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Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients greed. They have achieved almost everything, but there is one career move left: to finally become a partner in the company! When they find out that their team colleague Hellinger made the cut, they are at their wits end. Up or Out is the name of the game. The fact that Hellinger falls from an office window for no explainable reason doesnt seem to help the situation. Of all people, the young and ambitious Bianca steps in for Hellinger. Öllers and Niederländer are irritated, sarcasm spreads, neuroses break out. The fight for survival within the company takes its toll the AGE OF CANNIBALS dawns.
“Chile On Hell” was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax – Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax’s entire catalogue – all the fan-favorites including “I Am The Law,” “Indians,” “Madhouse,” “Caught In A Mosh,” “The Devil You Know,” and “I’m Alive.” “Santiago was the perfect place to film the show for this,” said Anthrax’s Charlie Benante. “When we’d played there in the past, we’d finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn’t stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn’t we want to film a DVD in front of an audience like that?
During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire), Jonas Åkerlund takes a radically new approach to capturing the emotion and thrill of Rammstein’s live performance. Jonas Åkerlund: “We shot two nights in Paris, and we had 30 cameras, so that gives you 60 angles, plus we shot a dress rehearsal for close-ups. That gives you a massive amount of footage. This is a whole Rammstein-show, and I take the footage and cut it with the same precision that I would a 3-4 minute music video. Even with a big crew of editors, it took us over a year to nail down the edit. Looking at it now – that is the strength of this project. It really brings the show alive and shows what Rammstein is all about.”
After his family falls apart Joshua (writer/co-director/star Aaron Ellis) is forced to move to Canada. It is there he meets Jay (Justin Liles), a local tattoo artist who fled the violent actions of his parents back home in Alabama. Both young men, abandoned and lonely in their own way, find themselves falling for one another… until a pair of high school brats intrude on the boys’ growing relationship. This LGBT film has won numerous awards at film festivals, including Best LGBT Feature Film at the Accolade Competition and the Independent Filmmakers Showcase IFS Film Festival, as well as Best Leading Actor and Narrative Feature at the IndieFEST Film Awards.
Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last… until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.
In a country famous for its success in international beauty pageants, three young women are fighting to participate in their nation’s most celebrated cultural institution. But obtaining a place in the Miss Venezuela contest is no easy task. Women must endure grueling diets, consent to intensive plastic surgery, and find the resources necessary to transform themselves from ordinary citizens into famous and illustrious Misses. To Be a Miss is a character-driven documentary that takes the viewer through the inner workings of Venezuela’s renowned beauty factory, revealing the risks and rewards associated with this multi-billion dollar industry while exposing what nationalism, personal ambition, and the influence of mass media has meant for women in the country.
Soo-hyun comes across magical pills that allow him to go back and forth in time. 30 years to the past, young Soo-hyun meets future Soo-hyun and learns that his girlfriend will soon die because of him. In order to save her, the two Soo-hyuns try to change the past together, but a completely new and unexpected past is formed that leads to a new future.
Katsu (Mitsuko Baisho) is a 73-years-old woman. She often makes trouble with her biting remarks. While raising a daughter alone, Katsu was unable to live the life she wished for. One day, Katsu goes to a photo studio and takes a picture. She leaves the photo studio, but finds that she is now 20-years-old (Mikako Tabe) again. Katsu changes out of her grandmother clothes, picks out a more youthful style and names herself Setsuko Otori. Later, Katsu decides to take part in a singing contest held in a shopping district. Her singing fascinates the audience and she wins the contest. Katsu begins to move closer to her past dream of becoming a singer.
While managing a run down abattoir, young Muslim Raghdan Aziz stumbles through cultural chaos and generational conflicts, dealing with enraged fathers, stoned buddies and an alleged ex-lover of his girlfriend.
After claiming countless lives, the fairies won the great battle with the demons. However, the leader of their Kunlun sect Yu Qingzi died for his young apprentice Xiao He. 500 tranquil years later, Xiao He finds himself face to face with a resurrected Yu Qingzi.
