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Murder is something to sing about when Mystery Woman Samantha Kinsey-an expert in pulp fiction, and increasingly proficient when it comes to real-life crime-untangles a record-breaking murder. Mystery Woman bookshop owner, Samantha Kinsey, has offered to host a charity concert for a once-famous folk-rock trio out to recapture their old fame flame. But sweet success hits the ultimate sour note when the band’s promoter is found murdered in his hotel room. Sam and her partner in crime, Philby, investigate, digging up deadly secrets of private indiscretions, professional greed, and personal vengeance that put a twisted spin on fame and fortune-and bring a whole new meaning to a Top Ten hit.
When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.
Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.
Vera Parks (Melissa Gilbert), an overly intense and demanding Broadway director, gets fired from yet another job, leaving her no choice but to take a gig directing a small town Christmas pageant in upstate New York. Stunned at how basic the production is, Vera attempts to back out, but is convinced by some of the locals to give their town a chance. To her surprise, the warmth and charm of the small town grows on Vera and she even enjoys the experience of directing the pageant. When Vera discovers her former fiancé Jack (Robert Mailhouse) recommended her for the job, she is outraged. But over time Vera appreciates the gesture, as she grows close to both Jack and his young daughter (Lennon Wynn). Will love stay in the wings this time around?
Based on a true story, The Christmas Choir is the inspiring account of how one man can make a remarkable difference simply by giving of himself. Workaholic accountant Peter Andrews (Jason Gedrick) has overlooked Christmas, friends and even his fiance for far too long. As a result, his life begins to fall apart. But a chance encounter with a homeless man named Bob (Tyrone Benskin) changes everything and inspires Peter to start a choir that eventually goes on to enormous success. With the help of the unconventional Sister Agatha (Rhea Perlman) and his new found friends at the shelter, Peter learns that Christmas is not a season but a state of mind and that everyone deserves a second chance at life and love.
US Army sergeant Cody Cullen’s horror tour in Afghanistan ends when his mate Jonesy is blown to pieces while they deliver medical supplies in Nurestan. Cody is sent home to return private possessions to Jonesy’s bride turned widow. On his way home he passes Nevada City, California, where he meets Faith Spelman, who writes the parish’s Christmas cards to lonely soldiers, coincidentally including him, an orphan. He happens to save her dad Luke from a serious car run-over. The Spellmans invite Cody home for dinner, then the Christmas tide. He proves a great help in the family logging firm. Vietenam vet Luke wants Cody as son-in-law, but although charmed, Faith still seems committed to rarely present fiancé Paul, a wine broker.
Nathan Andrews is all grown up. As a young doctor, Nathan finds himself questioning his career choice, so he goes to his hometown to soul search and reconnect with his father. Once home, a blossoming romance with teacher Megan Sullivan and a fast friendship with student Charlie Bennett teach Nathan to live life in the moment and embrace the time he has with friends and family.
Struggling actor Wayne Wenders (Eric Mabius) is comically famous for starring in a low-budget commercial for Irritable Bowel Syndrome medication, a reputation he is hoping to change when he finally lands a starring role in a national root beer ad. But when the paycheck for his big break is delayed, Wayne looks for other options to pay his increasingly late rent and ends up interviewing for a gig teaching Shakespeare at the local high school. Principal Brenda Post (Stefanie Powers) hires Wayne for his natural theatrical talent and enthusiasm, but Wayne is soon surprising himself with his love of the job—and for fellow English teacher Amy (Virginia Williams), who is immediately impressed with Wayne’s passion and his idea to teach the students with an exciting film project. As Wayne’s understanding of teaching develops and his relationship with Amy evolves, he must ultimately decide if his dreams of stardom are really worth sacrificing everything for.
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?
50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.
Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses (Mal Arnold) runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont (Connie Mason), and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
The Edge of love is a love story of two feisty women and a brilliant, charismatic poet who love both women. One woman Vera Phillips who is his first love and whom he lost for ten year, while other one is his present wife Caitlin who is adventurous and felt same adventurous nature in this charismatic poet, Dylan Thomas, also.
When radio love guru Dr Emma Lloyd convinces Patrick Sullivan’s fiancée to dump him the week before their wedding. He sets about teaching her a lesson for interfering in other peoples lives that she knows nothing about. Things take a turn when he finds himself falling for the very person who ruined his life and everyone is going to have to learn a few lessons about ‘Real Love’
THE BANDIT is a film about 70s superstar Burt Reynolds, his best friend, roommate and stunt-double Hal Needham, and the making of their unlikely smash-hit SMOKEY & THE BANDIT. The film tells the action-packed story of the making of SMOKEY, while tracing the vivid personal journeys of Reynolds and Needham from obscurity to stardom and highlighting one of the most extraordinary relationships in Hollywood history. Featuring new interviews with Reynolds, rare archive material, including footage from Reynolds’ personal archive, as well as candid interviews with the late Hal Needham, the documentary tells an exhilarating and moving story about loyalty, friendship and creative risk.
