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Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
In 1916, beautiful young mute Helen is a domestic worker for elderly, ailing Mrs. Warren. Mrs. Warren’s two adult sons, Albert (a professor) and womanizing impudent Steven, also live in the Warren mansion. Mrs. Warren becomes concerned for Helen’s safety when a rash of murders involving ‘women with afflictions’ hits the neighborhood. She implores her physician, Dr. Parry, to take Helen away for her own safety. When another murder occurs inside the Warren mansion, it becomes obvious that Helen is in danger.
TAKE TWO is a true story of a man named Robert and his daughter Kristi. As a decadent Hollywood film producer who bottoms out in Los Angeles and loses everything, he continues to wake up every morning to his same failed life. He decides to leave LA to seek a new life, only to quickly realize he has taken himself with him. In the beginning of his trek he meets a beautiful young woman in a bar in Wyoming and has a one night affair that leads to the birth of a baby girl. He later discovers that he is the father of a 3 year old daughter who is enduring a living hell of abuse, neglect, and poverty; raising her younger siblings on her own. Accepting his new calling to do whatever it takes to rescue his daughter; his journey leads him to cry out to God and cleanup in the process. Together, they discover the meaning of sacrifice, the love of a Father, and God’s sovereignty in the midst of brokenness as they save each other through His faithfulness.
A young woman becomes filled with a horrible dread when she discovers that her brother may actually be something other than he appears.
Set in old rural district, Charlie pretends to be an ALS patient so he can gain sympathy from others. He runs a charity organization where he secretly carries out all sorts of nasty business. The village chief Fung Yan-bing is a dishonest man who likes to test others with money and take advantage of them. Along comes a beautiful woman named Yu Zan, a materialistic lady who loves money more than anything. However, the woman is carrying the baby of her ex-boyfriend who is a well-known tycoon’s heir. The arrival of the baby will soon change the mentalities and nature of the three problematic human beings
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
Dolly, an attractive woman, fakes marriages and runs away stealing all the precious belongings of the groom and his family. Dolly’s modus operandi is to get her fake brother to identify prospective grooms & then entice these men to fall in love with her. Attracted by her charms, these prospective grooms are ready to do anything for dolly including going against their parents’ wishes to marry her.
There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.
At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.
Based on a true story (written by and starring the two dingbats who lived it). It’s about two men who both used to be married to the same woman. Now divorced from her, they move in together to try to straighten out their lives, and end up driving each other crazy.
Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.
After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.
Bob Lessing is a successful businessman who becomes amorously entangled with a dangerous and mysterious woman. What Lessing doesn’t realize is that she has been sent by her powerful criminal boyfriend Vic Haddock to collect a large sum of drug money owed to him by Bob’s murdered brother.
Two policewomen from Internal Affairs arrive in a provincial precinct to investigate the death of an Algerian woman who was an informer. One punches, the other eyes, tip top.
The recently deceased Mona Dearly (Bette Midler) was many things: an abusive wife, a domineering mother, a loud-mouthed neighbor and a violent malcontent. So when her car and corpse are discovered in the Hudson River, police Chief Wyatt Rash (Danny DeVito) immediately suspects murder rather than an accident. But, since the whole community of Verplanck, N.Y., shares a deep hatred for this unceasingly spiteful woman, Rash finds his murder investigation overwhelmed with potential suspects.
Dramatic comedy about two unlikely people who find each other while looking for love. Judith Nelson (Holly Hunter) is suddenly single after discovering her husband of fifteen years, a successful doctor (Martin Donovan), has been having an affair with a younger woman. Judith stews, plans, plots and fantasizes, but she can’t decide what to do with her life until she goes out to a night club to see singer Liz Bailey (Queen Latifah), who is full of advice on life and love. While out on the town, Judith is suddenly kissed by a total stranger, which opens her eyes to new possibilities … which is when she notices Pat (Danny De Vito), the elevator operator in her building.
Dorian and Angus chase down their womanizing stepfather with a helicopter, frightening him to death. In his effort to cover their tracks, Dorian begins investigating his stepfather’s mistress, Sally. She works at a fast-food drive-through, she’s pregnant and Dorian quickly falls in love with her. Unfortunately, his scheming mother wants Sally dead. And Sally isn’t sure she wants Dorian to be her child’s father and also his brother.
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It’s bad luck for the women at the cash desk not to be Judith, because Eunice is eccentric, angry and extreme dangerous. One day she meets Miriam, hard of hearing and a little ingenuous, who feels sympathy for Eunice and takes her home. Miriam is very impressed by Eunice’s fierceness and willfulness and follows her on the search for Judith. Shocked by Eunice’s cruelty she tries to make her a better person, but she looses ground herself.