2021 – 5 years after the outbreak of a mysterious virus that turned humans into bloodthirsty, undead beasts much of the world’s population has been decimated. When governments were unable to keep the disease at bay, the Contagion Special Unit was formed with the toughest soldiers and best specialists to fight the infected. Because of the rapidly decreasing number of soldiers, a popular online video game Dead Trigger that mirrors the terrifying events was created. The best efforts of the gamers are monitored by the CSU who recruit the highest rated zombie killers. The young recruits are called “Dead Triggers”. The movie follows a group of young recruits who must travel to the origin of the outbreak to find a missing team of scientists who were searching for a cure.
After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.
Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world.
Madge Hooper, owner of several small businesses in town, was killed during one of her daily walks along Yellow Ridge woods in the 1970′s. She died of a single shot gun blast to the chest then finished off by decapitation. Madge’s head was buried somewhere in the area of Yellow Ridge. Legend has it that if you go to a particular part of the woods at a particular time of day you can see the ghost of Madge Hooper wandering around in the woods looking for her head. After some bizarre killings of innocent campers begin to surface, John and Clarence, two local good ‘ole boys set out to prove that the ghost of Madge Hooper actually exists.
A doomsday virus of madness and death has destoyed the world’s adult population. Only the young survive. They watch in horror as their parents go mad and die. Haunted by terrifying memories, they fight for life in a bleak wasteland. Gangs of teens and outlaw children roam the scarred landscape. Sisters Evie and Fran keep to themselves, two outsiders gathering food and moving from town to town.
Inspired by a true story, ‘Transatlantic Coffee’ is a tale of boy meets girl, boy falls in love with girl …only the boy is a 41 year old clown, the girl, a teenage stripper from London. Alex is battling bleak circumstances within his version of a hostile world. However, his outlook evolves with the emergence of the young, sharp and adventurous, Mandie. The oddball duo embrace each other for who they are, until Alex’s secret trauma bubbles to the surface, leaving for a climax that should not be missed.
WWE fans, you have waited long enough! His glistening wardrobe, often-imitated cadence and grandiose style was outshined only by his virtuoso performances in the ring. Macho Man, with his gorgeous leading lady Miss Elizabeth, embodied the raging 80s in WWE and later, compounded his success in WCW. Now, the complete story of his incredible life can finally be told in Macho Man: The Randy Savage Story.
Did you ever think you knew someone, only to find out everything you believed was dead wrong? Vivica A. Fox (Kill Bill), Clifton Powell (Norbit), Tamika Scott (Meet the Browns), Angell Conwell (Soul Plane) and R&B singer Sam Salter star in this compelling musical comedy/drama about a naive young woman who’s duped by her smooth-talking new boss. Performed in front of a live audience, There’s a Stranger in My House will win you over with love, laughter, truth and song!
College students from Youngstown, Ohio were planning a simple fashion blogging documentary before a zombie invasion changed their film, and their lives. Teaming up with an ex-soldier turned zombie-hunter, the co-eds face threats from the undead and their corporate overlords.
Sara was placed in care aged 11. Now 28 she hears her mother has died. She goes to the funeral and realises her brother and father don’t recognise her so keeps quiet about her identity. When watching her father’s house, she finds out she has two younger sisters, and realises that what’s going on connects to her childhood…
Now in his fifties, Vagn leads a solitary life and plays football with a group of similarly aged men, some even older. After being left behind at a petrol station by his teammates on their way to a match in Sweden, he encounters a young habitual offender and together they set off in hot pursuit of Vagn’s buddies. A Nordic road movie taking in a whole series of comic, serious and, above all, well-written scenarios.
Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film’s plot.
Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?
