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Ted is not a zombie. Just ask him. Sure, he picked up a “skin thing” on his vacay in The Caribbean, and he’s hungering for brains, but who isn’t? Anyway, things are bound to get better when Ted inherits his grandpa’s fortune; all he’s gotta do is wait for the old man to die. In the meantime, in case things weren’t strange enough, Ted follows a hot vampire into group therapy where the patients all suffer disorders of the paranormal. Yep. Things just went from weird to wacky.
Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
A man in priestly robes, seemingly the long-awaited Father O’Shea, arrives at a little-frequented Catholic mission in 1947 China. Though the man seems curiously uncomfortable with his priestly duties, his tough tactics prove very successful in the Seven Villages, as around them China disintegrates in civil war and revolution. But he has a secret, and his friendship with mission nurse Anne (an attractive war widow) seems to be taking on an unpriestly tone.
The surface of the Earth is under attack, thousands of people are killed in this unprovoked attacked. The cause, Princess Dragonmon and her army of monsters have decided to invade. Princess Dragonmon is an alien whose race has been hiding under us for centuries waiting to attack and the time is right. A doctor has been preparing for something like this and turns his assistant Rayma into the cyborg hero known as Inframan. Now only Inframan stands between the Earth and Princess Dragonmon but when a close friend is captured and brainwashed, can she be stopped with this inside man feeding her info?
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
After being accused of murder and awaiting his death penalty, Kishen Mohan Girhotra is compelled by NGO worker Gayatri Kashyap to form a musical band of prisoners to compete at band competition held at the dreaded jail of ‘Lucknow Central’. Kishen befriends and convinces a talented bunch of criminals to form a band that provides them with a purpose and a new lease of life.
A white corporate executive is surprised to discover that he has a black teen-age son who can’t wait to be adopted into the, almost-exclusively-white community of, San Marino, California.
Waitresses Angela and Jessie dream of leaving their low-rent diner and heading to Galveston, Texas. They soon find themselves on the streets of Dallas, trying to come up with increasingly wild schemes to raise some much-needed cash.
In 1978, when the push to decriminalise homosexuality has stalled, a group of activists decide they must make one final attempt to celebrate who they are. Led by former union boss, Lance Gowland, they get a police permit and spread the word. On a freezing winter’s night, they cloak themselves in fancy dress, join hands, and parade down oxford street. But they have no idea that angry police lie in wait, and the courage they find that night will finally mobilise the nation.
In order to best save the necessary funds to leave her desolate town and start anew, Katie prostitutes herself to a handful of regulars that frequent the diner she waitresses at. As she draws near to saving the funds she believes her new life requires, she encounters a young ex-convict named Bruno. Katie quickly falls in love, much to the dismay of Bruno’s coworkers at the local auto body shop. As a relationship with Bruno begins to form, the delicate harmony of their small town slowly begins to fall into disarray.
On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.
A short noir film about a bartender and a man waiting for a woman.
It should have been just another day, but Ruben’s scheduled meeting with Dave is making him nervous. Fearful imaginings haunt his morning. He forgets to lock his door, misses the bus and when he enters the office he sees a deer waiting for him.
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
Alana and Lori were just two LGBT 20-somethings looking for love on Tinder when a casual right swipe made a match that would bind them together forever. Within a few weeks of meeting, Lori learned that Alana suffers from Lupus and has been waiting on the kidney transplant list for years. The state of New York, where Alana lives, has the lowest number of organ donors in the country, and because of her complex medical background, her chances of finding a donor match were incredibly slim. Against all odds, Lori found that she was a candidate for donation and decided to give Alana the ultimate gift. If the transplant is a success, Alana will triple her life expectancy and be freed from nightly dialysis. But if it fails, Lori will go through risky surgery and lose a healthy organ in vain. BEAN is an emotional medical journey for two families that tests the true limits of love and sacrifice.
The bliss of a biology teacher’s family life in Delhi is shattered when her daughter, Arya is physically assaulted by Jagan and gang. Does Devki Sabarwal wait for the law to take its course? Or does Devki become Maa Durga and hunt down the perpetrators of the crime?
