at some point in their lives. Produced with The National Institute of Alcohol Abuse and Alcoholism (NIAAA), Risky Drinking is a no-holds-barred look at a national epidemic through the intimate stories of four people whose drinking dramatically affects their relationships.
Neurotypical is an unprecedented exploration of autism from the point of view of autistic people themselves. Four-year-old Violet, teenaged Nicholas and adult Paula occupy different positions on the autism spectrum, but they are all at pivotal moments in their lives. How they and the people around them work out their perceptual and behavioral differences becomes a remarkable reflection of the “neurotypical” world — the world of the non-autistic — revealing inventive adaptations on each side and an emerging critique of both what it means to be normal and what it means to be human.
Blood Riders is a blood soaked adventure comedy about 4 young friends who stumble upon a body after stealing a car. That discovery pushes the friends on a road trip around town during which they try get rid of the increasing amount of corpses. Along their wild ride the kids encounter neo-Nazis, punk artists, devil worshipers and a plan to resurrect Hitler.
Concert special featuring the iconic superstar as she performs in packed arenas around the globe. Featuring new hits and beloved classics that showcase Madonna’s signature visual theatrics, exquisite costumes and awe-inspiring choreography. With exclusive behind-the-scenes access that reveal the pop icon and her legion of dancers as they pour blood, sweat and tears into creating an astonishing arena show celebrated by fans around the world.
A love story. Theo and Frank are on the run from the British Navy in the early 1800’s. They hide in the grounds of an abandoned country house and discover it’s more than the living they’re running from.
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi
How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.