A documentary which focuses on Indie Horror Filmmakers from around the world and the perils we’re put through to bring your our films.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
An anthology horror movie featuring four stories. Die Laughing is about a psychotic killer clown stalking a young woman. In The Horror Hostess a movie scream queen gets more than she bargained for when she is interviewed by a TV talk show hostess. The Bad Flower is a nature run amok tale, and The Hunt tells the story of an FBI agent investigating a series of brutal murders in a small town.
Five young adults venture into a bog to excavate some bodies. After a while they find that bodies that have been buried in the bog have risen from the dead and seek to pick them off one by one.
Documentary filmmaker Doug Block had every reason to believe his parents’ 54-year marriage was a good one. But when his mother dies unexpectedly and his father swiftly marries his former secretary, he discovers two parents who are far more complex and troubled than he ever imagined. 51 Birch Street is a riveting personal documentary that explores a universal human question: how much about your parents do you really want to know?
Daniel and Alice take their two young children to Alice’s mother’s house after the tragic and mysterious death of her father. Once there, Daniel learns about several unresolved murder and missing people cases. Daniel and his family also become victims of this town’s dark faith when his wife mysteriously dies and his children go missing. Soon after this tragedy he begins to investigate what’s haunting the town and its residents. In his research he discovers that his wife is a direct descendant of a women known as “La Llorona”, the troubled mother who drowned her children after her husband’s infidelity centuries ago. “La Llorona’s” tortured should haunts everyone and her insatiable thirst for blood will destroy everyone in her path.
With a young daughter, two baby mamas, and his own mama breathing down his neck, Ronald “R.C.” Carr has got more ladies in his life than he can handle! He’s one hit song away from fame and fortune as a music producer, but he can’t seem to find the rhythm that makes him a good, reliable father. Between his love interests scheming to get him to settle down and his unresolved issues with his own father, R.C. has got some growing up to do. It’ll take finding the right harmony of love and forgiveness to be a real man and a true father.
A young couple discovers a secret room filled with cash while house-sitting for rich friends who die while out of the country.
In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii’s illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family
Lucas Simons has become obsessed with death following the loss of his older brother. A shy child, Lucas spends most of his free time filming funerals in an attempt to understand what happens when we die. When Lucas accidentally captures a mysterious presence in one of his films and posts it online, he inadvertently becomes a YouTube phenomenon and the target of media speculation. Suddenly, he and his grief-numbed parents find themselves thrust into the spotlight, shaking them out of their complacency while complicating their relationship. Lucas’s quest for answers leads him toward an unlikely friendship with Chris Brighton (Tim Meadows), a local author who died for nine minutes and lived to tell about it. As Chris takes on a mentor role to Lucas, he helps him navigate the fame while teaching him how to embrace life again and live larger than the shadow of death. (from Nashville Film Festival)
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genoa changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
In the late 1930s, a young machinist named Maurice Richard distinguished himself as a ice hockey player of preternatural talent. Although that was enough to get him into the Montreal Canadiens, his frequent injuries cost him the confidence of his team and the fans. In the face of these doubts, Richard eventually shows the kind of aggressive and skillful play that would make him one of the greatest players of all time as “The Rocket.” However for all his success, Richard and his fellow French Canadians face constant discrimination in a league dominated by the English speaking. Although a man of few words, Richard begins to speak his own mind about the injustice which creates a organizational conflict that would culminate in his infamous 1955 season suspension that sparks an ethnic riot in protest. In the face of these challenges, Richard must decide who exactly is he playing for.
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that’s the sad truth. Until one day Howard learns that he might have a child somewhere out there…
Soon after Ji-won gets a new cell phone, her friend’s young daughter, Yeong-ju, puts it to her ear and immediately begins screaming in terror. When other strange things start happening in connection with the phone, Ji-Won does some investigating and discovers that of the people before her who had the same number, almost all of them died suddenly under unusual circumstances. As Yeong-ju’s behavior becomes increasingly alarming, Ji-won digs deeper into the circumstances surrounding the disappearance of the number’s first owner, a high school girl named Jin-hie.