This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.
A weekend trip to the woods for a bachelorette party turns deadly when a nearby train accident causes a chemical reaction that overtakes the secluded valley. But waiting out the disaster inside could prove to be just as dangerous as being outdoors.
Arianna is nineteen, but she’s still waiting to get her first period. As the summer begins, her parents decide to renew their acquaintance with their country house on Lake Bolsena, where Arianna lived until she was three, and has never been back. As the family settle in for the summer, long-repressed memories start to re-emerge, and Arianna decides to stay on after her parents return to the city.
After the death of his beloved wife, Mr. Brady struggles to maintain a neighborhood diner in Atlanta Georgia. His few faithful waitresses have become his only family.
A.D. 2400, DEVA’s central council detects an incident of unauthorized access into their mainframe. Someone on Earth was trying to hack into the system. The only information DEVA was able to retrieve was that hacker referred to themselves as “Frontier Setter.” To investigate the mysterious hacker’s motives, the high officials of DEVA dispatch system Security Third Officer Angela Balzac to the Earth’s surface. Equipped with a prosthetic “material body,” Angela attempts to make contact with a local agent Dingo, but what awaited her instead was a swarm of Sandworms now infesting the Earth’s surface. Angela intercepts the gruesome pests with her exoskeleton powered suit Arhan.
Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou’s feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.
In a country of 1.2 billion people and in a sport with billions of fans worldwide, there has yet to be a single Indian-born player drafted in the NBA. One in a Billion follows the global journey of Satnam Singh Bhamara from his home of Ballo Ke, a farming village in rural India, to the bright lights of New York City as he attempts to change history. Building up to a climactic draft night after years of hard work, Satnam hopes to finally create the long-awaited connection between India and the NBA.
Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.
An intimate portrait of a group of very different suicide bombers working for Al Qaeda in Syria. From the Saudi who loves singing and fried chicken, to a 26-year-old white British convert who worries a lot about his new wife, this remarkable film embeds with an unlikely bunch of “martyrdom seekers”, each waiting for their turn to go on a final mission, known by Jihadis as ‘Dugma’.
In 1993, after being caught in the backseat of a car with the prom queen, teenage Cameron is sent away to a treatment center in a remote area called God’s Promise. While she is being subjected to questionable gay conversion therapies, she bonds with some fellow residents as they pretend to go along with the process while waiting to be released.
Jesse Hughes, AKA Boots Electric, AKA The Fabulous Weapon, AKA “The Devil” – guitarist, beloved frontman of the band Eagles of Death Metal, man of God, and (possibly) aspiring conservative politician. VICE presents The Redemption of the Devil, which follows Jesse as he gets ordained as a Catholic minister, begins an intense relationship with an ex porn star, explores the political arena, and fights for custody of his only child, all while preparing for the fervently awaited release of his first album since 2008 with childhood best friend Josh Homme, frontman of Queens of the Stone Age.
Shiver me timbers. Surprises await Thomas and his friends as they dig up their most daring adventure yet. Unearthing an old pirate ship, Thomas is on the hunt for Sodor’s lost treasure. When Thomas rocks the boat with some new friends, trouble soon rushes in. Will Thomas track down the treasure in time, or will Sailor John set sail with it? Join Thomas and Friends in this explosive movie adventure.
A struggling waitress, straddling the edge of drug addiction, gets a reality call when the daughter that she gave up at birth reappears.
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
With the holiday season in full swing, Jen Taylor (Mowry-Hardict) is about to score a big promotion at the San Francisco ad agency where she works. But her life is unexpectedly turned upside down when she inherits a cozy inn in Alaska from her aunt. When she goes to inspect the property and meets handsome town attorney Steve Anderson (Mayes), she’s surprised to find that nothing is what she expected. The small town community is full of fun and festive Christmas traditions and soon, Jen starts wondering if the inn might just be the place she belongs, and if Steve could be the Mr. Right she has been waiting for.