The deserted island hotel hides a dark and sinister secret. Hundreds of years ago a witch held sway there, dominating her coven and spreading an evil that has seeped deep into the earth. Two centuries later, a photographer and his virginal fiance sneak onto the island to research its gruesome history. Soon all will find themselves falling victim to a horror that has survived the ages….
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
The first of several social realism films by Ken Loach, this had less impact than those made as TV plays. Poor Cow follows the tangled life of Joy, who turns to Dave after her lover is jailed for theft. When Dave in turn is jailed, she is left with a son to keep. When he goes missing, she sees what’s important.
Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
Intimate, personalized portrait of women of the 1960s through the eyes of one colorful class that graduated in 1969 – same year as Hillary Clinton – and recently turned 65, starting to explore the New Old Age. At a time when these Boomers’ parents were asking less of themselves, many of these distinguished citizens are asking more, feeling a Third Wind. Where will it take them? Some are determined to keep making waves. The trigger for these revelations/reminiscences is the class’s yearbook. Each photo was a collaboration with a sexy Turkish artist, is full of the 60s spirit of risk, rebelliousness, creativity. Indeed, this yearbook wasn’t a book at all. The portraits came to each alumna loose leaf, in a box. Hence our metaphoric title: Unboxed! Written by Anonymous
Two young men seek the solitude of the country; their peace is disturbed when a set of random occurrences suggest to their susceptible minds a pattern with sinister meanings.
Picking up some time after the events in the first movie, Sean Lau is now the Commissioner of Police after the successful rescue operation. However, things turn bad when his wife and daughter are kidnapped. Sean has to seek help from former rival and retired DCP, Waise Lee, to return to his job to help save Sean`s wife and child.
A schoolteacher and amateur sleuth suspects foul play when a fellow passenger on a sea-plane gets sick and dies. The third and last film with Edna May Oliver and James Gleason as the astute schoolteacher Hildegarde Withers and the New York Police Inspector Oscar Piper busy solving crimes. Based on a series of crime novels by Stuart Palmer.
CHOPPING BLOCK follows a group of corporate guys who get laid off. Desperate times call for desperate measures. They decide to kidnap their ex-boss’s daughter for ransom. Things take a bloody turn, when the boss’s daughter just happens to be the only survivor of a masked psychopath. A masked psychopath still out for blood. Hilarity & bloodshed ensue…
Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.
Two Turkish anti-terrorist agents are sent to New York City on a mission to find and bring back the dangerous Islamic leader codenamed “Dajjal”, believed to be hiding in there. Working with the FBI and NYPD, the agents orchestrate the arrest of Hadji Gumus, a well-respected Muslim scholar and family man who years before fled to the United States after being released from a Turkish prison, where he served time for murder. This tale love, friendship, peace and prejudices, takes us on a journey seeking to answer the question of whether innocence or guilt even matters to one who lusts for vengeance.
After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.
It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.
In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.
Without the security of the job he wants or the future he dreamed of, Paul Dynan plans the perfect crime to help his struggling family – abduct the socialite children of three wealthy men and collect a ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money.
A quantum physics professor is forced to take action after being drugged by the shaman of a Jewish cult who wants him to come back home and become the man he once was.
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the “Ice Man”. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
Blackfella Charlie is getting older, and he’s out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don’t generally make much sense, and Charlie’s kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.
As Abraham Lincoln labors over the Gettysburg address, the importance of which he is fully aware, he learns that a menace from his past has returned, threatening to tear the already fractured nation to pieces. He must journey behind enemy lines to face an foe far more fearsome than the Confederate army: the walking dead.
Terry Jones presents Boom Bust Boom. The result of a meeting between writer, director, historian and Python Terry Jones and economics professor and entrepreneur Theo Kocken. Co-written by Jones and Kocken and featuring John Cusack, Nobel Prize winners Daniel Kahneman, Robert J Shiller and Paul Krugman, the film is part of a global movement to change the economic system through education to protect the world from boom and bust. A unique look at why economic crashes happen, Boom Bust Boom is a multimedia documentary combining live action with animation and puppetry to explain economics to everyone.