The reboot follows two of America’s wealthiest families, the Carringtons and the Colbys, as they feud for control over their fortune and their children focusing on Fallon Carrington, the daughter of billionaire Blake Carrington, and her soon-to-be stepmother, Cristal, a Hispanic woman marrying into this WASP family and America’s most powerful class.
A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
The story follows a 16-year-old Icelandic boy, Ari, who lives with his mother in Reykjavík, She has to leave the country for a new job, sending him back to the small town of his youth. There he finds his old friend, suddenly a young woman with a tricky romantic relationship; and his father has become a victim of the financial crisis.
A coming-of-age story about an outsider who, against all odds and numerous challenges, fights for love and acceptance and for her place in the world. The series centers on a young orphaned girl in the late 1890’s, who, after an abusive childhood spent in orphanages and the homes of strangers, is mistakenly sent to live with an elderly woman and her aging brother. Over time, 13-year-old Anne will transform their lives and eventually the small town in which they live with her unique spirit, fierce intellect and brilliant imagination.
A wife’s husband is cheating on her. She decides to go on a road trip with her husband’s other woman. While driving the two women pick up a hitchhiker. The man they pick up may be a robber and murderer on the run from the cops. A policeman who is tracking the hitchhiker has a close eye on them, but the question is why?
Mackenzie “Mickey” Murphy is a hard-living, foul-mouthed, cigarette-smoking woman who moves to affluent Greenwich, CT to raise the spoiled kids of her wealthy sister who fled the country to avoid a federal indictment. She quickly learns what the rest of us already know – other people’s children are awful.
The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.
Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.
A girl from another dimension uses a mysterious function – The RANDOM – to materialize in our world and perform a certain mission. She does not know the aim, she follows her intuition and absolute trust in the Game. On her way to the town she meets different people… those who she has to help… and those who she would better not meet. A pregnant girl with an amazing gift… An insurance agent exploring his dark side… A policewoman dancing flamenco… A man trying to find his daughter he left 20 years ago. Their roles are not random either, in this game called The RANDOM
Scuba-diver turned beach-bum Jonathan Slade is forced back into his previous milieu – the world of international espionage – in order to retrieve Black Boxes from an American jetliner that crashed under mysterious circumstances into the Black Sea. With his computer-hacker younger brother, Slade travels to a resort on the Russian-Turkish border to begin his quest. To his surprise and dismay, he’s now joined by another secret agent, a beautiful but highly-skilled woman named Alex. As they begin diving in search of the downed jetliner, Slade and Alex begin to suspect they’re being manipulated by higher-ups who may not be committed to American interests.
Al McCord is hanging out at his favourite restaurant when he meets an attractive young woman (Ellie) who is looking for a ride from the city out into the Mojave Desert, where her mother lives. Little does he know that while Ellie is falling in love with him, he is falling for her mother (Julie), despite the nearby presence of Julie’s boyfriend who seems likely to go berzerk at any moment. Even more strange, hilarious events follow and it’s up to Al to find some explanation. His life may never again be the same.
A spoof of the late 80s and early 90s suspense thrillers and murder mysteries, including Basic Instinct, Sleeping With The Enemy, Cape Fear and others. A cop/attorney (yes he’s both) is seduced by a woman while his wife is having an affair with a mechanic. Lots of other sublots and visual gags in the style of Naked Gun.
Broadway legend Elaine Stritch remains in the spotlight at eighty-seven years old. Join the uncompromising Tony and Emmy Award-winner both on and off stage in this revealing documentary. With interviews from Tina Fey, Nathan Lane, Hal Prince and others, Elaine Stritch: Shoot Me blends rare archival footage and intimate cinema vérité to reach beyond Stritch’s brassy exterior, revealing a multi-dimensional portrait of a complex woman and an inspiring artist.
A medicine woman – a giver of life – is asked to hide a secret which may protect one life but which will destroy another.
Takashi is country hipster, work avoiding, not-so-smart life expert in vague rural-urban area in the north from Tokyo. He lives together with his grandmother and laughs at his friend who goes to real work – shoveling cow manure. On one day, a young woman arrives to the area and claims to be Takashi’s half-sister from this’ father’s escapade. And she is the kind you can’t get easily rid off…
A woman’s journey of self-discovery and the dynamics of her zany family. Alexis Fish (Gina Rodriguez) is left broke and broken-hearted after the death of her cheating husband, working as a phone sex operator and a walking meatball hero. As she returns to her hometown of Brooklyn for a distant aunt’s funeral, she fears to admit to her family and overbearing mother (Priscilla Lopez) that her life is a mess. With help from her quirky sister Kayla (Ana Ortiz) and a new love interest (Steven Strait), Alexis realizes she must let go of her past to define her own future.
Six men, one woman (and her brother) come together with one goal – to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
